Arts and Humanities Commons^™

War Of The Moon, Bibiana Medkova

Masters Theses

Space, in the post-World War context, was the new frontier of ‘global’ dominion. Space Race of the 1950s was a competition to signal technological capability and military strength. The objective of War of the Moon is to unpack the motivation for Moon race in 1950s. What did countries have to gain politically, economically, socially and technologically by conquering space and landing on the moon. At what cost? Who financed it, and where did the labor, land, and raw materials sourced come from. And how it was used to accomplish said landing. Space security is a massive aspect of all current …

Letting The Body Lead, Amanda Boggs

Masters Theses

Letting the Body Lead is an exhibition and workshop series that focuses on embodiment in social context and invites attendees to engage with the work, both as viewers and active participants. Embodiment in social context refers to the understanding of lived experiences in the body. Within my creative practice, I explore the body's creativity, knowledge, and agency while bridging and brining together the fields of fine arts, movement-based and socially just art making. I believe in the transformative potential of how movement and contemplative practices can support a more liberated way of being both within an individual and, by extension, …

Surrogate Histories: (De)Mythifying The Franco-Female In Transitionary Spain, Christina Beaubien

Doctoral Dissertations

Within the context of Franco Spain, academic scholarship has proven that the regime manipulated collective history via both active remembering and active forgetting in order to construct legitimacy and a national identity. Moreover, much of the regime’s mythology was based on predetermined concepts of gender difference that was exacerbated by the influence of the Catholic church. In this way, what it meant to be female during the Franco dictatorship was a large part of what came to be the nationalized-gender-mythology of the regime, or rather – myths that constructed the Franco-female. On the one hand, the regime constructed mythology …

"Revolution", Noelle Lilley

Capstones

When faced with gun violence in 1990s Canarsie, one 17-year-old carried his community on his back. “Revolution” chronicles the rise and fall of the Canarsie arts youth-led movement, Team Revolution, and the man at the center of it all: Divine Bradley.

Lgbtv - A Look Into Queer Representation In Television, Daisy J. Williams

Capstones

In 50 years, the LGBTQ+ portrayals on tv have come along way but with only 6.8% of characters being members of the queer community, there is still a significant amount of work to be done. A look into the rich queer history, the problem and triumph areas and the current state of queer television.

https://daisywilliams.github.io/dw_capstone/

Poetic Walking Across Mobile Boundaries: Contemporary Southeast Asian Narratives In The Work Of Trinh T. Minh-Ha And Apichatpong Weerasethakul, Weiying Yu

Master's Projects and Capstones

This research investigates how personal politics, the poetics of cinematic narrative form, and current Southeast Asian landscapes are embodied in the work of filmmakers/artists Trinh T. Minh-ha (b. 1952, Hanoi, Vietnam) and Apichatpong Weerasethakul (b. 1970, Bangkok, Thailand). Trinh and Apichatpong’s transnational reflections and radical poetics challenge the West as the authoritative domain of modern knowledge, evoking a border rupture that questions hegemonic definitions of culture, history, geography, and society. Synthesizing art and politics, their works create experimental spaces to navigate the multidimensional consciousness associated with the Asia Pacific and global political issues of immigration, refugeeism, military action resistance, and …

Whatever It Takes: Redemption, Individualism, Altruism And The Marvel Cinematic Universe, Rianna Jeanine Robinson

Morehead State Theses and Dissertations

A thesis presented to the faculty of the Caudill College of Arts, Humanities and Social Sciences at Morehead State University in partial fulfillment of the requirements for the degree of Master of Arts by Rianna Jeanine Robinson on December 14, 2020.

The Television Showrunner: A Case Study Analysis Of Insecure And Fleabag, Haley Bulen, Charles Howard

Honors Thesis

In light of the rise in video-on-demand (VOD) services, television has exploded in popularity on an international scale, eclipsing its predecessor of movies. This phenomenon has been further heightened by the COVID-19 pandemic as audiences flocked to their television screens during Stay-At-Home orders. Specifically, Netflix received 15 million more subscribers since mid- March, 2.3 million more Americans subscribed to Netflix since March, and broadcast television viewing has jumped by 8.3 million viewers (Fitzgerald). With the demand for high-quality entertainment, the role of the television creator/showrunner has become increasingly important, as this individual or pair of individuals is tasked with maintaining …

Between The Lines: Reflexive Misogyny And Remediated Forms In A Secret Online Group Of Women Poets, Rae Elizabeth Snobl

