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Full-Text Articles in Arts and Humanities

Toxic Masculinity: An Outcome Of Colonialism And Its Effects On The Latinx/Chicanx Lgbtq+ Community, Monica Martinez Jul 2021

Toxic Masculinity: An Outcome Of Colonialism And Its Effects On The Latinx/Chicanx Lgbtq+ Community, Monica Martinez

McNair Research Journal SJSU

This research examines masculinity in the Latinx community within the U.S. Much of the theory behind masculinity involves discussing toxic masculinity and machismo. To do this, I look at film, poetry, and literature to discuss how toxic masculinity affects Queer Latinxs. Although this research focuses on fictional characters and the analysis of fictional works, these characters’ stories do not fall far from current LGBTQ+ Latinxs who may be experiencing the same issues. I examine La Mission, Mosquita y Mari, Gun Hill Road, “I am Joaquin,” “La Loca de la Raza Cosmica,” Rain God, and What Night …


Life In Quarantine Poem, Oluchi Nwokocha Apr 2021

Life In Quarantine Poem, Oluchi Nwokocha

All Assignment Prompts

No abstract provided.


Covid 19 Project, Christine Guzzetta Apr 2021

Covid 19 Project, Christine Guzzetta

All Assignment Prompts

No abstract provided.


Curating Digital Pedagogy In The Humanities, Katherine Harris, Matthew Gold, Rebecca Frost Davis May 2020

Curating Digital Pedagogy In The Humanities, Katherine Harris, Matthew Gold, Rebecca Frost Davis

Faculty Research, Scholarly, and Creative Activity

This is the published introduction to the born-digital, open-access, peer-reviewed *Digital Pedagogy in the Humanities*. More a rationale and scholarly study of both Digital Pedagogy and DPiH in general, this introduces articulates the uses, theory, rationale about digital pedagogy as it has been shaped in U.S. institutions since the explosion of Digital Humanities in 2009. As a separate field now, Digital Pedagogy is built on the generosity of its practitioners, but saving the *stuff* of teaching and pedagogy is difficult. The introduction historicizes this now-published project, its open peer review process, and its development in the early years (starting in …


An Unfinished Conversation: An Interview With Yiyun Li, Noelle Brada-Williams Oct 2017

An Unfinished Conversation: An Interview With Yiyun Li, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

An interview of fiction writer and memoirist Yiyun LI.


University Scholar Series: Alison Mckee, Alison L. Mckee Feb 2015

University Scholar Series: Alison Mckee, Alison L. Mckee

University Scholar Series

The Woman’s Film of the 1940s: Gender, Narrative, and History

On February 25, 2015, Dr. Alison L. McKee spoke in the University Scholar Series hosted by Provost Andy Feinstein at the Dr. Martin Luther King, Jr. Library. Dr. McKee discussed her recent book, The Woman’s Film of the 1940s: Gender, Narrative, and History, which addresses the terrain between official public histories and private experiences of love, desire, and loss against the backdrop of World War II. McKee is an Associate Professor in the Department of Television, Radio, Film, and Theatre Arts at SJSU. She specializes in film history, theory …


“Finding” Guam: Distant Epistemologies And Cartographic Pedagogies, Cathy J. Schlund-Vials Sep 2014

“Finding” Guam: Distant Epistemologies And Cartographic Pedagogies, Cathy J. Schlund-Vials

Asian American Literature: Discourses & Pedagogies

No abstract provided.


Unruly Girls, Unrepentant Mothers: Redefining Feminism On Screen By Kathleen Rowe Karlyn; African American Actresses: The Struggle For Visibility, 1900-1960 By Charlene Regester; Unsettling Sights: The Fourth World On Film By Corinn Columpar: A Review By Mantra Roy, Mantra Roy Feb 2014

Unruly Girls, Unrepentant Mothers: Redefining Feminism On Screen By Kathleen Rowe Karlyn; African American Actresses: The Struggle For Visibility, 1900-1960 By Charlene Regester; Unsettling Sights: The Fourth World On Film By Corinn Columpar: A Review By Mantra Roy, Mantra Roy

Faculty and Staff Publications

No abstract provided.


