Arts and Humanities Commons^™

Liminality As Battle-Line, Hejun Xu, Jingmei Yu

Curating Contemporary Art: Documents & Writings

Sotheby’s Institute of Art is pleased to present Liminality As Battle-Line, a group exhibition curated by Hejun Xu and Jingmei Yu, two MA Art Business candidates in class of 2018. The exhibition will be on view at Sotheby’s Institute of Art, New York from October 31st through November 6th. The exhibition is part of a series of projects curated by students of Sotheby’s Institute of Art enrolled in Curating Contemporary Art.

Enter The Universe, Matthew Blong

Curating Contemporary Art: Documents & Writings

Sotheby’s Institute of Art is pleased to present Enter the Universe, a monographic exhibition of recent work by New York City-based visual artist and poet Maria Dimanshtein, curated by Matthew Blong, candidate, Master of Arts in Contemporary Art, class of 2019.

Walter Gropius, Mies Van Der Rohe And Marcel Breuer: Designing For America, Shiri Chapman-Daniel

MA Projects

Walter Gropius, Mies van der Rohe and Marcel Breuer: Designing for America examines interior and furniture projects by the three European modern designer after emigrating to the U.S. in 1938. Many of these projects are not very well known, or are commonly discussed solely in terms of architecture, yet the interiors in fact reveal interesting and significant developments in Gropius, Mies and Breuer's work. The exhibition highlights the evolution of their designs, as well as the extent to which they were affected by American tendencies and innovations and their lasting impact.

Business Plan Project, Hejun Xu

MA Projects

The business plan is to build an online trade platform dedicated only to selling ceramic art and design in China, our mission is to provide high quality and modern design of ceramic art to middle - and upper - middle class of the country, and is to also reinvigorate the country’s tradition and culture of aesthetic object appreciating

Moral Rights: The Economic Ramifications Of Moral Rights Under Vara In The U.S., Akilah Chandler

MA Theses

When balancing the interests of the art market gatekeepers including patrons, dealers, and auction house intermediaries, with the interest of artists, artists have always bared the shorter end of the stick. It has been almost 30 years since the U.S. legal system acknowledged moral rights and a lifetime that artist have had to defend those rights. However, the question remains— how has the art market balanced these conflicting interests and at what expense? This paper will explore the effects moral rights have on an artist’s market and with that, the overall art market. This paper will also cover the ramifications …

Chuck Close: The Cost Of Behaving Badly, And #Metoo, Rebecca Cohen-Homapour

MA Theses

In July of 2016, artist, Chuck Close was interviewed with a front cover spread in New York Times Magazine to discuss his legendary career. In December of 2017, Close was accused of sexually mistreating women on numerous occasions. This dissertation considers the powerful artist Chuck Close and repercussions following recent accusations against him made by multiple women. It will help us begin to understand how the recent allegations affect art museums and public exhibitions. There is also a discussion analyzing if an artists’ work can be separated from the reputation of its author. A hedonic regression, data analysis and interviews …

Protest Of Controversial Art In New York City Museums In 2017-2018: Reactions, Responses, And Legal/Ethical Obligations Of Museums In The Age Of #Metoo, #Blacklivesmatter, And Activism On The Internet., Isabel Telonis

MA Theses

Over the last two years, museums in New York City have experienced a rise in protest and backlash against the display of works of art, particularly those that are perceived as offensive, controversial, and relevant to current sociopolitical issues.

This thesis explores three case studies of controversy at the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Solomon R. Guggenheim Museum, all of which faced protest and public criticism over particular works of art and responded in a unique way to their respective scandal. This study is comprised of an introduction, four chapters, and a conclusion. …

French Wallpaper Decors: Papiers Peints In Homes Of The American South, Christine Speare

MA Theses

French wood-block printed wallpaper is a very unique mural art form, yet often neglected. With this historical lack of attention, few academics have devoted themselves to the study of the topic, especially in the United States; and yet, wallpaper can reveal so much about past styles, settings, and collectors. Due to the historical changes in fashion, natural aging, weather, war, and neglect, a considerably limited number of collections continue to hang in situ in the American South in relation to the abundant examples found in the Northeast that have been better documented. Yet, the South’s historic affinity for all that …

How Do You Depict The Life Of A Soul?: Word And Text In And As Image In Soviet Nonconformist Art, Matthew Blong

MA Theses

Visual artworks by Soviet nonconformist artists, especially those associated with the Moscow Conceptualist and Sots-Art movements of the mid-1960s to mid-1980s, prominently feature experimentations with word and text—both in and as image—for a wide variety of reasons that have been studied by scholars of Soviet and Russian art.

In this paper, a formal and conceptual analysis of nearly thirty text-and-image artworks by nonconformist artists of the period traces the motivations and inspirations for this highly creative and generative practice. Beginning with the desire to resume where the historic Russian avant-garde had left off, these artworks challenge notions of language as …

The Rococo Revival In Contemporary Porcelain, Ariel Senackerib

MA Theses

The contemporary design market has seen a resurgence of the rococo style. Porcelain has become a popular medium, and artists and designers have been revisiting the possibilities of it by returning to the motifs and symbols of the mid eighteenthcentury. While there is a wealth of existing literature on porcelain manufactories, including Meissen, Sèvres and others, the rococo style is often overlooked in literature for its cultural and theoretical value. The rococo has been given little consideration by art historians, because of its excessive luxury and cultural appropriation. However, many contemporary artists and designers have found new inspiration in the …

The "Whys" Of The Grand Cameo: A Holistic Approach To Understanding The Piece, Its Origins And Its Context, Constantine Prince Sidamon-Eristoff

MA Theses

The Grand Cameo for France is the largest cameo surviving from antiquity. Scholars have debated who is portrayed on the stone and what its scene means for centuries, often, although not always, limiting their interpretations to this narrow area and typically only discussing other causes in passing. This pattern can and should be broken, allowing the stone to be what all objects truly are: windows to the lives that that objects have lived, just as all physical things are; evidence of an experience part of the world went though, whose meanings have and continue to be part of a wider …

Current Issues In The Conservation Of Contemporary Art And Its Non-Traditional Materials, Sandra Hong

MA Theses

The history of art has shown that artists of the present will always find a way to push boundaries and create unprecedented work, whether through the use of foreign materials, new technical processes, or in concept. However exciting this may be, this innovation in the twenty-first century has brought with it an entire world of new challenges for today’s conservators—the specialists tasked with the seemingly impossible duty of preserving art that, by its very nature, refuses to endure. This thesis is an examination of the unique conservation challenges in contemporary art that have been introduced as a result of an …

The Glass Ceiling: Female Artists' Gallery Representation In The New Millennium And A History Of Imbalance, Caroline Currier

MA Theses

The concept of the “glass ceiling” means that an acknowledged barrier to advancement in a profession exists. This paper discusses the state of gender inequality in contemporary New York galleries today, and how they have changed over the past 10 years as well as contextually, throughout history. Often, gender inequality in the art world is made visible by the lacking number of female artist museum shows or through comparing auction prices. Statistics regarding gallery representation is less common, in part due to the fact that artist representation is a fluid process and it is difficult to track these figures over …