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Articles 1 - 28 of 28
Full-Text Articles in Arts and Humanities
Review - The Long Game: Aliya Soomro's Boxing Journey, Syeda Sana Batool
Review - The Long Game: Aliya Soomro's Boxing Journey, Syeda Sana Batool
RadioDoc Review
The Long Game: Aliya Soomro's Boxing Journey" is a poignant and uplifting radio documentary that goes beyond the typical sports narrative. It offers an in-depth analysis of gender norms, societal obstacles, and human resilience, emphasizing the power of podcasting to promote distinct and marginalized voices.
Radically Feminist Or Monstrously Feminine?: Witches And Goddesses In Guadagnino's Suspiria (2018), Lindsay Macumber
Radically Feminist Or Monstrously Feminine?: Witches And Goddesses In Guadagnino's Suspiria (2018), Lindsay Macumber
Journal of Religion & Film
Guadagnino’s 2018 remake of Suspiria explicitly and implicitly incorporates two connected myths, witchcraft and goddess centered matriarchal prehistory. The fact that each of these myths have been claimed by feminists in myriad ways may explain Guadagnino’s claim that Suspiria is a great feminist film that escapes the male gaze. In this article, I argue that Guadagnino’s representation of these myths lays bare their misogynistic origins and perpetuates, rather than subverts, patriarchal power structures.
#Hotgirlsemestersyllabus, Katrina Marie Overby, Gheni Platenburg, Niya Pickett Miller
#Hotgirlsemestersyllabus, Katrina Marie Overby, Gheni Platenburg, Niya Pickett Miller
Feminist Pedagogy
No abstract provided.
Nnuba 0h47min/Couleur. Réalisatrice : Sonia At Qasi-Kessi, Farida Aït Ferroukh
Nnuba 0h47min/Couleur. Réalisatrice : Sonia At Qasi-Kessi, Farida Aït Ferroukh
Journal of Amazigh Studies
N/A
Identites Of Women In Indian Art And History, Nalini Rao
Identites Of Women In Indian Art And History, Nalini Rao
Monsoon: South Asian Studies Association Journal
The stereotypical image of Indian women portrayed in the art of stone sculpture is often interpreted as images of beauty that are sensuous, religious as well depict social life. There are historical reasons for depicting her as such. This paper inquires into the changing depiction and social forces that influenced feminine imagery. This paper examines the portrayal of beauty through idealization of female body which has evolved over the centuries in India. It also aims to understand their changing status and explores issues of feminine identity, status, and empowerment largely in ancient and medieval India. It also provides a brief …
Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang
Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang
CLCWeb: Comparative Literature and Culture
The absence of female characters and their voices in William Golding’s Lord of the Flies (1954) has been previously examined. On the surface, this fiction focuses on the struggle and survival of a group of boys who are left alone on a Pacific island against the background of nuclear warfare. The only presence of women in the story seems to be the aunt via a boy’s narration. However, when approaching the fiction through the lens of ecofeminism, we can find a range of feminized entities which are metaphorically embodied in the natural surroundings of the secluded island. The boys’ interactions …
Outperformed: Exploration And Comparison Of The Tongue-And-Cheek Tragedies Of Women-Animal Relationships In Selected Short Stories By Samanta Schweblin And In Apichatpong Weerasethakul’S Film, Uncle Boonmee Who Can Recall His Past Lives, Sawnie Smith
Vernacular: New Connections in Language, Literature, & Culture
The unsettling short stories that comprise Samanta Schweblin’s 2008 collection Pájaros en la boca are textured and populated by the flesh of not only humans, but also the skins of species that belong to a wider zoological and mythical scope. Those creatures in Schweblin’s literary output who possess scales, feathers, and wings find themselves variously rubbing up against, crushed under, and orally engulfed by human dermis. This essay seeks to explore the charge of gender politics that courses through interactions between human women and (demi-) animals in two short stories from this collection: “El hombre sirena” and “Olingiris”—animal contact with …
Muslim Women In French Cinema: Voices Of Maghrebi Migrants In France, Shreya Parikh
Muslim Women In French Cinema: Voices Of Maghrebi Migrants In France, Shreya Parikh
Journal of Religion & Film
This is a book review of Leslie Kealhofer-Kemp's Muslim Women in French Cinema: Voices of Maghrebi Migrants in France (Liverpool: Liverpool University Press, 2015).
Film Review: The Impure: An Abolitionist Documentary Film Of The 19th Century Traffic In Jewish Women, Caroline Norma
Film Review: The Impure: An Abolitionist Documentary Film Of The 19th Century Traffic In Jewish Women, Caroline Norma
Dignity: A Journal of Analysis of Exploitation and Violence
No abstract provided.
