Arts and Humanities Commons^™

'Poetry That Does Not Die': Andrew Lang And Walter Scott’S 'Immortal' Antiquarianism, Lucy Wood

Studies in Scottish Literature

The late 19th century essayist Andrew Lang, born in the Scottish borders, shared with Walter Scott a passionate devotion for the Borders landscape, mapped and mediated by Scott’s fictions; in his introductions to the Border Edition of Scott's novels, Lang argued that, by “immortalising” national antiquities, Scott ensured that Scotland's geographical and architectural heritage would be preserved.

Esthétique Environnementale : Art, Écologie Et Politique, Alexandre Melay

The Goose

Loin de « l’idée » romantique de la nature, l’artiste Olafur Eliasson produit des « environnements environnés » à grande échelle mettant en scène les éléments naturels. L’être humain et l’expérience humaine sont au centre de ses installations, invitant le visiteur à expérimenter la spatialité et la temporalité. Eliasson utilise son art pour sensibiliser l’homme avec l’environnement et interroger sa position en tant que sujet phénoménologique. À l’activisme traditionnel, Eliasson propose une autre vision en rapport avec les mutations contemporaines et les enjeux écologiques liés au réchauffement de la planète, tout en préconisant un retour à la nature comme une …

Masks: A New Face For The Theatre, Alexi Michael Siegel

James Madison Undergraduate Research Journal (JMURJ)

This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out of …

A Research Program For Studying Lams And Community In The Digital Age, Andreas Vårheim, Roswitha Skare, Noah Lenstra, Kiersten F. Latham, Geir Grenersen

Proceedings from the Document Academy

The paper outlines a research effort into the changing representations, policies, strategies, activities, and practices of libraries, archives, and museums (LAMs) in the digital age. Comprehensive social changes including big slow-moving processes, such as aging populations, global migration, technological change, and environmental change, expose communities and LAM institutions to vulnerabilities. How do the institutions handle vulnerabilities, how do they become more resilient, and how do they contribute to building the resilience of their local communities?

“A Bright Pattern Of Domestic Virtue And Economy”: Philadelphia Queensware At The Smith-Maskell Site (28ca124), Camden, New Jersey, Thomas J. Kutys, George D. Cress, Rebecca L. White, Ingrid A. Wuebber

Northeast Historical Archaeology

Excavations at the Smith-Maskell Site (28CA124) in the Spring of 2011 by URS Corporation revealed a number of early 19th-century features behind what was once 318 Cooper Street in Camden, New Jersey. These features produced significant quantities of Federal period tea and tablewares, including a number of Philadelphia Queensware vessels. During this period Camden was beginning its transition from a scattering of sparsely populated villages to a city of summer residences and country retreats for Philadelphia’s well-to-do middle class. The likely owners of the Philadelphia Queensware found at the Smith-Maskell Site were among this prosperous middle class, and thus the …

The Rise And Fall Of American Queensware 1807-1822, Rebecca L. White, Meta F. Janowitz, George D. Cress, Thomas J. Kutys, Samuel A. Pickard

Northeast Historical Archaeology

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This article examines the history of several manufacturers of American queensware in Philadelphia, Pennsylvania, and beyond. Our research reveals that efforts to produce queensware were more extensive and widespread than previously thought. This survey expanded as we discovered references to contemporary queensware potteries in other parts of the United States during the first two decades of the 19th century. In all, 14 queensware-manufacturing ventures are identified and described from Pennsylvania, New Jersey, Ohio, what is now West Virginia, Vermont, and New Hampshire. Much of this research is drawn from period newspaper notices, advertisements, and surviving personal correspondence. The period …

The Black Death And Painters’ Remuneration In The Kingdom Of Majorca, Doron Bauer

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Weaving Sanctity: The Textile Relics Of St Cuthbert, Elisabeth Cremeens

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Music Of Angels In Byzantine And Post-Byzantine Art, Amy Gillette

