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Full-Text Articles in Arts and Humanities
Poulin-Burrage, Edward "Teddy", Brendan Mcbrine
Poulin-Burrage, Edward "Teddy", Brendan Mcbrine
Querying the Past: LGBTQ Maine Oral History Project Collection
Edward “Teddy” Poulin-Burrage is a biracial queer man who has lived in the Portland area for just about his entire life. Teddy has been deeply involved in the world of activism for more than half his life at this point, including with the Southern Maine Workers Center, Sexual Assault Response Services, Portland Racial Justice Congress, Pride Portland, Equality Maine, and other groups. Teddy has mostly done behind the scenes work for these organizations, usually focusing on coalition-building and forging relationships with other organizers. On top of this, Teddy has been a regular in the local gay bar scene for quite …
Imagining Revolutionary Feminism: Communist Asia And The Women Of The Black Panther Party, Benjamin Young
Imagining Revolutionary Feminism: Communist Asia And The Women Of The Black Panther Party, Benjamin Young
Research & Publications
Using newspapers, autobiographies, and interviews, this article examines the ways in which women of the Black Panther Party imagined the women of Vietnam, China, and North Korea as radical archetypes during the late 1960s and early 1970s. Using Judy Wu’s theory of “radical orientalism” in conversation with Ashley Farmer’s concept of the “gendered imaginary,” I argue that the Panther women imagined the women of “the East” as pioneers in world revolution and women’s liberation in order to protest against gendered injustices within the Party and broader U.S. society. This article also investigates the realities on the ground for the women …
Black Lives Examined: Black Nonfiction And The Praxis Of Survival In The Post-Civil Rights Era, Ariel D. Lawrence
Black Lives Examined: Black Nonfiction And The Praxis Of Survival In The Post-Civil Rights Era, Ariel D. Lawrence
Theses and Dissertations
The subject of my thesis project is black nonfiction, namely the essay, memoir, and autobiography, written by black authors about and during the Post-Civil Rights Era. The central goals of this work are to briefly investigate the role of genre analysis within the various subsets of nonfiction and also to exemplify the ways that black writers have taken key genre models and evolved them. Secondly, I aim to understand the historical, political, and cultural contributions of the Post-Civil Rights Era, which I mark as hitting its stride in 1968. It is not my desire to create a definitive historical framework …
Weird Propaganda: Texts Of The Black Power And Women’S Liberation Movements, Marie Buck
Weird Propaganda: Texts Of The Black Power And Women’S Liberation Movements, Marie Buck
Wayne State University Dissertations
“Weird Propaganda: Texts of the Black Power and Women’s Liberation Movements” examines texts of the Black Power and Women’s Liberation Movements: the early Black Arts Movement anthology For Malcolm; the now-canonical texts Our Bodies, Ourselves; The Black Woman; and Sisterhood Is Powerful; a number of pamphlets and other small press works; and the Black Panthers’ newspaper. This project argues that writers and activists used senses of the uncanny, along with elements of science fiction and fantasy, to negotiate the day-to-day uncertainties of political organizing and, more broadly, political hope. The texts examined here convey particular political views in an explict …
"You Understand Me Now": Sampling Nina Simone In Hip Hop, Amanda Renae Modell
"You Understand Me Now": Sampling Nina Simone In Hip Hop, Amanda Renae Modell
USF Tampa Graduate Theses and Dissertations
The overarching goal of this research is to explicate the implications of hip hop artists sampling Nina Simone's music in their work. By regarding Simone as a critical social theorist in her own right, one can hear the ways that hip hop artists are mobilizing her tradition of socially active self-definition from the Civil Rights/Black Power era(s) in the post-2000 United States. By examining both the lyrics and the instrumental compositions of Lil Wayne, Juelz Santana, Common, Tony Moon, Talib Kweli, Mary J. Blige and Will.I.Am, G-Unit and Timbaland, and bearing in mind the intersecting oppressions of race, class, gender, …