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In “Memory” Of Marcel Proust (1871-1922), Eamon Maher

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Eamon Maher on the memory-rich private universes of Proust and McGahern.

Julien Green (1900–1998): Exploring The Intersection Of Religion And Literature, Eamon Maher

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No abstract provided.

(Re)Visions Of The Outre-Mer: Looking At The Male Gaze In Jacques Feyder’S Le Grand Jeu (1934), Barry Nevin

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Cinéma colonial is regarded by certain scholars as a highly conventionalised and commercialised film practice that grants spectators a sense of control over the potentially threatening colonial Other, and Belgian director Jacques Feyder has been subject to particularly harsh criticism in this regard. This article argues that Feyder’s Le Grand Jeu (1934), which depicts a young legionnaire’s relationship with a cabaret singer who bears an uncanny resemblance to a previous lover who jilted him in Paris, challenges dominant tendencies in portrayals of gender and colonialism in French cinema of the 1930s. Drawing on the relationship between Laura Mulvey’s theorisation of …

Framing “L’Âme Des Personnages”: Performance And Affect In Jacques Feyder’S Pension Mimosas (1935), Barry Nevin

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Although Jacques Feyder's authorial control over his productions and his direction of actors constituted two of the most widely appreciated aspects of his approach to filmmaking during his own lifetime, the impact of each on his mise en scene has received little critical attention. This article aims to remedy this oversight by linking both aspects in three stages: first, drawing on contemporary periodicals, recollections of Feyder's performers and his own writings, it illustrates Feyder's preoccupation with the creation of in-depth psychological portraits through his actors; second, focusing on Pension Mimosas (1935), it demonstrates that Feyder's technical style, although aligned closely …

“The Very Essence Of French Cinema”(?): Jacques Feyder’S Return To France, 1944–1948, Barry Nevin

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No abstract provided.

'Elle T'Aime Trop, Et Moi, Pas Assez': Jacques Feyder's Melodramatic Mise En Scène Of Female Desire In Pension Mimosas (1935), Barry Nevin

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Extract

Melodrama ‘à la française’: Feyder and French cinema of the 1930s

By the end of 1934, Jacques Feyder had led a distinguished career in French silent cinema, had directed a critically acclaimed adaptation of Émile Zola’s Thérèse Raquin (1928) in Berlin, had returned from a three-year contract in Hollywood, had brought Le Grand Jeu to the screen (the greatest box-office success of the 1933–34 season), and appeared to be virtually unstoppable as he proceeded to direct his next film, Pension Mimosas. The film was described by one critic as ‘sans aucun doute l’une des œuvres les plus attendues …

Dans La Serre: Framing The Greenhouse In Le Jour Se Lève (1939) And La Règle Du Jeu (1939), Barry Nevin

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Beyond the year of their production, their notoriously foreboding references to contemporary national and international politics, and their shared status as canonised classics of French cinema, Marcel Carné’s Le Jour se lève (1939) and Jean Renoir’s La Règle du jeu (1939) both portray the romantic union of two parties within a greenhouse. This article aims to elaborate on these images in two central ways: first, it theorises glass in cinema with reference to the writings of André Bazin and Gilles Deleuze; second, it situates Carné and Renoir’s greenhouses within their respective dramatic, aesthetic and political contexts. In both cases, the …

‘Prochainement: Arizona Jim Contre Cagoulard’: Framing The Future Of The Front Populaire In Jean Renoir’S Le Crime De Monsieur Lange (1936), Barry Nevin

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Gilles Deleuze remarks that Jean Renoir’s entire œuvre displays the most fundamental operation of time, constantly holding the embodied past and the potential creation of a genuinely new future in tension. Although he fails to address Le Crime de Monsieur Lange, the film that cemented Renoir’s association with the Front populaire, Deleuze tantalisingly remarks that this dialectic stems partly from Renoir’s attitude towards the Front populaire. How Deleuze’s framework allows spectators to interpret this film as an expression of Renoir’s own ambivalence regarding the future of the Front populaire has yet to be sufficiently addressed. Drawing on Ida, …

An Irishman's Diary On A Classic Novel Of The Great War., Eamon Maher

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No abstract provided.