Preserving Film Preservation In The Digital Era, Becca Bastron Jan 2013

Preserving Film Preservation In The Digital Era, Becca Bastron

School of Information Student Research Journal

This paper explores the current controversies surrounding film preservation in the digital era. Questions address the benefits of new technologies and the potential sacrifices to a film's authenticity and designation as a valued historical, social, and cultural artifact. Issues examined include film's frail format, archives's financial and storage limitations, the concept of "the original film," and how current digitization methods affect each of these areas. This paper addresses the recent restorations of two particular films—Fritz Lang's Metropolis (1927) and Alfred Hitchcock's Vertigo (1958)—and concludes that digital technologies are not stable enough to replace traditional preservation methods, but they can greatly …


Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd Jan 2012

Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd

Faculty Publications

In this article, I analyse the function of Art Deco designs in the 1930s gangster genre and, in particular, Warner Brothers' Marked Woman (Bacon, 1937). Like many gangster films of the period, it associates high-style Art Deco with excess and the criminal underworld. My findings, however, reveal a tension between the film's moralist stance and its visual excess. Compelling visual signifiers of leisure, style and social mobility, the modern designs are free to circumvent the film's critical message and reinforce American capitalist ideologies. My analyses underscore Art Deco as an emblematic style of commercial modernity. Marked Woman and other gangster …


Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd Jan 2012

Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd

Drew Todd

In this article, I analyse the function of Art Deco designs in the 1930s gangster genre and, in particular, Warner Brothers' Marked Woman (Bacon, 1937). Like many gangster films of the period, it associates high-style Art Deco with excess and the criminal underworld. My findings, however, reveal a tension between the film's moralist stance and its visual excess. Compelling visual signifiers of leisure, style and social mobility, the modern designs are free to circumvent the film's critical message and reinforce American capitalist ideologies. My analyses underscore Art Deco as an emblematic style of commercial modernity. Marked Woman and other gangster …


Chicana Photography: The Power Of Place, Ann Marie Leimer Apr 2008

Chicana Photography: The Power Of Place, Ann Marie Leimer

NACCS Annual Conference Proceedings

Abstract:

The concern with space, location, place, and geographic site has received heightened attention from artists and theorists from the 1960s onward. For critics and creators engaged with these concepts, the analysis of the interaction between of the processes of spatialization, identity formation, and memory has emerged as an important aspect of critical discourse. Lucy Lippard defines space as a physical site, understood as landscape or nature, while place implies intimacy, a familiarity with a certain geographic location. For Lippard, human interaction and, most importantly, the infusion of memory into space or a geographic site produces place. Michel de Certeau …


A Comparative Analysis Of A Japanese Film And Its American Remake, Shogo Miura Jan 2008

A Comparative Analysis Of A Japanese Film And Its American Remake, Shogo Miura

Master's Theses

No abstract provided.


Teaching Tv Production In A Digital World (Book Review), Paul Kauppila Jul 2003

Teaching Tv Production In A Digital World (Book Review), Paul Kauppila

Faculty and Staff Publications

No abstract provided.


Gnarled Defined, Rudy Rucker May 1996

Gnarled Defined, Rudy Rucker

SWITCH

The article is a reflection of the author’s conception of the term ‘gnarly’, extending the term’s meaning from its origins in California surfer slang. 'Gnarly' is often used in a colloquial context, however, the author believes that the term is able to be used in an academic field as it pertains to outcomes and results of equations. Discussions towards the application of the term 'gnarly' showcase how it can be used in a scientific, mathematical, and artistic context through seemingly random patterns. In order to be gnarly, things must lie and exist between the realm of orderly and chaotic often …


12 Monkeys, Collette Sweeney May 1996

12 Monkeys, Collette Sweeney

SWITCH

The article depicts the visual and conceptual significance of the film “12 Monkeys”, directed by Terry Gilliam and starring Bruce Willis and Brad Pitt. In this film, movie genres and tropes are called into question. Terry Gilliam presents a visions of the future, but relies on the conventions of the American Western Formula. Gilliam tales a distinct approach to typical characters, allowing his proragonists to become onlookers to the foreboding issue at play. What Gilliam achieves in his 12 Monkeys is making the viewers “entertain” that the future depicted in the movie may be seen as a warning.