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Determining The Stylistic Origin Of The Toledo Gate (La Puerta De Toledo) In Ciudad Real, La Mancha, Spain Using Terrestrial Laser Scanning, Kamila Oleś, Kaitlyn Kingsland

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Medieval Architecture And Technology: Using Gpr To Reconstruct The Choir Screen At Santa Chiara In Naples, Lucas Giles

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Traded, Then Venerated: The Fictitious Sacred Histories Of Two Nasrid Vases, Andrea M. Ortuño

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Bench Ends In The Church Of St John The Baptist, Bressingham, Norfolk, Uk, Richard Hayman

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review Of Mailan S. Doquang. The Lithic Garden. Nature And The Transformation Of The Medieval Church (New York: Oxford University Press, 2018), Gili Shalom

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review Of Costanza Beltrami, Building A Crossing Tower: A Design For Rouen Cathedral Of 1516 (London: Sam Fogg/Paul Holberton Publishing, 2016), Kyle Killian

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Discoveries

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review: Of Earth And Heaven. Art From The Middle Ages (London, Sam Fogg, 2018), Julia Faiers

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review Of Renana Bartal, Gender, Piety, And Production In Fourteenth-Century English Apocalypse Manuscripts (London: Routledge, 2016), Laura Slater

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review Of Facing The Text: Extra-Illustration, Print Culture, And Society In Britain 1769 - 1840 By Lucy Peltz, Madeleine L. Pelling

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review of 'Facing the Text: Extra-Illustration, Print Culture, and Society in Britian 1769 - 1840,' Lucy Peltz by Madeleine Pelling

Colonial Maps And A Cartographic Reckoning In Post-Revolutionary Mexico City, Delia A. Cosentino

Artl@s Bulletin

By the 20^th century, 16th-century maps of Mexico City were not new, but their value was renewed by an urban elite grappling with the nation's historical geography. The capital saw fresh developments, including modern architecture and industry, while early excavations offered glimpses of Aztec Tenochtitlan buried beneath. This stratigraphic tension necessitated a reckoning; of concern here is the way that visual and intellectual cultures engaged in a particular cartographic reckoning. Colonial maps filled a void as artists, architects, art historians, and others worked to reconcile Mexico City’s modern identity with its ancient foundations.

Disputas Imperiales Por Latinoamérica: Un Ensayo Comparativo En Torno A Dos Proyectos Cartográficos De Alfredo Guido Y Miguel Covarrubias, Fabiana Serviddio

Artl@s Bulletin

En este trabajo propongo ensayar una comparación entre dos proyectos artísticos casi contemporáneos realizados en los albores de la Segunda Guerra Mundial, que problematizaron su pertenencia cultural a relatos regionales preestablecidos. En primer lugar, se abordará el análisis de Carretera Panamericana(1942), obra mural del artista argentino Alfredo Guido; en una segunda instancia, se hará referencia al proyecto de los seis mapas pictóricos realizados por Miguel Covarrubias para la Exposición Internacional Golden Gate de San Francisco, en 1939 (deteniéndome en particular, en Formas artísticas del área del Pacífico yPoblaciones del Pacífico). Las cartografías pictóricas de Alfredo Guido y …

Mapping Colonial Interdependencies In Dutch Brazil: European Linen & Brasilianen Identity, Carrie Anderson

Artl@s Bulletin

In Dutch Brazil, the Brasilianen were essential allies to the West India Company. To maintain this critical alliance, the Dutch presented them with gifts of linen, a fabric in high demand. Representations of Brasilianen wearing linen garments were pervasive and include an image on Joan Blaeu’s 1647 map of the Brazilian Captaincies of Rio Grande and Paraíba. Traditional interpretations of these linen-clad Brasilianen prioritize a center/periphery model; in contrast, I argue that these pictured linens document the interdependencies between the WIC and the Brasilianen, a position supported by digital maps plotting Dutch/indigenous exchanges.