Attitude Of French Writer-Priest, Dead 33 Years, Reflected In Word And Deed By Pope Francis, Eamon Maher

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On October 30th, 1913, in the French village of Montauban-de- Bretagne, Joseph Lemarchand was born, the only child of a tenant-farming family that was ripped asunder by the death of his father in the Great War. A few decades later, as a writer-priest stationed in the Breton capital, Rennes, Lemarchand took the pseudonym Jean Sulivan, a name inspired by his fascination with the movie Sullivan’s Travels . When reading Pope Francis’ groundbreaking interview last August, I had the uncanny feeling that the new pontiff’s views strongly echo what Sulivan was writing in the 1960s and 1970s. A commitment to the …

Albert Camus And The Dilemma Of The Absent God, Eamon Maher

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The year 2013 marked the centenary of the birth of Albert Camus. In this article Eamon Maher considers Camus' writing on religion,focusing in particular on two novels, The Outsider and The Plaque. They offer a powerful analysis of the seeming absence of God from a world a suffering, a challenge for all who profess Christian belief.

The Outsider With A Mission : An Irishman's Diary, Eamon Maher

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No abstract provided.

Albert Camus At 100 : A Mediterranean Son Of France, Eamon Maher

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THIS YEAR marks the centenary of the birth of one of the world's finest writers, the French-Algerian Albert Camus (1913-1960). When his father, a pied-noir farm labourer died fighting in the French army during the First World War, Camus' mother, Catherine, was forced to work as a cleaner to provide for her two sons. The younger one, Albert, demonstrated academic talent from an early age and managed to continue in education due to the interest taken in him by two inspirational teachers, Louis Germain and the well-known philosopher, Jean Grenier. He was also awarded scholarships, without which he could not …

Franco-Irish Connections: Essays, Memoirs And Poems In Honour Of Pierre Joannon : Review, Eamon Maher

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The name Pierre Joannon is synonymous with Irish studies and with Franco-Irish relations. I can think of few, if any, people who are more worthy recipients of this beautifully presented Festschrift than the Honorary French Irish Consul, scholar and former President of the Ireland Fund de France. You get some idea of his stature from the list of contributors to this book: two former Taoisigh, Garret FitzGerald and John Bruton, two Nobel Laureates, John Hume and Seamus Heaney, poets Brendan Kennelly and John Montague, a host of historians including Dermot Keogh, Joe Lee, Eunan O’Halpin and Kevin Whelan, distinguished intellectuals …

Carrying The Cross : Jean Sulivan's Mais Il Y A La Mer, Eamon Maher

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The Struggle To Be Christian : Julian Green's ''Each Man In His Darkness'', Eamon Maher

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A Lost Soul In Search Of The Light : Francois Mauriac's ''Therese Desqueyroux'', Eamon Maher

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Loving What We Cannot Understand : Camus' ''The Plague'' And The Tsunami, Eamon Maher

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Preaching The Gospel In A De-Christianised Parish 2 : The Healing Power Of Grace, Eamon Maher

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Preaching The Gospel In A De-Christianised Parish : Lessons From The ''Diary Of A Country Priest'', Eamon Maher

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An Introduction To The Life And Works Of Jean Sulivan (1913-1980), Eamon Maher

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No abstract provided.

Coping With Death Alongside Jean Sulivan, Eamon Maher

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Camus' Meursault : The Only Christ That Modern Civilisation Deserves?, Eamon Maher

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The Christian Novelist In An Age Of Transition: A Case Study, Eamon Maher

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At the present time in France, organized religion has largely lost its popular appeal. A centuries-old tradition of secularism has replaced God in the hearts of many. It is not therefore surprising that the 'Catholic novel' in its best-known form that of the thirties, when Bernanos and Mauriac wrote their greatest novels is no longer being written by contemporary novelists. That sort of novel simply does not reflect the current spiritual crisis in French society. But there are some writers, and Jean Sulivan (1913-1980 is a600g them, who do portray the human need of and quest for a divine presence …