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Full-Text Articles in Arts and Humanities

Martin Munro. Writing On The Fault Line: Haitian Literature And The Earthquake Of 2010. Liverpool: Liverpool University Press, 2014., Linda Alcott Dec 2016

Martin Munro. Writing On The Fault Line: Haitian Literature And The Earthquake Of 2010. Liverpool: Liverpool University Press, 2014., Linda Alcott

Studies in 20th & 21st Century Literature

Review of Martin Munro. Writing on the Fault Line: Haitian Literature and the Earthquake of 2010. Liverpool: Liverpool University Press, 2014.


The Literary Movement Of Dany Laferrière; Francophone Literary History And The Future Of French Literature- Brady Welvaert, Brady M. Welvaert Jun 2016

The Literary Movement Of Dany Laferrière; Francophone Literary History And The Future Of French Literature- Brady Welvaert, Brady M. Welvaert

Celebration of Learning

Haitian-Canadian-American author Dany Laferrière breaks the bonds of literary terms of categorization. In North America, French-language literature has a history of isolation and suppression, but the literature from Dany Laferrière pushes past boundaries placed by those who seek to categorize him. Laferrière, who identifies as “American” and wants to be seen as nothing else, seeks to embody an American identity in context of all of North America. But is there a sense of unity throughout North America despite borders, whether they are of countries our linguistic? Additionally, his election to the French Academy merits some questions worth addressing, considering a …


Transatlantic Surrealisms, Imagined Homelands, And The Poetry Of Paul Laraque, Maxine C. Anderson Jun 2016

Transatlantic Surrealisms, Imagined Homelands, And The Poetry Of Paul Laraque, Maxine C. Anderson

Dissertations, Theses, and Capstone Projects

Many theoretical treatments of Caribbean and Latin American surrealism(s), most notably Fredric Jameson and Alejo Carpentier’s foundational essays on magical realism, argue that the surrealism of the European metropole is a sophisticated avant-garde movement, in contrast to the blunt tool of Caribbean and Latin American surrealism which reaches back toward a precolonial past in order to bolster a nationalist project. Existing critical writing about Paul Laraque, a Haitian poet and surrealist identifies Laraque as Haitian first and foremost: as a political poet using surrealism solely in support of a nationalist project. This reading of Laraque’s work fails to reckon with …