Arts and Humanities Commons^™

Review Of Porst, Broadcasting Hollywood, Cynthia Meyers

Journal of 20th Century Media History

A review of the book Broadcasting Hollywood: The Struggle Over Feature Films on Early TV, by Jennifer Porst

Karl Freund’S Hollywood Aesthetic: Maintaining Visual Style Within The Studio System, Casey Walker

Journal of 20th Century Media History

This article explores the distinct cinematographic style of classical Hollywood cinematographer (and briefly director) Karl Freund throughout his Hollywood studio film career (1930-1950). After leaving the German studio UFA, Freund spent two decades in the Hollywood studio system, known for its comprehensible narrative and visual style and hierarchical mode of production, which were considered constraints to the emergence of a unique visual style from any one filmmaker. Previous studies on cinematographers’ authorship and poetics focus almost universally on Gregg Toland, a cinematographer who largely worked outside of the big Hollywood studios. However, very little scholarship exists on cinematographers such as …

"Pearls And All": June Cleaver, Symbol And Myth, Judy Kutulas

Journal of 20th Century Media History

June Cleaver, the fictional matriarch of the Cleaver family on the 1950s/60s sitcom Leave it to Beaver has become a powerful symbol in American society, representing a particular version of motherhood that can be read as desirable or old-fashioned. How June became a symbol as well as a myth is what this article is about, a blend of series’ particulars, the continued willingness of the actor who played June, Barbara Billingsley, to play into the stereotype of June, the changing perspectives of boomers who watched her, and the changing possibilities of American women’s lives.

Appropriating The Past: Looking At Visual Evidence In The Twenty-First Century Archival Documentary, Zachariah Anderson

Theses and Dissertations

Film and documentary scholars have long debated links between images, history, and truth. The field recently began addressing epistemological questions emergent when visual sources are circulated as evidence in an age of rapid image appropriation, manipulation, and circulation. To contribute to debates about images’ digital-era evidentiary roles, I study twenty-first century archival documentaries. By archival documentary, I mean a film that primarily comprises extant images (from government archives, home movies, surveillance footage, Hollywood films, etc.), rather than footage shot for the documentary. Films scholars and critics have applied many labels to these kinds of films: compilation, found footage, remix, etc. …

That Way: An Examination Of Male Relationships In Film During The Hays Code, Jane Knudsen

Theses/Capstones/Creative Projects

The Hays Code (1934-1968) influenced the construct of United States masculinity and the discourse surrounding masculine presentation between the 1920s to the 1960s. The Hays Code and World War II affected the culture surrounding male/male relationships in the United States. Previous research done by David Lugowski (1999) and Jeffrey Suzik (1999) shows that both World Wars led to crises of masculinity in which the hegemonic ideal of masculinity was restructured to establish men as providers and warriors, and Code-era films reflected the discourse. To understand the gender roles in the 20^th century, I analyzed the Hays code, male bonds, …

Rivalries At Red Cliff: Recasting Historical Figures In Modern Chinese Film And Television, Jackson Keys

The Thetean: A Student Journal for Scholarly Historical Writing

When accomplished strategist Zhuge Liang visits the funeral of his bitter rival Zhou Yu, he does something no one expects. Mose of the attendees are loyal to Sun Quan , Zhou Yu's lord who controls China's southernmost provinces, and are well aware of the incense power struggle chat ensued between Zhou Yu and Zhuge Liang as che two cooperated in repelling Cao Cao's advances at Red Cliff. Zou Yu attempted multiple times before and after the battle to have Zhuge Liang killed, and each time Liu Bei's brilliant strategist was one step ahead of him. Zhou Yu's deathbed message, penned …

From Paintbrush To Screen: Intermediality In Luchino Visconti And Pier Paolo Pasolini's Cinematic Worlds, Zoey Pather

Senior Projects Spring 2024

An exploration of role of intermediality and pictorial citations within two prominent post-war Italian directors, Luchino Visconti's "Il Gattopardo" (1963) and "Senso" (1954), and Pier Paolo Pasolini's "La Ricotta" (1963) and "Teorema" (1968).

War And Peace. The Film Iconeme Of The Urban Square As Image Of Europe In Transition (1944-1948), Paolo Villa

Artl@s Bulletin

A central feature of European urban landscapes, the square represents the public space par excellence. At the end of WW2 and in the immediate postwar time, the role of cinema in representing and reimagining urban squares was crucial. Through film images, they became the stage and the mirror of a Europe in transition. This contribution, examining Italian, French, German, and Czechoslovak cases, posits the square as an essential iconeme in postwar nonfiction cinema and visual culture, acting as a fil rouge to visually retrace the path of Europe from war to peace, and into new forms of political tension.

Shiver My Timbers: The Evolution Of The Pirate Myth And Long John Silver, Jordan Tatreau

Voces Novae

No abstract provided.

Za Kadrom: Behind The Scenes Of Russian Cinema In The Imperial Era, Katerina Ludwig

Voces Novae

No abstract provided.

Giddyap! Through The History, Characteristics, And Cultural Impacts Of The Cowboy In Early Twentieth-Century Western Film, Tyler Drake

Voces Novae

No abstract provided.

