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Full-Text Articles in Arts and Humanities

Écriture Et Identité Dans La Littérature D’Afrique Du Sud : Le Cas D’André Brink, Robert Mangoua Jun 2003

Écriture Et Identité Dans La Littérature D’Afrique Du Sud : Le Cas D’André Brink, Robert Mangoua

Présence Francophone: Revue internationale de langue et de littérature

By engaging his works against apartheid, André Brink chose at the same time to face a double problem of identity: identity of his writing and his personal identity. To the first problem he responds by the relationship with the alter ego (borrowing from others) and to the second by his identification to Africa. His texts, luxuriant in “intertextual relations” but essentially oriented towards Europe, reveals a eurocentric reflex in him that revokes the problem of his personal identity.


Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann Jun 2003

Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann

Studies in 20th & 21st Century Literature

In her 1975 essay, Le Rire de la méduse, Hélène Cixous enthusiastically announced that it was high time for women to enter into discourse. A full half-century earlier, Claude Cahun (1894-1954), a powerful writer and a haunting photographer and artist, was already inscribing herself, Woman, and a woman's voice in visual and verbal self-portraits, photomontages, prose texts, poetry, and aesthetic and political treatises. Cahun's uncanny interventions in both verbal and visual discourse cannily interrogate conventions of literary and pictorial representation and the constructions of self, gender and culture that they exhibit. Insistently asking readers and spectators, "What's wrong with …


Reticent Romans: Silence And Writing In La Vie De Saint Alexis, Le Conte Du Graal, And Le Roman De Silence, Evan J. Bibbee Jan 2003

Reticent Romans: Silence And Writing In La Vie De Saint Alexis, Le Conte Du Graal, And Le Roman De Silence, Evan J. Bibbee

LSU Doctoral Dissertations

Apart from discourse and yet somehow part of it, silence is a powerfully ambiguous linguistic phenomenon that blurs the lines between presence and absence. Eluding the material aspects of oral and written language, it is only perceptible as the gaps or spaces between words. Nonetheless, it plays a role in all linguistic productions: although silence itself cannot be directly communicated, it can influence communication. In a literary text, silence may takes on many different guises, including rhythmic hesitations, rhetorical omissions, and poetic oppositions that mimic the audible gaps of spoken language. The visual, aural, and fictional interaction of all these …