Arts and Humanities Commons^™

Kastra: Architecture And Culture In The Aegean Archipelago, Constantine E. Michaelides

Books and Monographs

Final version of Kastra: Architecture and Culture in the Aegean Archipelago, published Summer 2018. “Kastra: Architecture and Culture in the Aegean Archipelago,” is a sequel to “The Aegean Crucible: Tracing Vernacular Architecture in Post-Byzantine Centuries,” published in 2004. “The Aegean Crucible” focused on the vernacular architecture of the Aegean archipelago, while “Kastra” focuses on the collective fortification, a building type vital to survival in the region, during the thirteenth-to- eighteenth-century period. “Kastra” was also written on the conviction that what we identify today as the vernacular architecture of the Aegean islands emerged from the building of Kastra, the medieval collective …

A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis

Bachelor of Fine Arts Senior Papers

In A Document that Transcends Itself: Between Abstraction and Reality, I first present a historical analysis of photography that complicates traditional assumptions of how photographs operate in the world. Rather than functioning as merely an objective record, the photograph takes on a dual status as both a document and an abstraction from reality. The photograph’s ability to selectively decontextualize the origins from which it came from and present itself as something other than what it simply records becomes the core of my artistic practice. This paper will also discuss my conceptual investigations into how we perceive photographs when they …

The Nature Of My Nature; A Story About Relationships, Andrew Mcilvaine

Graduate School of Art Theses

Abstract

As a second generation Hispanic, I am a painter whose work is informed by my personal experience of displacement and longing to belong. In turn, I hope, this longing inspires an important dialogue about place, memory, otherness and belonging. I work in small, intimate scale, evoking narratives of vastness yet also of solitude. The landscape and the natural environment I represent, become populated by anonymous creatures. Both animal and human, posed in semi-natural and semi-artificial settings.

I was born in Texas and grew up in Missouri. The images I produce are often tranquil and surreal yet are grounded through …

Four Sights Of The Patient (Ophelia), Cecily Ann Fergeson

Graduate School of Art Theses

I make work in a variety of media, largely dealing with the imagery and material of the human body. My current work attempts to reckon with the following subjects: a reclamation of the notion of the so-called medical gaze and its historical record in photography; the idea that receiving the medical gaze transforms patients’ bodies; the idea of illness as an uncanny and intimate experience; and, finally, the act of metaphorically retracing the body’s material journey through the medical institution as it exists today. In this text, I discuss my practice in the context of critical theory, a recent observation …

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …

Literarische Filmsimulation: Heinrich Eduard Jacobs Medienphilosophische Filmästhetik In "Blut Und Zelluloid", Paula Vosse

Arts & Sciences Electronic Theses and Dissertations

Heinrich Eduard Jacob´s novel Blut und Zelluloid was published in 1929 and therefore mostly reviewed as a critical artwork regarding European film-propaganda before the outbreak of the Second World War. This thesis provides the interested scholar with a different approach: It discusses Jacob´s media-philosophical method to simulate the upcoming medium film in literature. With his implicitly and explicitly organized systems of diverse media, he circumvents constraints of the Paragone-discourse and offers a well-balanced literary construction.

Jacob´s method is compared with Pinthus´ Kinobuch and Pirandello´s Shoot!, while Simmel and Benjamin provide the thesis with a fundament to support Jacob´s theoretical approach. …

Misassembled Monsters, Jenn Brown

Graduate School of Art Theses

This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story of emotional armoring in an attempt to connect to an audience. In my work, I look to my personal memories of growing up in a small, midwestern town and armoring myself with emotional barriers against its social construct of “normalcy.” Inspired by Medieval suits of armor and the characteristics of Goth culture throughout history, I employ my work to present the stage of a theatrical battleground. Creating each of my pieces is a fight for the …

Strange Woods, Song Park

Graduate School of Art Theses

I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own …

Kinship And Religious Identities In Medieval Central Asia (8th-13th C. Ce): Tracing Communities Of Mortuary Practice And Biological Affinity, Elissa Anne Bullion

Arts & Sciences Electronic Theses and Dissertations

Ethnic, political, and religious upheaval has cascading impacts on social identity. Kinship and religious ritual are two sources of social identity that are particularly salient in periods of change. Their practice provides access to and protection of important social, economic, and ideological resources that help groups negotiate times of uncertainty. During the medieval period (8th-13th c. CE), Central Asia saw the invasion of Arab armies, the rise of Turkic political dynasties, and the spread of Islam. This period yielded a Turko-Islamic culture that pervades modern dialogues on Central Asian history and culture. The local and regional social systems that sustained …

Canonizing Modernism: An Avant-Garde Legacy In France’S Sacred Art Movement, 1937–1958, Heather Renee Read

Arts & Sciences Electronic Theses and Dissertations

This dissertation offers a critical reassessment of modernist involvement in the Sacred Art Movement, the highly controversial Catholic art renaissance undertaken by the French Dominican Order in the fragile World War II era between 1937 and 1954. Marie-Alain Couturier and Pie-Raymond Régamey, the Dominican co-editors of the influential religious art journal L’Art Sacré, led the Sacred Art Movement by arguing that to reveal the timelessness and universality of Catholic themes in the modern world, “it would be safer to turn to geniuses without faith than to believers without talent.” Far less understood are the motives that compelled these same “geniuses …

Earthen Monuments And Social Movements In Eastern North America: Adena-Hopewell Enclosures On Kentucky’S Bluegrass Landscape, Edward Ross Henry

Arts & Sciences Electronic Theses and Dissertations

Geometric earthen enclosures are some of the best known pre-Columbian monuments in North America. Across the Eastern Woodlands, many have been preserved as state and national parks. However, their chronological placement is poorly understood as they relate to the rise of complex social behaviors associated with the Adena-Hopewell florescence (500 BC–AD 500) in the Middle Ohio Valley. This is especially true for communities who built smaller enclosures referred to by archaeologists as ‘scared circles’. To better understand the timing, tempo, and nature of their construction I examined the Bluegrass Region in Central Kentucky using aerial and terrestrial remote sensing methods …

Fashioning Florence: Portraiture And Civic Identity In The Mid-Sixteenth Century, Stephanie Ariela Kaplan

Arts & Sciences Electronic Theses and Dissertations

Despite intense socio-political upheaval, portraiture flourished in Florence of the 1530s-1540s. These works remain understudied, and are primarily examined in isolation from their broader context. This study evaluates a series of case studies to determine novel approaches to formulating identity through portraiture during the chaotic second quarter of the sixteenth century in Florence. Positioning the sitter as part of a collective, the artists and their patrons use assertions of civic identity to transcend a sense of otherness as they forge new identities and define new positions. Situated in the transition from republic to duchy, this project offers new insights into …

Canonical Poses And The Gaze, Sarah Oakley

Bachelor of Fine Arts Senior Papers

My work deals with the nude female form and the various depictions that it has taken on. From the early oil paintings from masters like Ingres and Titian, through Playboy centerfolds of the 50s-70s, and continuing all the way up to the contemporary nude iPhone selfie, I explore questions of the gaze, ownership, and commodification of the female form. Starting with my painted Selfie Series and ending with my embroidered pillows, I touch on a variety of framing devices for the female nude and its representation of sexuality in modern culture.

American Encounters: Art, History, And Cultural Identity, Angela L. Miller, Janet Catherine Berlo, Bryan J. Wolf, Jennifer L. Roberts

Books and Monographs

American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions. The text emphasizes the intersections among cultures and populations, as well as the exchanges, borrowings, and appropriations that have enriched and vitalized our collective cultural heritage.