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Full-Text Articles in Arts and Humanities

Speed In Context: Real-Time News Reporting And Social Media, Jenny Hauser Oct 2014

Speed In Context: Real-Time News Reporting And Social Media, Jenny Hauser

Conference Papers

Dubbed the ‘tyranny of real time’, the immense acceleration of the news cycle poses serious challenges to professional journalism. As news media struggle to keep up with the speed at which news is reported on social media while maintaining journalistic standards of accuracy, real-time coverage is blamed for de-contextualising news events. While reports may be accurate, the question asked is if they also show the truth? This paper compares the effects of the real-time news coverage of both the Ukrainian uprising and the Gaza-Israel conflict in the summer of 2014, examining how context was shaped and relayed in both instances.


Childrens' Rights Or Journalists' Ethics, Michael Foley Oct 2014

Childrens' Rights Or Journalists' Ethics, Michael Foley

Conference Papers

The coverage of issues concerning children and childhood has become increasingly prominent and journalists now have access to any number of sets of guidelines. Within academia there is a growing body of scholarly literature concerning journalism, the media, and coverage of children.

This activity has been mainly in the context of children’s rights. UNICEF, has been successful in highlighting the UNCRC and the role of journalists and the media in making the Convention work.

DIT, and the author, has been working with UNICEF, since 2006, in developing a syllabus for journalism schools. So far 27 universities from Turkey to Central …


Defining The Audience: Redefining Public Service, Ann-Marie Murray Jun 2014

Defining The Audience: Redefining Public Service, Ann-Marie Murray

Books/Book chapters

No abstract provided.


Never Myles From The News: The 'Meta-Journalism' Of Myles Na Gcopaleen, Ian Kilroy Apr 2014

Never Myles From The News: The 'Meta-Journalism' Of Myles Na Gcopaleen, Ian Kilroy

Books/Book chapters

This chapter will interrogate and assess the substantial body of journalistic work of Irish novelist Brian O’Nolan, considered to be one of the founding fathers of the postmodern novel, as exemplified in his classic works At-Swim-Two-Birds and The Third Policeman. Locating his satirical journalism in the context of the Swiftian tradition from which it stems, O’Nolan’s journalism will be read in the societal content in which it was produced: namely 1940s, 1950s and 1960s Ireland, decades in which the country was marked by widespread censorship, increased Church influence on the affairs of state, economic stagnation and sexual repression.

Concentrating …


Two Options For Aosdána: Be Reformed Or Be Replaced, Ian Kilroy Apr 2014

Two Options For Aosdána: Be Reformed Or Be Replaced, Ian Kilroy

Articles

Why Irish artists' organisation Aosdána needs to be reformed or to be replaced. An Op-Ed (opinion piece) in the Irish Times by Ian Kilroy of the School of Media at Technological University Dublin, also former Arts Editor of the Irish Examiner.


Foreword To 'Memoir' By Journalist And Writer Tomás Bairéad, Ian Kilroy Jan 2014

Foreword To 'Memoir' By Journalist And Writer Tomás Bairéad, Ian Kilroy

Books/Book Chapters

Foreword to A Memoir of Ireland’s Nascent Years, by Irish language journalist and writer Tomás Bairéad (translated and edited by Mícheál Ó hAodha). Forthcoming from The Edwin Mellen Press, New York. Tomás Bairéad (1893-1973) is well known for a number of collections of short stories in Irish. He invented a version of short-hand for the Irish language. From Moycullen, Co Galway, he was involved in the Irish War of Independence and covered the Irish Civil War as a journalist. He edited the Irish language page in the Irish Independent for a number of years.


Project 6048 : Curatorial Collaboration, 2014 Ba (Hons) Photography Students Jan 2014

Project 6048 : Curatorial Collaboration, 2014 Ba (Hons) Photography Students

Other

The title of the curatorial collaboration undertaken by the Third Year students of the BA (Hons) photography course within DIT is project6048 and describes the number of days that the school of photography occupied the temple bat campus.

Text by Daniel Siberry.


Dit Photo 14 : 2014 Ba Photography Graduate Exhibition, 2014 Ba Photography Graduates Jan 2014

Dit Photo 14 : 2014 Ba Photography Graduate Exhibition, 2014 Ba Photography Graduates

Other

The 2014 BA Photography Graduate exhibition features the photographic projects of fourteen final year students.


An Exploration Into The Potential Of Irish Films (1896-1962) For Empathic Approaches To The History Classroom, Thomas Mcgraw Lewis Jan 2014

An Exploration Into The Potential Of Irish Films (1896-1962) For Empathic Approaches To The History Classroom, Thomas Mcgraw Lewis

Doctoral

This thesis applies historical empathy as a lens through which Ireland’s filmic heritage can be explored within the teaching of history. In its approach, the research asserts that critical perspective recognition and affective exploration can be achieved through a sustained model of historical narrative inquiry. Undertaking textual analysis of a series of pre-televisual films from the National Film Archive, it argues that there is value in these records for understanding the formulation and assessment of political and social representation in the nascent Republic. While remaining cognizant of the constraints placed on both the educational and archival professions in Ireland, the …


Intertextos Y Guiños Del Cine Negro De Hitchcock En Queda La Noche De Soledad Puértolas, Paloma Pérez Valdés Jan 2014

Intertextos Y Guiños Del Cine Negro De Hitchcock En Queda La Noche De Soledad Puértolas, Paloma Pérez Valdés

Books/Book Chapters

Intertextos y guiños del cine negro de Hitchcock en Queda la noche

En mi comunicación se analiza la incorporación de elementos de dos clásicos del cine negro, Vértigo y Extraños en un tren, de Alfred Hitchcock, en la novela contemporánea Queda la noche, de Soledad Puértolas. Mediante una serie de guiños al lector, la autora pone a su alcance un código reconocible que le permite ascender al plano de la creación del texto. Consigue de este modo, por un lado, la ruptura con la diferencia jerárquica entre lector y escritor, y por otro, la destrucción de la frontera …