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Full-Text Articles in Arts and Humanities

Plato. Spider-Man And The Meaning Of Life, Jeremy Barris Jan 2005

Plato. Spider-Man And The Meaning Of Life, Jeremy Barris

Humanities Faculty Research

Some versions of mysticism have taught that the ordinary world around us is sacred and wonderful, that the meaning of life is to be found not through some extraordinary knowledge or awareness, but in appreciating what already surrounds us. I believe that both Spider-Man comics and Plato’s dialogues offer exactly this deep vision, and that they introduce us to it in some remarkably similar ways. I cannot do any kind of justice here to the richness of either set of works, or to the variations of style and meaning within each of them. Instead I shall focus only on four …


Accent, Linguistic Discrimination, Stereotyping, And West Virginia In Film, Teresa L. O’Cassidy Jan 2005

Accent, Linguistic Discrimination, Stereotyping, And West Virginia In Film, Teresa L. O’Cassidy

Theses, Dissertations and Capstones

This study examines connections between accent, linguistic discrimination, and stereotyping in portrayals of West Virginia film characters. Ten films featuring West Virginia characters were examined for accent and stereotyping: The Right Stuff (Kaufman, 1983), Matewan (Sayles, 1987), Blaze (Shelton, 1989), The Silence of the Lambs (Demme, 1991), October Sky (Johnston, 1999), Hannibal (Scott, 2001), A Beautiful Mind (Howard, 2001), The Mothman Prophecies (Pellington, 2002), Wrong Turn (Schmidt, 2003), and Win a Date with Tad Hamilton! (Luketic, 2004). Coders were employed to score character accents. Stereotyping data was gathered by comparing portrayals with stereotypical traits associated with Appalachian and/or hillbilly characters. …


Irish Representations In The Films Of Jim Sheridan And Neil Jordan, Jeffrey K. Jack Jan 2005

Irish Representations In The Films Of Jim Sheridan And Neil Jordan, Jeffrey K. Jack

Theses, Dissertations and Capstones

This thesis explores four films from "second wave" directors Jim Sheridan and Neil Jordan: The Crying Game, The Butcher Boy, The Field, and The Boxer. In these films, Sheridan and Jordan add complexity to previously static film representations of Irish society and culture. The study analyzes the modifications Sheridan and Jordan make to the cultural and political representations of the "first wave" of Irish films, relating theoretical developments more traditionally used in literary studies, including "postcolonialism" and "postmodernism." It also explores how these four films have influenced more recent developments in Irish cinema, including the recent shifting of the settings …