Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 6 of 6

Full-Text Articles in Arts and Humanities

Hearing The Cry In Black Diasporic And Latina/O Poetics, Rachel E. Ellis Neyra Dec 2013

Hearing The Cry In Black Diasporic And Latina/O Poetics, Rachel E. Ellis Neyra

CLCWeb: Comparative Literature and Culture

In her article "Hearing the Cry in Black Diasporic and Latina/o Poetics" Rachel Ellis Neyra expands upon Edouard Glissant's notion of "the cry of the Plantation" and shows how to listen for it in literary arrangement of Derek Walcott, Piri Thomas, Pedro Pietri, Ralph Ellison, Miguel Algarín, and James Baldwin. Ellis Neyra also reads musical lyrics by Oscar D'León and Billie Holiday and the melodic nuances of salsa, jazz, the blues, and bomba for how they sound out what she calls the New World Cry, a mnemonic figure of the Plantation of the Americas and a metaphor for how estrangement …


Bidi Bidi Bom Bom: The Audiotopias Of Selena Across The Americas, Janet Muniz Nov 2013

Bidi Bidi Bom Bom: The Audiotopias Of Selena Across The Americas, Janet Muniz

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

Using Josh Kun’s Audiotopia as a framework, this paper will explore the role of Selena’s music as audiotopias, the concept that music functions like a possible utopia for immigrant communities on both sides of the United States and Mexico border in imagining an ideal borderless America. Music serves as a disruption to the oppressive reality of immigrant communities and makes the struggles of marginalized communities audible for those who have been traditionally silenced. This paper will fill in gaps in existing literature of Selena's remembrance by applying Kun’s audiotopia theory for an understanding of the places her music takes …


A Study Of Music, Embodiment, And Meaning In The World Of Portal, Helen A. Rowe May 2013

A Study Of Music, Embodiment, And Meaning In The World Of Portal, Helen A. Rowe

Lawrence University Honors Projects

Interactive video game music is a relatively new and quickly expanding art form, incorporating elements of music history, cinema, and video game theory. This study explores how music functions, reveals meaning, and defines player experience within the interactive world of the video games Portal and Portal 2—and how the paradoxical, twisting essence of the Portal world is created and shaped musically. Ultimately, this is a study of the continued existence and relevance of classical music and traditional music history in the futuristic world of video games.


Silent Films, John Mortensen Feb 2013

Silent Films, John Mortensen

Faculty Recitals

No abstract provided.


The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green Jan 2013

The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green

CMC Senior Theses

The invention of the synthesizer meant the possibility of achieving virtually any sound in one mechanism, a superbly convenient device for musical creativity. Perhaps the perfect space for this approval of sound creativity was in the modern electronic film score. The synthesizer also flourished in popular music immediately following its emergence, but a common form began to solidify itself among synthesizer music. Shortly after, improvements in electronic instrument technology led to the democratization of electronic music and equipment, ultimately leading to electronic music as the new mainstream.


Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche Jan 2013

Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche

Senior Honors Theses

Western art music has drawn on many sources. One of these is non-western music, which can be integrated into European classical music tradition in the form of exoticism. This paper will highlight musical elements used by composers seeking to create exoticism, examine selected works, and note common elements of western music that have exotic roots. In the nineteenth century, there were three general trends in exoticism. The first, non-musical exoticism, utilizes conventional western music alongside extra-musical exotic elements. Romantic exoticism portrays distant lands using musical elements, drawing these from the audience’s perceptions of the music represented. Realistic exoticism attempts to …