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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
The History And Signification Of The Navicella Mosaic At St. Peter's Basilica, Rome., Eston Dillon Adams
The History And Signification Of The Navicella Mosaic At St. Peter's Basilica, Rome., Eston Dillon Adams
Electronic Theses and Dissertations
The Navicella mosaic is most famously an artwork created by Giotto di Bondone. Evidence for the appearance and dating of this giant mural is discussed in this dissertation with the conclusion that it was made in 1298 and its composition is best recorded in a Parri Spinelli drawing preserved in the Musée Condé in Chantilly, France. It was admired by untold numbers of worshipers who visited the grand Constantinian basilica of Old St. Peter’s in the Vatican in Rome. The Navicella was located on the façade of Santa Maria in the Towers, an important chapel as well as the gatehouse …
North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb
North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb
Electronic Theses and Dissertations
This thesis examines the history of two North American Indigenous groups, those belonging to the Great Plains and the Arctic, and observes how settler-colonial influence determined the collection and curation of arts and artifacts in these areas. This art includes a mention of pre-Colombian works, but focuses predominantly on works being made after “first-contact” through the contemporary ear. The paper addresses the effect imperialist history has had on the development of Indigenous art markets, and how institutions such as museums may address them through ethical practices, and efforts to decolonize museum spaces.
Common Ground, Diverging Paths: Eighteenth-Century English And French Landscape Painting., Jessica Robins Schumacher
Common Ground, Diverging Paths: Eighteenth-Century English And French Landscape Painting., Jessica Robins Schumacher
Electronic Theses and Dissertations
In the early eighteenth century, both English and French artists traveled to Rome to study the great seventeenth-century landscape artists --Claude Lorrain and Nicolas Poussin in particular—at the source. The English were motivated by a combination of reverence for the ancient, classical world, an associative imagination and a burgeoning competitive art market. The French, by an equal regard for antiquity and the pragmatic desire to complete the requirements of the monopolistic French Academy. While English landscape painting evolved away from the idealism of Claude to a modern naturalism imbued with the artist’s subjective response to a visual experience, French landscape …
Design Guidelines: A Practical Guide To Preserving The Historic, Cultural, And Architectural Heritage Of Gladewater, Texas, Conor Herterich
Design Guidelines: A Practical Guide To Preserving The Historic, Cultural, And Architectural Heritage Of Gladewater, Texas, Conor Herterich
Electronic Theses and Dissertations
In October of 1930, Columbus Marion Joiner’s oil rig, “Daisy Bradford No. 3,” blew a gusher of oil high into the East Texas sky. The subsequent storm of economic activity that resulted from the discovery of the East Texas oilfield irrevocably changed the built environment of many small towns in the region, including Gladewater, Texas. Oil money that flowed into the city funded a flurry of building projects in the 1930s and 1940s that left an indelible mark on the landscape of Gladewater’s downtown area. Unfortunately, a lack of oversight, planning, and guidance has since led to the deterioration of …
The Disjointed Moment : Marking, Mapping, And Making The Real In William Eggleston's Election Eve (1976)., Joel Darland
The Disjointed Moment : Marking, Mapping, And Making The Real In William Eggleston's Election Eve (1976)., Joel Darland
Electronic Theses and Dissertations
This thesis analyzes the photographic book Election Eve (1976) produced by photographer William Eggleston. Eggleston’s photographs represent a complex network of connections between material objects and the potential truth of depiction. The often-nondescript locations that Eggleston photographed in Sumter County, GA in October 1976 appear specific at the outset, but quickly lose their adherence to the supposed realities that they depict. Since his first major exhibition in the mid 1970s, Eggleston’s photographs have presented difficulty because they from often-disparate material sources. Despite of the complexity of Eggleston’s engagement with both art and non-art photography, scholarship continues describe Eggleston’s “snapshot aesthetic” …
Mindful Escapism, Kench Weathers
Mindful Escapism, Kench Weathers
Electronic Theses and Dissertations
This thesis examines the art work included in Kench Weathers’ MFA thesis exhibition. This work explores major themes such as the sacred, contemplation, optical illusion and paradox. The installations involve multiple three-dimensional geometric shapes that are formed with steel tubing (welded together). These works have various inspiration; both contemporary secular and sacred and are influenced by sacred paradox, both visual and ideological. The mixture of the two-dimensional with the three-dimensional creates multistable perception within the viewer. The work introduces visual and perceptual distortions of depth and dimensionality. These forms are nonrepresentational but act as a catalyst for the viewer. I …