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Articles 1 - 6 of 6

Full-Text Articles in Arts and Humanities

New Australia, Un Nuevo Mundo, Elizabeth Christensen Dec 2018

New Australia, Un Nuevo Mundo, Elizabeth Christensen

Capstone Projects and Master's Theses

I focus on the diaspora of the Australian immigration to the South American colony known as New Australia. My project addresses the question of identity. I address questions such as: how much do the surviving descendants of the New Australia colony identify with the homeland of Australia or the hostland of South America? How has their identities influenced the way they raise their children


Personal Geography, Floating Identities And Inter-Asian Migration In Stories By Migrant Workers In Taiwan, I-Chun Wang Dec 2018

Personal Geography, Floating Identities And Inter-Asian Migration In Stories By Migrant Workers In Taiwan, I-Chun Wang

CLCWeb: Comparative Literature and Culture

In her article "Personal Geography, floating Identities and Inter-Asian Migration in Stories by Migrant Workers in Taiwan," I-Chun Wang discusses narratives by migrant workers with the purpose of looking into their personal geographies, their possibilities of integration, their floating identities and their dreams of settlement and possible success. This paper stresses the stories of migration show not only common human values, shared across cultures and creolization, but also sad stories of human-rights violations, injustices, discrimination, and even human trafficking. In these fictional stories or witness literature, cross-cultural conflicts, cultural in-betweenness and cultural hybridity are intertwined with the migrants’ ways to …


Illusions Of "Blackness" In Contemporary Visual Culture, Michaël Dorn Aug 2018

Illusions Of "Blackness" In Contemporary Visual Culture, Michaël Dorn

MFA in Visual Arts Theses

My thesis begins with a primer of the historical concept of “black(ness)” and the roots of its racialization. Intertwined throughout my discussion in Section I, I will highlight a few of my research findings and discuss some of the installation images that I created as I studied the work of contemporary artists who use lexical and literal figurative “blackness” in their work—in particular, the oeuvre of Kerry James Marshall as featured in his retrospective exhibition Mastry. My discourse unfolds with a brief etymological review of both the English word “black” and its precedent conceptual forms in Section II. Section …


Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure Jun 2018

Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure

Studies in 20th & 21st Century Literature

Review of Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the family tree. Ann Arbor: University of Michigan Press, 2016. 325 pp.


Supernova: Performing Race, Hybridity And Expanding The Geographical Imagination, Raheleh Saneie Apr 2018

Supernova: Performing Race, Hybridity And Expanding The Geographical Imagination, Raheleh Saneie

Electronic Thesis and Dissertation Repository

This thesis attempts to explore the many socio-political, temporal and spatial factors that contribute to the formation of cultural identity. Through my video work, SuperNova, I examine how race is performed and the discursive structures that contribute to the process of racialization. The core question that is central to this thesis is how race is performed and the potential benefits and drawbacks of this performance. In chapter one, I explore how whiteness is performed and how racial hierarchies are maintained through performance. I critique the Aryan race discourse that is a part pf Iranian nationalist discourse of identity. In …


How To Be The Perfect Asian Wife!, Sophia Hill Apr 2018

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.