Women & Tolkien: Amazons, Valkyries, Feminists, And Slashers, Robin A. Reid Dr.
Women & Tolkien: Amazons, Valkyries, Feminists, And Slashers, Robin A. Reid Dr.
Journal of Tolkien Research
This paper reports on an early pilot project that asks women who self identify as readers or fans of Tolkien's work and/or teachers who have taught Tolkien's work, and/or scholars who have published on Tolkien's work to answer a few open-ended questions about their reasons for enjoying his work. By "women," I mean anybody who identifies as a woman. By "Tolkien's work," I mean any of his published novels, stories, poems, or academic essays. The study arises from the question that is often asked of fans of Tolkien's work: why do women so enjoy it, given the relatively minor narrative …
East Asian "China Doll" Or "Dragon Lady"?, Joey Lee
East Asian "China Doll" Or "Dragon Lady"?, Joey Lee
Bridges: An Undergraduate Journal of Contemporary Connections
This paper argues that the representation of East Asian women in popular media is harmful through its exaggerated portrayal of the ‘China Doll’, and ‘Dragon Lady’, ultimately further exoticizing and dehumanizing East Asian women, ensuring the dominance of the West. I will study these portrayals and their impacts through historical and modern film, modern magazines, and intersectional oppression that the restrictive categorizations place upon women of East Asian descent.
But I'M A Cheerleader: Queer In Content And Production, Syd Martin
But I'M A Cheerleader: Queer In Content And Production, Syd Martin
Cinesthesia
No abstract provided.
Women Are Speaking Up At Sundance, Rubina Ramji
Women Are Speaking Up At Sundance, Rubina Ramji
Journal of Religion & Film
Women speak up at Sundance 2018.
Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, And Documentary Form. Cambridge: Harvard Up, 2016., Julia Watson
Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, And Documentary Form. Cambridge: Harvard Up, 2016., Julia Watson
Studies in 20th & 21st Century Literature
Review of Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard UP, 2016.
Keja L. Valens. Desire Between Women In Caribbean Literature. New York: Palgrave Macmillan, 2013. Vii + 214 Pp., Mary Mccullough
Keja L. Valens. Desire Between Women In Caribbean Literature. New York: Palgrave Macmillan, 2013. Vii + 214 Pp., Mary Mccullough
Studies in 20th & 21st Century Literature
Book Review of Keja L. Valens. Desire between Women in Caribbean Literature. New York: Palgrave Macmillan, 2013. vii + 214 pp.
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Cinesthesia
This essay analyzes the history of Egyptian film in relationship to the common perception of women in Egypt. From the early stages of Egyptian cinema, women assumed leadership positions, helping build the undeveloped industry to its height in the mid-1900's. An increasingly state-led and male-dominated film industry, however, adopted women as a symbol of nationalism, while neglecting them as equals through traditionalist film content. Furthermore, in the last quarter of the 20th century, governmental influences resulted in a shortage of production resources. Although commercial motion pictures suffered, social-issue, realist movies have reignited feminist initiatives and provided hope for a recovering …
Salma, John C. Lyden
Salma, John C. Lyden
Journal of Religion & Film
This is a film review of Salma (2013) directed by Kim Longinotto.
Claire Legendre’S Portrait Of Hypermodern Society, Michèle A. Schaal
Claire Legendre’S Portrait Of Hypermodern Society, Michèle A. Schaal
Studies in 20th & 21st Century Literature
Theorists from various academic disciplines believe Western society has entered an age of excess and exacerbated modernity: all areas of life are affected by a will to be or do more at an always faster pace. This article focuses on French writer Claire Legendre’s literary translation of hypermodernity, especially in her narratives published over the past decade. First, it examines her portrayal of contemporary individuality, marked by all sorts of excesses and especially by the imperative to make the most of oneself and one’s life. This ideal being in itself excessive, her characters resort to extreme behaviors. However, they never …
Babette's Feast And The Goodness Of God, Thomas J. Curry
Babette's Feast And The Goodness Of God, Thomas J. Curry
Journal of Religion & Film
This article attempts to answer the preeminent question Babette’s Feast invites viewers to consider: Why does Babette choose to expend everything she has to make her feast? Of the critical studies made of the film, few have considered analytically crucial the catastrophic backstory of Babette, the violence of which is implied and offscreen. Appreciation of the singularity of Babette’s own personhood and the darker aspects of her experience, and not only how she might act as a figure of Christ, are key to understanding the motivating force behind her meal and its transformative effect: That through the feast Babette lays …
King Of Masks: The Myth Of Miao-Shan And The Empowerment Of Women, Kevin Dodd
King Of Masks: The Myth Of Miao-Shan And The Empowerment Of Women, Kevin Dodd
Journal of Religion & Film
