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Full-Text Articles in Arts and Humanities
The Aesthetics Of Frank Lloyd Wright’S Organic Architecture: Hegel, Japanese Art, And Modernism, Kenneth Charles Dahlin
The Aesthetics Of Frank Lloyd Wright’S Organic Architecture: Hegel, Japanese Art, And Modernism, Kenneth Charles Dahlin
Theses and Dissertations
ABSTRACT
THE AESTHETICS OF FRANK LLOYD WRIGHT’S ORGANIC ARCHITECTURE: HEGEL, JAPANESE ART, AND MODERNISM
by
Kenneth C Dahlin
The University of Wisconsin-Milwaukee, 2018
Under the Supervision of Professor Robert Greenstreet, PhD
The goal of this dissertation is to write the theory of organic architecture which Wright himself did not write. This is done through a comparison with GWF Hegel’s philosophy of art to help position Wright’s theory of organic architecture and clarify his architectural aesthetic. Contemporary theories of organicism do not address the aesthetic basis of organic architecture as theorized and practiced by Wright, and the focus of this dissertation …
Humor And Quiet Resistance: The Graphic Work Of Wilhelm Höpfner, Kelsey Jean Mccarey Soya
Humor And Quiet Resistance: The Graphic Work Of Wilhelm Höpfner, Kelsey Jean Mccarey Soya
Theses and Dissertations
Humor and Quiet Resistance: The Graphic Work of Wilhelm Höpfner is an exhibition that was on display at the Emile Mathis II Art Gallery at the University of Wisconsin-Milwaukee November 15–December 20, 2018. The works consist of fine art prints produced Wilhelm Höpfner between 1921 and 1939 in Berlin and the smaller city of Magdeburg. The exhibition and this accompanying catalogue seek to introduce the reader to his work and to provide the cultural context for its interpretation. When discussing the artistic movements of Europe in the early twentieth century, there is a tendency to discuss them as discrete, contained …
An Enigmatic Bodegón: Discovering A Possible Identity Of Murillo's Two Women At A Window, April Lynne Bina
An Enigmatic Bodegón: Discovering A Possible Identity Of Murillo's Two Women At A Window, April Lynne Bina
Theses and Dissertations
For decades, the identity of the two women depicted in Bartolomé Esteban Murillo’s Two Women at a Window has been unknown. Theories range from innocent flirtatious girls, to domestic servants, to prostitutes; I argue for the latter. Little has been done by scholars to prove that the two women are in fact representations of amorous women. In this thesis, I examine a plethora of sources including early modern moralist texts, current scholarship, and contemporaneous seventeenth century visuals. I argue that these two women are representations of Spanish prostitutes, sexually charged literary characters, or both, based largely on patronage, Netherlandish connections, …
Fluid Lines: Tracing Ryakuga-Shiki In Japan And France, Selena Erdman
Fluid Lines: Tracing Ryakuga-Shiki In Japan And France, Selena Erdman
Theses and Dissertations
Rykuga-shiki, or ‘abbreviated picture style,’ woodblock prints were first published and circulated widely in Edo period Japan (1615-1868). The style, created and popularized by Kitao Keisai Masayoshi (1764-1824) was not only admired and studied in its own time, but these Japanese ukiyo-e prints continued to influence style in the West. The work of artists in Paris, Henri de Toulouse-Lautrec (1864-1901) and Henri-Gabriel Ibels (1867-1936) present undeniable similarities (both in style and subject matter) with the ryakuga-shiki. Rarely studied and exhibited, the ryakuga-shiki are a part of the story of japonisme in France. This exhibition presents these prints in the context …
Displaying Legitimacy: Monjas Coronadas Portraits And The New Spanish Family, Kelsey Rozema
Displaying Legitimacy: Monjas Coronadas Portraits And The New Spanish Family, Kelsey Rozema
Theses and Dissertations
Monjas coronadas (crowned nun) portraits are a uniquely New Spanish genre of painting that depicts a young woman on the eve of her profession as a cloistered nun. Situating the sitter as a Bride of Christ, she is adorned in a number of ornate and symbolic religious trappings, the most important of which is a large floral crown. The portraits are highly formulaic and feature New Spanish iconography that amplified these sitters’ elite status as nuns. Modern scholars, when discussing this genre of portraiture, focus on how the iconography of the images reflected the budding Creole culture. However, scholarship has …