Indigenous Stylistic & Conceptual Innovation In The Uppsala Map Of Mexico City (C. 1540), Jennifer Saracino

Artl@s Bulletin

The only known map of Mexico City painted with the collaboration of indigenous artists, the Mapa Uppsala (c. 1540) depicts the city and surrounding Valley of Mexico. This essay counters previous characterizations of the map’s formal composition as one that has fully espoused European cartographic modes. This essay contextualizes the Mapa Uppsala within the extant corpus of pre-Hispanic and early colonial cartographies to demonstrate that a closer analysis of pictorial conventions and structures can shed light on how and why the artists might have consciously selected particular pictorial strategies.

El único mapa conocido de la ciudad de México pintado con …

Thinking Globally, Mapping Locally: Styles And Discourse In Transatlantic Cartography, Delia A. Cosentino

Artl@s Bulletin

Maps have the special capacity to create and project spatial frameworks through both their physical and stylistic forms. The close study of maps as constructed objects re-centers the principle element of any art historical problem, relational thinking through visual culture. A cartographic representation examined as an element of its historical context can simultaneously articulate a specific perspective on a particular place, and reveal broader dialogues of which that viewpoint is one part. The articles brought together here examine a variety of local mappings contingent on more global thinking in the transatlantic world, from the colonial period to the twentieth century.

Suspended: The Art Of Paul Stopforth, Jonathan Shirland

Bridgewater Review

No abstract provided.

Returning The Radiant Gaze: Visual Art And Embodiment In A World Of Subjects, Beth Carruthers

The Goose

Drawing on the latter thinking of Maurice Merleau-Ponty, as well as on the ideas of other contemporary philosophers and theorists, this essay considers the denigration of vision from Plato to twentieth-century anti-ocularism, and argues for the reclamation of vision and visual perception as sensuous, embodied interplay between humans and world, self and other—an opening to wonder and more sensitive human-world relations. It does so through a phenomenological exploration of the process of art-making, and consideration of the role and value of artworks and images in the world. This essay is first and foremost an enquiry. As such it promises no …

Lessons For Life, Andrew Becker

Best Integrated Writing

Andrew’s paper is well structured, and it clearly shows his interaction with the material he chose to read and displays his beginning personal journey in understanding Zen Buddhism. The rewrites and editing of the paper he composed brought him closer to what he was trying to say. The final version of his writing and editing process exhibits the discipline a first-year student can master. Those who research the brain tell us that when a student makes the type of personal connection that Andrew has with the academic material the student remembers the material studied long after the class has ended.

The Struggle Within, Robert Puthoff

Best Integrated Writing

In The Struggle Within, Bob seeks to understand basic teachings for Hindus in The Bhagavad Gita and then ambitiously seeks to apply some of those lessons to his own life as a college student. Bob is one of the few students who chose to read The Bhagavad Gita, which speaks to his ability to challenge himself academically; in addition, he also uses one of the class’s textbooks to help him decipher key elements of the story. Bob’s leap from The Bhagavad Gita into his own life experience is a tribute to his ability to look at his life and to …

Gone With The Wind, Mike Fallen

Best Integrated Writing

This essay is in response to an assignment that required students to select a short book of the Bible and discuss it in two parts. The first section offers an academic appreciation and analysis of the work. In part two students were challenged with imagining that they were a disciple of the author of the book and were asked to compose a funeral eulogy for their recently deceased teacher. Mike’s wonderful essay on Ecclesiastes, a biblical meditation on the meaning of life, is consistently engaging. At times lyrical in phrasing, it is both evocative and insightful---a joy to read.

The Scientific Narrative Of Leonardo’S Last Supper, Amanda Grieve

Best Integrated Writing

This paper presents a clear and original thesis about Leonardo da Vinci’s Last Supper that incorporates important scholarly research and Leonardo’s own writings. The literature on Leonardo is extensive, yet the author has identified key studies and distilled their essential contributions with ease. Moreover, she has looked to Leonardo’s writings on the art of painting to draw conclusions about his great mural.