King of Masks represents a particular type of mythic film that includes within it references to an ancient sacred story and is itself a contemporary recapitulation of it. The movie also belongs to a further subcategory of mythic cinema, using the double citation of the myth—in its original integrity and its re-enactment—to critique the subordinate position of women to men in the narrated world. To do this, the Buddhist myth of Miao-shan, which centralizes the Confucian value of filiality, is re-applied beyond its traditional scope and context. Thereby two prominent features of contemporary China are creatively addressed: the revival of …
Spain, Reincarnated: Julio Medem’S Caótica Ana And New Spanish Media(Tion) In The World, Susan Martin-Márquez
Spain, Reincarnated: Julio Medem’S Caótica Ana And New Spanish Media(Tion) In The World, Susan Martin-Márquez
Studies in 20th & 21st Century Literature
Spanish director Julio Medem’s visually stunning yet controversial 2007 film Chaotic Ana was panned for its ostensibly Manichaean treatment of gender relations and its crudely scatological ending, both of which have distracted attention from the work’s fascinating incursions into global politics. While the film’s complex layering of hawk and dove imagery figures centuries of male violence against women, it is also imbricated with an extended meditation on the divergent roles of the United States and Spain on the contemporary world stage. Through the male protagonist Said, a Saharawi painter, the film artfully shifts postcolonial guilt for the fate of the …
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Présence Francophone: Revue internationale de langue et de littérature
As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …
An Account Of Señorita Maquiladora, Rosina Conde
An Account Of Señorita Maquiladora, Rosina Conde
Studies in 20th & 21st Century Literature
Performer and scholar Rosina Conde finds that Señorita Maquiladora is the performance piece that has gone through the most transformations, not in its script, but in its text, as it is constantly being rewritten to speak to contemporary social issues. She believes that Señorita Maquiladora has potential because it speaks to global themes that affect workers in the assembly plant industry, not only with respect to the questions of the environment and health, but also in terms of the patriarchial patterns that force these women to compete in an atmosphere of a vertical structure dominated by men, with all the …
Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières
Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières
Présence Francophone: Revue internationale de langue et de littérature
Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.
Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann
Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann
Studies in 20th & 21st Century Literature
In her 1975 essay, Le Rire de la méduse, Hélène Cixous enthusiastically announced that it was high time for women to enter into discourse. A full half-century earlier, Claude Cahun (1894-1954), a powerful writer and a haunting photographer and artist, was already inscribing herself, Woman, and a woman's voice in visual and verbal self-portraits, photomontages, prose texts, poetry, and aesthetic and political treatises. Cahun's uncanny interventions in both verbal and visual discourse cannily interrogate conventions of literary and pictorial representation and the constructions of self, gender and culture that they exhibit. Insistently asking readers and spectators, "What's wrong with …
Woman As Contender For The United States Presidency: A Look At The Movie, "The Contender", Ibpp Editor
Woman As Contender For The United States Presidency: A Look At The Movie, "The Contender", Ibpp Editor
International Bulletin of Political Psychology
This article explores whether the movie, "The Contender," supports the viability of a woman for the presidency of the United States.
An Essay On The Piano, Law, And The Search For Women's Desire, Julia E. Hanigsberg
An Essay On The Piano, Law, And The Search For Women's Desire, Julia E. Hanigsberg
Michigan Journal of Gender & Law
The thesis of this essay is a simple one: to have a measure of control over her destiny, to have any choices, a woman must be a sexual agent, a subject of desire rather than an object. How can women exercise any autonomy in any other realms if in their most intimate lives they are unable to voice their desires? I do not mean to suggest that sexuality has unlimited explanatory power or that everything about women's domination can be explained by a rearticulation of desire. I do believe, however, that although the issue of sexuality is much discussed, feminist …
The Changing View Of Abortion: A Study Of Friedrich Wolf's Cyankali And Arnold Zweig's Junge Frau Von 1914, Sabine Schroeder-Krassnow
The Changing View Of Abortion: A Study Of Friedrich Wolf's Cyankali And Arnold Zweig's Junge Frau Von 1914, Sabine Schroeder-Krassnow
Studies in 20th & 21st Century Literature
With the end of the nineteenth century, women start becoming more independent, demanding more rights, making a place for themselves in society. The docile woman who is seduced by the socially higher male and in desperation commits infanticide begins to fade from literature. At the same time a new woman with a fresh vitality emerges and deals with the old problem of pregnancy and abortion. Two works which treat this type of woman are examined and the parallels as well as the differences between the portrayal are established. Although the heroines in Wolf's play and Zweig's novel come from different …