Arts and Humanities Commons^™

“It Is Non-Summit” And “It Is Abnormal” Unpacking Whiteness: Critiquing Racialized And Gendered Representations In Non-Summit (Bijeongsanghoedam)., Seonah Kim

Communication ETDs

In this thesis, I focus on a Korean entertainment show Non-Summit as a media text through which to investigate racialized and gendered representations of transnational identities in Korean media. Specifically, I examine discursive strategies through which foreign male characters are racialized and gendered in order to interrogate the hegemonic masculinity of White, Western, and heterosexual identities. On the basis of a critical textual analysis of Non-Summit, I discuss Non-Summit reproduces and distributes representations of White, Western, and heterosexual masculinity as dominant foreign identities. Furthermore, I examine the ideological implications of such discourse on the hegemonic foreign identities given the …

"Revealing Reality": Four Asian Filmmakers Visualize The Transnational Imaginary, Stephen Edward Spence

American Studies ETDs

This dissertation posits that four Asian filmmakers engage in “revealing reality” in unique but interconnected ways that employ innovative narrative and cinematic/visual techniques, including a direct address to the senses and an augmenting of their vision with fantasy or surrealism. My study argues that Hou Hsiao-hsien (Taiwan), Jia Zhangke (China), Tsai Ming-liang (Taiwan), and Apichatpong Weerasethakul (Thailand) mobilize this visual and narrative strategy to participate in debates about globalization and to comment on the state of their respective nations, the concept of the nation, and the transnational. The films of each artist are examined in detail; I investigate their stylistic …

Widerstandsidentitäten: Identitäts- Und Heimatsuche Der Nachfolgegenerationen Türkischer Migranten In Fatih Akins Gegen Die Wand, Feo Aladağs Die Fremde Und Feridun Zaimoğlus Kanak Sprak, Anja Ruxanda Barr

Foreign Languages & Literatures ETDs

ABSTRACT

This paper examines how Fatih Akin’s film Head-On/Gegen die Wand (2004), Feo Aladağ’s film When We Leave/Die Fremde (2010), and Feridun Zaimoğlu’s text Kanak Spraak construct a new Turkish-German identity that is established through resistance to a homogenously imagined culture. With the current influx of immigrants to Germany, the debate about integration, hybridity, and divergence has become more important than ever. The emergence of hybrid migrant identities that are being problematized in Turkish-German movies and texts has shown that issues of belonging and identity caused by multipositionality have become an integral part of Turkish-German narratives. Over time, representations …