MSU Graduate Theses

This thesis examines an online, secret writing community for 1,800+ women-only poets called “The Retreat.” Analysis of two years of Facebook posts and interviews with group members revealed a noticeable membership split between those publishing through conventional literary venues, the “traditional poets,” and social media poets. These “Instapoets,” as labeled by popular media each had between 10,000 to 125,000+ followers on sites like Instagram and Facebook—significant numbers when seen in the context of readership and monetizing. Yet, their digital, snippet poems did not hold to the literary norms of poetry, both in form and publishing method. This led to a …

How Apocalypse Now Adapts Heart Of Darkness’S Imperialist Critique To A New Medium And A Different Culture, Samuel Battle

Undergraduate Projects

Francis Ford Coppola’s 1979 film Apocalypse Now affirms the key message of its source material, Joseph Conrad’s 1899 novella Heart of Darkness, to suggest that the imperialist mindset continues to significantly affect international interactions even in modern times. While the original novella reflects and criticizes contemporary British imperialism in Africa, the adaptation shifts the setting to Vietnam in 1968 and primarily satirizes the American army’s actions during the war. While the subject of the story’s critique is different, Coppola preserves the core message of the novella – that all humans are capable of falling into their inner darkness and …

Toward A Fluid Cinematic Spectatorship And Desire: Revisiting Laura Mulvey’S Psychoanalytic Film Theories, Taylor Ashton Mcgoey

Electronic Thesis and Dissertation Repository

This thesis project re-evaluates Laura Mulvey’s film theories regarding psychoanalysis and the “male gaze,” first found in her essay “Visual Pleasure and Narrative Cinema” (1975). By re-evaluating the limitations of Mulvey’s use of the Freudian and Lacanian psychoanalytic model this project seeks to understand the desires and processes of identification of cinematic spectators who reject the ideological imperative of the “male gaze”. As many critics have noted, Mulvey’s initial examination of cinema does not account for LGBTQ+ spectators and/or black spectators who occupy looking relations that reject cis-normative and heteronormative white Hollywood cinematic conventions. From this standpoint, we begin the …

Exquisite Corpses: Markedness, Gender, And Death In Video Games, Meghan Blythe Adams

Electronic Thesis and Dissertation Repository

This dissertation analyzes gendered death animations in video games and the way games thematize death to remarginalize marked characters, including women. This project combines Georg Wilhelm Friedrich Hegel’s work on the human subjection to death and Georges Bataille’s characterization of sacrifice to explore how death in games stages markedness. Markedness articulates how a culture treats normative identities as unproblematic while marking non-normative identities as deviant.

Chapter One characterizes play as a form of death-deferral, which culminates in the spectacle of player-character death. I argue that death in games can facilitate what Hegel calls tarrying with death, embracing our subjection to …

Disney's Reign Over Independent Cinema: How Mega-Corporations Are Commercializing Creativity, Hannah Z. Dawson

University Honors Theses

The Walt Disney Company is undoubtedly a monopoly in the media industry space. Their impressive acquisitions have expanded their portfolio to corner the market in nearly every genre. Most recently, the company has hired independent directors in hopes of re-invigorating and creating variety between multiple brands and franchises. But the directors' authoritative voices are lost under the Disney brand, which I argue overshadows independent autonomy and potentially envelopes the rest of the media market. Brandishing this massive media force, Disney (and its other subsidiary branches) promotes palatable, conservative leaning "family friendly" content that leads to a wider chance of profit. …

Wrongful Conviction Documentaries: Influences Of Crime Media Exposure On Mock Juror Decision-Making, Patricia Y. Sanchez

Dissertations, Theses, and Capstone Projects

Psychology and law researchers have urged colleagues to collaborate with the makers of popular media, such as documentary filmmakers, in efforts to educate the general public about wrongful convictions (Kassin, 2017; Wells et al., 2000). Recently, programs depicting wrongful convictions, such as Making a Murderer (Demos & Ricciardi, 2015) and When They See Us (DuVernay, 2019) have garnered substantial viewership. Research on general and case-specific pretrial publicity (Daftary-Kapur et al., 2014; Kovera, 2002) and the effects of crime media (Baskin & Sommers, 2010; Schweitzer & Saks, 2007) demonstrate that although consuming crime-related media and being exposed to information about a …

The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox

Dissertations, Theses, and Capstone Projects

Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was replaced …

Is Everyone Hanging Out Without Me? (And Other Dramaturgical Concerns): Re-Centering Dramaturgy And Comedy As Feminist Tools For Social Change, Shaila Schmidt

Masters Theses

Titled as a play on Mindy Kaling’s 2011 book, Is Everyone Hanging Out Without Me? (And Other Concerns), this thesis highlights the obstacles women, the genre of comedy, and dramaturgs face in order to be taken seriously in the arts. Using the work of Mindy Kaling, I explore how she uses comedy as a means of defying the expectations put upon her as an Indian American woman in order to provide context for the ways in which the marginal statuses of women of color and comedy overlap.