This Is The Way: Christian Asceticism Alive In The Star Wars Universe, David Allen Osb

Obsculta

This article is a creative reflection on how the Desert Fathers, especially St. Antony, could be compared in a pastoral way to the Jedi Masters found in the Star Wars Film and Television Canon.

Paul J. Rainey: Northeast Mississippi's Hidden Legend, Peyton Elizabeth Holliday

Masters Theses

Paul J. Rainey was a man of the 20th century who had it all. A fortune, land, ability to travel, and fame. He was a big game hunter who out did all others and a wildlife filmmaker who broke records and helped to finance the beginning of Universal Studios. While all his claims to fame were with hunting and filmmaking, Rainey went on to serve in the Great War as an ambulance driver, spy, and Captain in the British army. Rainey was originally from Ohio, but in 1901 he bought land in Northeast Mississippi. Here, Rainey established his Tippah Lodge …

Conservatives At The Movies: Conservative Film Critics And Popular Culture, Alex Pinelli

Doctoral Dissertations and Projects

The study of modern American conservatism has flourished in the 21st century. However, there are some gaping holes in the historiography. One is the intersection between conservativism and popular culture and the arts. This study aimed to remedy this by analyzing hundreds of film reviews in nearly a dozen conservative publications over twenty-five years. In doing so, this first-of-its-kind analysis explored the underexamined world of the conservative film critic, while also identifying a group of principles that unified the varying critics under one conservative banner.

At Home Among Strangers, Aleksandra Gorbacheva

Theses and Dissertations

At Home Among Strangers is a character-driven documentary that explores the price of freedom for a gay person in a society that lacks freedom and civil rights. It follows an asylum seeker from Russia, Sasha Smirnov, during a crucial moment of his life: starting over in New York City at 40 as a journalist without English language skills. The film reflects on the choices one makes and the consequences of staying true to oneself.

The Marriage Between Art And Politics: Propaganda, Rebecca J. Counen

The Purdue Historian

During the first half of the twentieth century Europe, Asia, and the United States faced many political/social changes and challenges amid both ideological wars and revolutions. This research paper works to analyze films from this era in order to convey the somewhat unorthodox, yet nonetheless influential and compelling, relationship between the arts and politics and how creativity is oftentimes manipulated for power and influence.

Creative Citizen Peacebuilding: Japanese Artists And Audiences Respond To The Vietnam-American War, Long T. Bui, Ayako Sahara

Peace and Conflict Studies

This article explores two case studies related to South Vietnam and Japan, relating them to the controversial history and legacy of the Second Indochina War. The first is the Japanese adoption and adaptation of South Vietnamese antiwar music. The second is a Japanese film, uncovered decades later after the war, exposing the role of Japan in South Vietnam. Cultural productions, from nations allied with the United States, sought to expose the popular struggle for peace against the rising tide of Cold War military violence and corporate capitalist exploitation. Through interviews, archival research, and textual analysis, the article argues for a …

As Seen On Screen: American Ambivalence Shown Through Death Penalty And Vigilante Films, Lisette Donewald

Honors Scholar Theses

The United States is one of the last western nations still practicing capital punishment. A history of and commitment to vigilantism and its ideals offers an explanation of America’s retention of capital punishment. Employing scholarship on law and popular culture and vigilantism, this thesis finds that pro-death penalty frames are prevalent in vigilante films while anti-death penalty frames are prevalent in films that focus specifically upon capital punishment. Since the 1960’s however, there has been a gradual shift towards anti-death penalty frames and away from pro-death penalty frames as well as changes in the themes presented in the two genres …

History Strikes Back! The Portrayal Of Greek And Roman History In Hollywood Films And How It Furthers The Discussion Of History, Ethan P. Frost

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

In an article published in 2009, Robert Rosenstone expressed disappointment in two films he played a role in developing the Reds (1981) and the The Good Fight (1984). He expressed regret the films did not reach his expectations as a historian. As a result, he wondered whether there was a point in historians being involved in the making of historical films.

This thesis focused on six historical films set in ancient Greece and Rome. The six films are Alexander the Great (1956), The 300 Spartans (1962), and 300 (2006) for Greek history; and The Last Days of Pompeii (1935), The …

No Happy Endings: Anna May Wong’S American Film Roles From 1931-1942, Kayla G. O'Leary

CSB and SJU Distinguished Thesis

In the 1930s and ‘40s, shifting relations with China, Japan, and the United States drastically impacted American public sentiment towards these Asian countries. US films produced during these decades starring Anna May Wong illuminate how harmful stereotypes about Chinese culture and people were portrayed on screen. I analyze five of Wong’s films from this period to examine how the gendered and racial stereotypes within them provide a cultural lens of changing US-Chinese relations. The stereotypical archetypes of her characters, which include the formidable Dragon Lady, helpless American citizen, and Chinese war hero, demonstrate how American perceptions of China and Chinese …

