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Articles 1 - 7 of 7

Full-Text Articles in Arts and Humanities

Heavy Light: Transformation Of Matter In Relation To Growth And Decay, Lauren A. Bennett Jul 2016

Heavy Light: Transformation Of Matter In Relation To Growth And Decay, Lauren A. Bennett

Masters Theses

Through my artwork I explore the cyclical relationship and inherent inevitability between the processes of growth and decay. I engage notions of place, memory, fluctuation, and ephemerality. Drawing inspiration from an abandoned house and its many atrophying, accumulated contents, I examine the human impact upon our ecological surroundings and personal domains, tied to notions of finality and sustainability. Using light and time as both narrative elements and the physical components to cultivate images, I create hybrid prints that weave a story of our ever-changing territories. I present visual works that challenge our idealized views of life, and call attention to …


On A Scale Of 1 To Ten... Ten Being The Worst, Kyle Thorne Jul 2016

On A Scale Of 1 To Ten... Ten Being The Worst, Kyle Thorne

Masters Theses

On a scale of 1 to 10… 10 being the worst is an exhibition of sculpture that attempts to visualize the struggle, anxiety, and pain that occurs when your body lets you down during the process of making. Daily chronic pain places limitations on the work that I am able to create. The work in this exhibition not only depicts those limitations, but also expresses the anxiety that takes place while making it. To accomplish this there are several objects that allegorically reference bodies. These bodies are placed in various states of struggle and tension. Ready-made objects are incorporated alongside …


Primate Aesthetics, Chelsea L. Sams Jul 2016

Primate Aesthetics, Chelsea L. Sams

Masters Theses

A cultural, historical, and scientific survey of the phenomena of primate pictorial behavior, presented in a series of interconnected vignettes. What do primates find visually appealing? What is their motivation when creating images? What are the implications for art and for science? By drawing explicit and implicit connections between science, art, case studies, research, and personal narrative, I attempt to weave together what we know, and what we may never be able to know about this complex field.


Past Interference, Tovah V. Rudawski Jul 2016

Past Interference, Tovah V. Rudawski

Masters Theses

Past Interference connects the subjects of religion, spirituality and sports, through an examination of my own personal and political connections to football culture, as well as through my attempt to intervene artistically, using a strategy of conflating various historical references into the media of the National Football League. The question at the heart of this paper is what it means to be on the inside of a spectacle, specifically trying to puzzle out how one comes to know that about oneself.


Unstable Systems Or Why Is My Junk So Raw?, David Musgrave Jul 2016

Unstable Systems Or Why Is My Junk So Raw?, David Musgrave

Masters Theses

Unstable Systems or Why Is My Junk So Raw? is an exploration in the raw aesthetics of exposed electronics; showing the complicated systems that make our everyday electronics work using the visual language of formalism to display these “broken” consumer electronics as art. The work in my thesis show explores the creative potential of death and impermanence through the failing of technology. The work in the exhibition combines my interest and childhood fascination in electronics as well as my experience with my father’s illness. Accidentally and intentionally broken TV’s and electronics are producing live glitches which emphasize the instability of …


Summoning The Body That Acts, Brendan M. Mccauley Jul 2016

Summoning The Body That Acts, Brendan M. Mccauley

Masters Theses

Seven series of artworks; painted, drawn and performed. These works are presented as affective incorporation exercises, that test modes of aesthetic communication in response to varying political contingencies. The constitutive processes used to develop the work also function as a methodology for my own political radicalization. As an artist I am wagering how to talk, as an activist I am preparing to act. The artworks discussed occur at the crossroads of these desires as enactions of futurity within the subjunctive mood.


Cat On A Hot Tin Roof: 60 Years Of American Dialogue On Sex, Gender, And The Nuclear Family, Amy Brooks Mar 2016

Cat On A Hot Tin Roof: 60 Years Of American Dialogue On Sex, Gender, And The Nuclear Family, Amy Brooks

Masters Theses

This thesis is a two-part work. Its components, a written paper and a one-night symposium/film screening event entitled Tennessee Williams: Gender Play in 2015 and Beyond, have been closely coordinated with my dramaturgical research for the February 2015 University of Massachusetts Amherst Department of Theater production of Cat on a Hot Tin Roof. The written inquiry is structured around a chronological, selected American production history of Cat; this history, rendered in a series of three case studies, will (1) synthesize preexisting analyses of Cat’s dramaturgical profile, its impact on American theater, and its position in Williams’s oeuvre; …