In an effort to demonstrate the ways in which comedy can be …

“Born Of A Spirit That Knows No Conquering:” Innovation, Contestation, And Representation In The Pcha, 1911-1924., Taylor Mckee

Electronic Thesis and Dissertation Repository

The Pacific Coast Hockey Association (PCHA) was a professional North American hockey league that operated from 1911 to 1924. With markets in Victoria, Vancouver, New Westminster, Seattle, and Portland, the bourgeoning league was a viable competitor to the NHA and offered a distinctive approach to the developing sport. Through innovations and rule changes, the PCHA made significant strides in player safety, in line with the vision of “clean” hockey promoted by the league’s founders, Frank and Lester Patrick. In turn, these innovations were represented through newspaper accounts from the period, which helped promote a modern, scientific, and highly-marketable brand of …

Still, Unfolding, Ramolen Mencero Laruan

Electronic Thesis and Dissertation Repository

Together with my Master of Fine Art thesis exhibition, still, unfolding, at Zalucky Contemporary (Toronto, Ontario), this dossier constitutes the following accompanying components: a comprehensive artist statement, documented artwork, an interview with artist Erika DeFreitas, and a curriculum vitae. These components contextualize my subject-position, and outline theoretical research, motivations, and reflections that drive my work. I expand on the diasporic experience, politics of knowledge, and the autobiographical genre as they are linked methodologies in the retrieval of immigrant histories. The fusion of autobiography and fiction becomes a hopeful approach in challenging forgotten or omitted history and confronts the expectations …

Bawdy Tales, Emily R. Collins

Theses and Dissertations

Hansu Siirala is a Finnish-Canadian craftsperson currently based in Vancouver, British Columbia, Canada. Twelve years ago at the age of fifty-five, she suffered two strokes, which paralyzed her left side and required her relocation to a long-term residential care facility. Via writings to her family, Hansu shares hilarious, bitingly sharp observations about life in the assisted care facility in Vancouver. Her stories chip away at social stigmas, make us laugh at ourselves, and celebrate life in unexpected ways. “Bawdy Tales” is a project that utilizes her writing as the foundation of a series of pieces hosted via a website, providing …

Under The Skin, Silvana Silveira

Theses and Dissertations

Under the Skin is an animation depicting the struggles of Laila, a fictional ten-year-old Salvadoran girl child who risks her life crossing the desert to realize her dream of finding a better life in America.

Through Laila's experiences inside the American Immigration system, Under the Skin focuses on the vicissitudes and emotions that unaccompanied migrant children (UMC) arriving in the US across the US-Mexico border encounter.

By combining 2D animation and soundscapes with hand-made textures and paintings, this art film puts a human face to the ongoing immigration crisis. The organic, almost tactile universes created by these textures enhance the …

Resistimos, Diana Quiñones Rivera

Theses and Dissertations

Resistimos (We Resist) is a documentary about the current socio-economic and political issues in Puerto Rico, as seen through the lives of people practicing Bomba music. Bomba is an Afro Puerto Rican music and dance tradition that was born out of the struggle and survival of enslaved people all over the island. Resistimos documents the resurgence of this music as a tool to fight corruption, gender inequality and the austerity measures imposed in Puerto Rico by the US Fiscal Control Board in 2016.

Bong Joon-Ho’S Transnational Challenge To Eurocentrism, Lisa - Marie Spaethen

Film and Media Studies (MA) Theses

Through a narrative analysis of three of Bong Joon-ho’s films: The Host (2006), Snowpiercer (2013), and Okja (2017), this thesis explores the impact of global media flow of transnational cinema, foregrounding its potential to convey broader (but more effective) social and ecological political messages through its wider reach to audiences. Each film selected highlights a specific aspect of transnational cinema – postcolonial transnationalism (Shohat and Stam, 1994), transnational odor (Koichi Iwabuchi, 2002), and ecocinema transnationalism (Kääpä Pietari, 2013) - illustrating the fluidity of cinema in the 21st century and further, the unique position Netflix holds in our contemporary mediascape as …

Exploring Black "Saviors": A Content Analysis Of Black Characters And Racial Discourses In Obama-Era Films., Eric A. Jordan

Electronic Theses and Dissertations

This dissertation analyzes how black characters across twenty movies released in the years 2006-2018 inspire, coach, “save,” or “rescue” other characters. Studies on “savior” characters in film tend to focus on white savior characters who seek to “save” people of color from harm. When comparing black characters and white saviors, I find that black characters use three specific strategies—revolution, vigilantism, and altruism —to help other characters. The characters who use the revolution and vigilantism strategies seem to be what I call “black saviors” who work to fight against institutional and systemic racism to save the black diaspora. Altruistic characters seem …

Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez

American Studies ETDs

New Mexican visual art and culture, as molded by state-sanctioned endeavors, is often casted in order to conceal the tension, conflict, and violence of settler colonialism and imperialism. Widely known myths of empire, such as the Tricultural myth, create a visualizing enterprise through which settler colonial logics transit and create political material reality. This thesis explores the following questions: How do New Mexican Hispanos and queer Chicanxs position themselves in relation to the logics of settler colonialism and empire? How are they positioned in relation to settler colonialism and empire? On the one hand, I argue that the state of …

Cinema "Turns": Catalan Creative Documentary, Celia Sainz Delgado

Masters Theses

This thesis focuses on four women-directed films as a way to illustrate some characteristics shared by the new Catalan creative documentary: El cielo gira ( The Sky Turns, dir. Mercedes Álvarez, 2004), Nedar (Swim, dir. Carla Subirana, 2008), La plaga (The Plague, dir. Neus Ballús, 2013), and Penèlope (Penelope, dir. Eva Vila, 2018). My aim is to highlight their alternative cinematographic strategies, which stray from the hegemonic discourses of documentary filmmaking. In so doing, I analyze these films from three different angles: the relationship between the filmmaker and the material world; the alternative modalities …

The Networked Fictional Narrative: Seriality And Adaptations In Popular Television And New Media., Nandita Dutta

Electronic Thesis and Dissertation Repository

From creating elaborate fan-worlds to driving large amounts of revenue into the economy, popular culture has proved to be the motivation behind, as well a reflection of, large scale acquisitions of conglomerates that have governed popular interests since the mid-20th Century. If its movements across geographic space, time, and media can be traced, popular culture production is an apt subject of research into how a cultural entity is conceptualised, transported and appropriated within another. In this study, adaptations of fictional products in the 20th and 21st Centuries are considered as manifestations of neobaroque forms of culture production and consumption. Some …

Election Day — Documentary, John Thomas Tarpley

Graduate Theses and Dissertations

Election Day is a three-channel documentary chronicling the places, personalities, and tone of Little Rock, Arkansas, during its titular midterm Election Day in November 2018. Throughout the course of the day, the film branches across the city, capturing mini-narratives, bits of conversation, and tableau of civic activity in the public sphere. It is less concerned with the quantitative facts of the day as it is with conveying the transitory social expressions and moods of a modern, southern city on a uniquely American day. This project represents my continued documentary interest in creating inclusive, contemporary local portraits and counter-historical chronicles of …

New Flesh Cinema: Japanese Cyberpunk-Body Horror And Cinema As Catharsis In The Age Of Technology, Sarah Henry

Graduate Theses and Dissertations

This thesis provides a critical analysis of a specific group of films that combine the subgenres of cyberpunk and body horror which I call New Flesh Cinema. Films of this subgenre counter fears and anxieties of technological advancements by re-imagining the rise of technology and its societal effects as a transitional process through the illustration of literal and visceral depictions of the necessary alterations people will have to undergo in order to transition successfully into the new world. To contradict apocalyptic fears of advancing technology, these films offer a vision of a “New Flesh.” I argue the films share three …

Horror’S Aesthetic Exchange: Immersion, Abstraction And Annihilation, Ashley Morgan Steinbach

USF Tampa Graduate Theses and Dissertations

This thesis uncovers a remote entanglement of phenomenological experience and abstract aesthetics in postmodern horror, a space that historically celebrates the former and critically undervalues the latter. Framed as a case study, I mobilize close readings of Alex Garland’s science fiction horror film, Annihilation (2018), to complicate the immersion/abstraction binary that implicitly structures much of contemporary horror scholarship. By recovering horror’s distanced and decentered forms and aesthetics I point to the interdependent faculty of a composite aesthetic collaboration.

These collaborations, which I refer to as aesthetic exchanges, place pressure on the localized emphasis of horror’s situated assaultive and reactive positions. …

Recurring Scream: Trauma In Wes Craven's Slasher, Ben Muntananuchat

USF Tampa Graduate Theses and Dissertations

This thesis investigates trauma representation in the horror film trilogy Scream, by director Wes Craven and based on the story and characters by screenwriter Kevin Williamson. The franchise is a satirical body of work that uproots the formulaic narrative aspects of the slasher film subgenre, of which it belongs to. Craven and Williamson’s method of critiquing the subgenre employs the usage of its cinematic tropes, though elevating them to a level of postmodern parody. I analyze traumatic representation within the franchise’s layers of mediation and postmodern narrative elements, which are often highlighted in academic discussion. The trauma observed revolves around …