The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman

Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research

This research examines the influence of film fashions on middle-class, Nebraskan women’s dress during the Great Depression (1932-1940). The Great Depression challenged the middle class: while standards of living remained high, the economic means to achieve those standards diminished. Despite the crisis, women strove to keep up with current fashion trends. While previous literature has examined how Hollywood directly affected trends and styles of the 1930s in major American metropolitan contexts, the manifestation of trends in the dress of middle to lower socio-economic classes in Middle America remains under-examined. Against the backdrop of Depression-era hardships specific to Nebraska’s agricultural economy, …

Beirut/The Other Side Of The City: The Impact Of Visual Texture Production Of The Lebanese Postmemory Generation, 1989 - Present, Mohamed Moustafa Gameel Ebada

Theses and Dissertations

In 1989, after the Ta'if agreement, the war in Lebanon started to fade, which ended years of one of the most destructive civil conflicts in the region with no decisive winner or loser. The year also marked the birth of a new Lebanese generation who did not experience the war in person. It is a generation of postmemory, a term Maria Hirsch coined to describe the reminisces of those who did not have a personal encounter with past traumatic events. However, it was not before February 2005, when Rafic Al-Hariri's violent assassination occurred, when the postmemory generation started to question …

The Pre-Fab Fab Four, Thyra L. Chaney

The Downtown Review

This paper describes the formation of The Monkees as a manufactured boy band and pop culture phenomenon, and the social and cultural context that led to the group's dissolution and lasting legacy in the history of television and popular culture.

Local Involvement, Memory, And Denial: The Complexities Of The Holocaust In Lithuania, Hailey Cedor

Honors College

The Holocaust was one of the most pivotal and destructive events in the 20th century. While decades of research have been done in order to attempt to understand the events of the Holocaust, its preconditions, its survivors, and its lasting impacts, there is still much to be studied. This thesis explores the complex and understudied relationship of Lithuanians with the Holocaust. Local collaboration with Nazi perpetrators was widespread, yet acknowledgement of and reconciliation with this collaboration is largely absent from Lithuania’s current public memory. While this work does not excuse the actions of perpetrators or condemn those who helped Jewish …

The Mouse Sees No Color: An Examination Of The Disney Corporation’S Recent Depictions Of Race In American History, Jordan Kern

Electronic Theses and Dissertations

Walt Disney Studios possesses a checkered past in how its films dealt with racism and representation. Some of the earliest films involved songs and characters that go against modern sensibilities. In recent years, the studio's films have attempted to go against their forebears' racist connotations. Racism, however, proved a constant problem for the company. This paper shall explore the various ways Disney feature films addressed (or did not address) themes of racism and discrimination in its films from 1990 to 2018. The first chapter discusses the business reasoning behind Disney's continued reluctance to address race issues adequately, chiefly fear of …

Foxy Ladies And Badass Super Agents: Legacies Of 1970s Blaxploitation Spy And Detective Heroines, Carlie Nicole Todd

Theses and Dissertations

The presentation of Black femininity in Blaxploitation spy and detective films like Cleopatra Jones (1973), Foxy Brown (1974), and Get Christie Love! (1974) – depicting powerful, independent, and multidimensional characters – was a sharp departure from the derogatory images of African American women in film prior. These films also included some of the first Black spy and detective film heroines – Foxy Brown, Cleo Jones, and Christie Love – that portrayed a “serious” female detective or government agent as the main protagonist and center of the film’s action. These Blaxploitation heroines were unique in how their characters departed from prior …

Influential Storytelling At Its Finest: Why The Postwar West Took Notice Of Yasujirō Ozu’S Tokyo Story, Abigail Deveney

Japanese Society and Culture

Tokyo Story (1953) came to fame in 1958, when Yasujiro Ozu’s postwar film about a fragmenting family won the Sutherland prize at the London Film Festival – or so cinematic scholarship suggests. There is, however, a much more complex tale to be told. In fact, director Ozu’s shomingeki-genre film was being discussed and promoted internationally long before what is considered that watershed moment.

This dissertation explores why the western world took note. It argues that Tokyo Story’s nuanced and humanist narrative was a unique form of soft power, attracting and persuading decades before that concept was formally articulated. Tokyo Story’s …

Changing Representations Of The Second World War: Why We Fight, Victory At Sea, And The World At War, Maiah Vorce

Honors Theses and Capstones

No abstract provided.

Residence Life_Virtual Communities Webpage, University Of Maine Residence Life

Residence Life

Screenshot of the University of Maine Residence Life's Virtual Community webpage with opportunities for University of Maine students to participate in.

A Vermont Romance Turns One Hundred: Vermont's Earliest Surviving Photoplay, Martin L. Johnson, Frederick Pond

University Libraries Faculty and Staff Publications

In 2016, a hundred-year-old film spent the year touring the northern half of Vermont, drawing audiences to refurbished opera houses and picture palaces. But the picture being celebrated for its centenary year was not D. W. Griffith's Intolerance or Lois Weber's Shoes, two of the best-known films made in 1916. Instead, Vermonters were watching what they believed to be the first feature film made in their state, the fetchingly titled photoplay A Vermont Romance.

But A Vermont Romance is not a conventional feature picture. None of the people who appeared in the film had previous movie acting experience, …