Virtual Celluoid, Switch Staffs Sep 1995

Virtual Celluoid, Switch Staffs

SWITCH

The article is an analysis of the author’s research pertaining to films relating to or containing the concept of virtual reality. The author lists several films such as Johnny Mnemnonic, Virtuosity, The Net, and Disclosure and provides a brief synopsis and review of each movie. Each film explains the concept of virtual reality through differing plots and methods such as cyberspace, progressive software, and artificial intelligence. The author also gives their own insight into and ratings of the films, explaining what they think is the most relatable in terms of overall storyline as well as how realisticly the movie portrays …


Public Information: Desire, Disaster, Document, The Anti-Artist May 1995

Public Information: Desire, Disaster, Document, The Anti-Artist

SWITCH

An article about how photographic and electronically created pictures mediate and determine social reality, which is one of the most complicated concerns of our time. Definitions of media, the individual's position and responsibilities in society, and the nature of the photographic picture are all on the table. Gary Garrels, Jim Lewis, Christopher Phillips, Sandra S. Phillips, Abigail Solomon-Godeau, Robert R. Riley, and John Weber analyze the work of fifteen postwar artists working in a variety of media to answer these issues. The article starts with a third person point of view about the subject. As the article progresses, it shifts …


She Had Eyes A Man Could Drown In: Narrative, Desire, And The Female Gaze In The French Lieutenant’S Woman, Alison Mckee Jan 1992

She Had Eyes A Man Could Drown In: Narrative, Desire, And The Female Gaze In The French Lieutenant’S Woman, Alison Mckee

Faculty Publications

No abstract provided.


Gamma And Dynamic Range Needs For An Hdtv Electronic Cinematography System, Harry Mathias Sep 1987

Gamma And Dynamic Range Needs For An Hdtv Electronic Cinematography System, Harry Mathias

Faculty Publications

A cinematographer's perspective regarding gamma and contrast manipulation in video and film is given. In film, a selective exposure can be used; the negative characteristic is the cinematographer's creative tool. The use of film as a video medium is considered, both negative and positive transfer. Contrast reproduction in the video medium is explained, and film and video gammas are compared. Also compared with the film gamma is the gamma obtained with an HDTV camera. Future trends are sketched, and current HDTV specifications are compared with the characteristics of film. Predictability and consistency of results, that is, the final image on …


Gamma And Dynamic Range Needs For An Hdtv Electronic Cinematography System, Harry Mathias Sep 1987

Gamma And Dynamic Range Needs For An Hdtv Electronic Cinematography System, Harry Mathias

Harry Mathias

A cinematographer's perspective regarding gamma and contrast manipulation in video and film is given. In film, a selective exposure can be used; the negative characteristic is the cinematographer's creative tool. The use of film as a video medium is considered, both negative and positive transfer. Contrast reproduction in the video medium is explained, and film and video gammas are compared. Also compared with the film gamma is the gamma obtained with an HDTV camera. Future trends are sketched, and current HDTV specifications are compared with the characteristics of film. Predictability and consistency of results, that is, the final image on …


A Proven Method Of Establishing Exposure Indexes For Video Cameras, Harry Mathias Oct 1985

A Proven Method Of Establishing Exposure Indexes For Video Cameras, Harry Mathias

Faculty Publications

This article discusses a production-tested method for determining exposure indexes for video cameras. Also discussed are exposure control methods, camera sensitivity, waveform monitors, lighting, and other factors. The importance of this procedure in practical production situations is described.


A Proven Method Of Establishing Exposure Indexes For Video Cameras, Harry Mathias Oct 1985

A Proven Method Of Establishing Exposure Indexes For Video Cameras, Harry Mathias

Harry Mathias

This article discusses a production-tested method for determining exposure indexes for video cameras. Also discussed are exposure control methods, camera sensitivity, waveform monitors, lighting, and other factors. The importance of this procedure in practical production situations is described.


Point Of View: Image Quality From A Non-Engineering Viewpoint, Harry Mathias Aug 1984

Point Of View: Image Quality From A Non-Engineering Viewpoint, Harry Mathias

Faculty Publications

No abstract provided.


Point Of View: Image Quality From A Non-Engineering Viewpoint, Harry Mathias Aug 1984

Point Of View: Image Quality From A Non-Engineering Viewpoint, Harry Mathias

Harry Mathias

No abstract provided.