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Film and Media Studies

1995

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Articles 1 - 16 of 16

Full-Text Articles in Arts and Humanities

Animal Issues In The Media: A Groundbreaking Report, George Gerbner Oct 1995

Animal Issues In The Media: A Groundbreaking Report, George Gerbner

Film and Television Production Collection

What kinds of animals do we see on television and in print media? What are the trends, themes, scenes, and contexts in which animals appear? How are they treated? What are the roles for which they are cast and the fate for which they are destined? What issues drive press and magazine coverage, and how do animal activism, legislation, science and other issues play out in the coverage? Finally, what are some implications for further research, activity, and policy?

These are questions we shall address in this report. The report presents the findings of a benchmark study that begins the …


Integrating Students Into The Operation Of A University-Owned Television Station, Christine Taylor Oct 1995

Integrating Students Into The Operation Of A University-Owned Television Station, Christine Taylor

Scholarship and Professional Work - Communication

Most journalism and mass communication programs provide opportunities for students to acquire some "hands-on" experience as undergraduates.

There remains some considerable argument as to whether this "hands-on" educational experience should be part of the academic curriculum. I will review this debate briefly.


Virtual Celluoid, Switch Staffs Sep 1995

Virtual Celluoid, Switch Staffs

SWITCH

The article is an analysis of the author’s research pertaining to films relating to or containing the concept of virtual reality. The author lists several films such as Johnny Mnemnonic, Virtuosity, The Net, and Disclosure and provides a brief synopsis and review of each movie. Each film explains the concept of virtual reality through differing plots and methods such as cyberspace, progressive software, and artificial intelligence. The author also gives their own insight into and ratings of the films, explaining what they think is the most relatable in terms of overall storyline as well as how realisticly the movie portrays …


Media Studies Students Occasional Papers May 1995, School Of Communication, Media & The Arts May 1995

Media Studies Students Occasional Papers May 1995, School Of Communication, Media & The Arts

Communication, Media & The Arts Undergraduate Publications

Table of Contents:

Alfred Hitchcock's Villains: Alter Egos and Victims in Lifeboat and Frenzy / César Muñoz -- Sending the Message Home / Timothy M. Brosnan -- Manilow Magic / Julie Ann Sidhu -- Media Ideology in the Soviet Union / Cheryl Casey -- "naDev tlhlnganpu' tu' lu' " (There are Klingons Around Here): An Analysis of Star Trek as an American Myth / César Muñoz.


Public Information: Desire, Disaster, Document, The Anti-Artist May 1995

Public Information: Desire, Disaster, Document, The Anti-Artist

SWITCH

An article about how photographic and electronically created pictures mediate and determine social reality, which is one of the most complicated concerns of our time. Definitions of media, the individual's position and responsibilities in society, and the nature of the photographic picture are all on the table. Gary Garrels, Jim Lewis, Christopher Phillips, Sandra S. Phillips, Abigail Solomon-Godeau, Robert R. Riley, and John Weber analyze the work of fifteen postwar artists working in a variety of media to answer these issues. The article starts with a third person point of view about the subject. As the article progresses, it shifts …


Cowboy Wonderland, History, And Myth: 'It Ain't All That Different Than Real Life, William G. Simon, Louise Spence Jan 1995

Cowboy Wonderland, History, And Myth: 'It Ain't All That Different Than Real Life, William G. Simon, Louise Spence

Communication, Media & The Arts Faculty Publications

Buffalo Bill and the Indians, or Sitting Bull's History Lesson was Robert Altman's bicentennial film. Released for the Fourth of July weekend in 1976, the film examines the western both as a national myth and as a commercial entertainment form; indeed, one might see the film's project as an expos? of the ideological functioning of the western, its white male hero, and the Native American in nearly 100 years of American popular culture.


Reconstructions: The Video Image Outside Of Time, University Of Richmond Museums Jan 1995

Reconstructions: The Video Image Outside Of Time, University Of Richmond Museums

Exhibition Brochures

Reconstructions: The Video Image Outside of Time

November 08 to December 17, 1995

Marsh Art Gallery

Introduction

Co-organized by the Marsh Art Gallery, University of Richmond, and the Virginia Museum of Fine Arts, Richmond, the exhibition is traveling throughout the Commonwealth through the Virginia Museum's Department of Traveling Exhibitions and Media Services (Eileen Mott. Statewide Exhibition Coordinator) following its venue at the Marsh Art Gallery (November 8 to December 17, 1995).

The exhibition, Reconstructions, The Video Image Outside of Time (1994), comprises a continuously-running single-channel videotape and twenty-seven photographs. All the photographs are Cibachrome prints, 8 x 10 inches, printed …


Spring 1995, 90.9 Wmpg Fm Jan 1995

Spring 1995, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.


Fall 1995, 90.9 Wmpg Fm Jan 1995

Fall 1995, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.


Summer 1995, 90.9 Wmpg Fm Jan 1995

Summer 1995, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.


Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde Jan 1995

Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde

Scholarship

No abstract provided.


Science On Television : A Representational Site For Mediating Ideology, Helen C. Singleton Jan 1995

Science On Television : A Representational Site For Mediating Ideology, Helen C. Singleton

Theses: Doctorates and Masters

The emergence of a new science paradigm has been identified. It is characteristically described as structuring an organic, holistic and ecological framework for understanding the nature of reality. The modern scientific paradigm with its characteristic underlying inorganic, reductive, and mechanistic vision of reality, discursively dominates Western societies' cultural sense-making with its attempts to unlock the 'mysteries' of nature. The radically different characteristics of the new paradigm science is linked to 'rising culture' articulated in the exploratory social change of alternative social movements. The holistic principles and ecological values found variously in the environment, feminist, and new age/holistic health, peace and …


The Gospel Of Denys: The Central Character In 'Jesus De Montreal' (Denys Arcand, Québec), Laurence William Broadhurst Jan 1995

The Gospel Of Denys: The Central Character In 'Jesus De Montreal' (Denys Arcand, Québec), Laurence William Broadhurst

Theses and Dissertations (Comprehensive)

Denys Arcand's 1989 film, Jesus de Montreal, retells the story of the New Testament Jesus in an imaginative fashion. Arcand uses a historical Jesus in a passion play to present the outline of his Jesus character and completes the portrait with the presentation of the modern actor, Daniel, playing the part. Together, these two components depict Arcand's version of Jesus. After explaining the scholars' treatments of the character of the New Testament Jesuses, I turned my attention to this central character, attempting to understand who and what Arcand's Jesus is. At the same time, I searched for the biblical sources …


The Marriage Of Tragedy And Comedy In Euripides' Ion, Katerina Zacharia Dec 1994

The Marriage Of Tragedy And Comedy In Euripides' Ion, Katerina Zacharia

Katerina Zacharia

No abstract provided.


Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde Dec 1994

Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde

Cesar Valverde

No abstract provided.


The Self Seen As Other: Akutagawa And Film, Aaron Gerow Dec 1994

The Self Seen As Other: Akutagawa And Film, Aaron Gerow

Aaron Gerow

Analyzes the image of cinema that Akutagawa Ryunosuke evoked in such works as "The Shadow" (Kage).