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Closure In The Early Spanish Ballad, David William Foster

Quidditas

One of the hoariest cliches in traditional literary histories apropos the early Spanish ballad (i.e., the Romancero viejo of the fourteenth and fifteenth centuries) concerns poetic ending or closure: "[The early ballads] frequently end as abruptly as they begin, oftentimes seemingly unconcluded, a characteristic which gives them an air of mystery and special charm." The feature is often attributable to the general and specific origins of the texts in the fragmentation of longer epic poems and chronicles, or in the truncation of longer ballads. The most representative example is "Conde Arnaldos," one of the best of the early Spanish ballads …