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- Journal of International Women's Studies (6)
- Studies in 20th & 21st Century Literature (2)
- Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía (1)
- CLCWeb: Comparative Literature and Culture (1)
- Journal of Gender, Ethnic, and Cross-Cultural Studies (1)
Articles 1 - 13 of 13
Full-Text Articles in Arts and Humanities
The Emancipation Of A Harem Girl: Resisting The Gendered Division Of Space In Wafa Faith Hallam’S The Road From Morocco, Rachid Lamghari
The Emancipation Of A Harem Girl: Resisting The Gendered Division Of Space In Wafa Faith Hallam’S The Road From Morocco, Rachid Lamghari
Journal of International Women's Studies
This article examines the challenging of Orientalist and Western discourses and of patriarchal authority over Eastern women in Wafa Faith Hallam’s memoir The Road from Morocco. The conventional representation of these women is revisited as Saadia in the memoir debunks the passivity and docility with which they are associated by exercising her agency and trespassing the sacred cultural and physical frontiers. Regardless of being introduced to confinement in the private space of a harem since her infancy, Saadia manages to liberate herself first through leaving the allegedly sacred frontiers of the house and trespassing in public space which is discursively …
Diam's: The Politics Of Autobiography And Avatarhood In The French Republic, Taryn Marcelino
Diam's: The Politics Of Autobiography And Avatarhood In The French Republic, Taryn Marcelino
Journal of Gender, Ethnic, and Cross-Cultural Studies
Diam’s is a French female rapper otherwise known as Mélanie Georgiades who was prominent in France’s music scene from 1999 up until 2010 when she retreated to a small village in the French countryside. Her claim to fame was her anti-racist lyrics but what grabbed the media’s attention was her reappearance in the public sphere wearing a veil. In this article, I trace her career from her lyrics, music videos, and finally to her autobiographies which she published during her retirement from music. By following her work, I analyze the avatars of Diam’s and Mélanie to portray her journey from …
From Resistance To Leadership: The Role Of The Women In Cinema Collective (Wcc) In ‘Voicing The Women’ In The Malayalam Film Industry, Jimin S. Mathew, Alna Mariya Isac
From Resistance To Leadership: The Role Of The Women In Cinema Collective (Wcc) In ‘Voicing The Women’ In The Malayalam Film Industry, Jimin S. Mathew, Alna Mariya Isac
Journal of International Women's Studies
On February 17, 2017 a popular film actress in the Malayalam film industry was sexually assaulted and harassed in a running vehicle as she was returning from work. A group of women came together as a collective to support the survivor and to address some of the problems plaguing women in the film industry. The heinous crime was a blow to the conscience of the state of Kerala which is considered the most educated and well governed state with better living conditions, when compared to all the other states in India. It revealed the long silenced and unquestioned reality of …
Liminal Space And Minority Communities In Kate O’Brien’S Mary Lavelle (1936), Amy Finlay-Jeffrey
Liminal Space And Minority Communities In Kate O’Brien’S Mary Lavelle (1936), Amy Finlay-Jeffrey
Journal of International Women's Studies
Despite blatant references to homoerotic desire in Kate O’Brien’s oeuvre — two of her novels Mary Lavelle (1936) and As Music and Splendour (1958) contain lesbian characters, whilst gay male characters appear in Without my Cloak (1931) and The Land of Spices (1941) — it is only in recent years that scholarship has considered O’Brien as a writer of homosexual themes. There are obvious reasons as to why the lesbianism in O’Brien’s work and others who wrote about it during the mid-twentieth century has suffered from such neglect. It is only since second-wave feminism that an academic critique of sexuality …
Writing The Experiences And (Corporeal) Knowledges Of Women Of Color Into Educational Studies: A Colloquium, A. B. V. M. M. Armstrong-Carela-Martínez-Pérez-Ruiz Guerrero
Writing The Experiences And (Corporeal) Knowledges Of Women Of Color Into Educational Studies: A Colloquium, A. B. V. M. M. Armstrong-Carela-Martínez-Pérez-Ruiz Guerrero
Pedagogy & (Im)Possibilities across Education Research (PIPER)
In this colloquium, we share collaborative ideas that came about during a weekend retreat. We center our discussions on Chicana and Black feminisms and Womanism, specifically addressing how women of color feminisms inspire us; imagining/defining space; tensions within our sisterhoods; transforming (inner)coloniality by embracing our lived herstories; and how Chicana and Black feminisms and Womanism transform educational studies. We leave readers with hopes for our-selves, our fields, our sisters, and for the world. While not exact tellings of our pláticas during our retreat, we capture and share the essence of burning questions, ideas, and hopes that arose for us when …
Alba As Eternal Mother: Violent Spaces And The ‘Last Woman’ In Manuel De Pedrolo’S "Mecanoscrit Del Segon Origen", Pedro Nilsson-Fernàndez
Alba As Eternal Mother: Violent Spaces And The ‘Last Woman’ In Manuel De Pedrolo’S "Mecanoscrit Del Segon Origen", Pedro Nilsson-Fernàndez
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
The ambitious literary project of Catalan author Manuel de Pedrolo i Molina (1918-1990) has generally been perceived as belonging to the tradition of popular literature, a label often reinforced by the unprecedented success of his minor work Mecanoscrit del segon origen. This has clearly damaged Pedrolo’s status in the Catalan literary; as Kathryn Crameri highlights, “(w)hen authors such as Manuel de Pedrolo championed more popular genres such as crime fiction” –or science fiction as far as this study is concerned– “they had to endure criticisms of the quality of their writing” (Crameri, 2008, p. 23). This article will challenge …
Cars, Space, And The Dynamics Of Power In Cuéntame Cómo Pasó ('Tell Me How It Happened'), Linda B. Bartlett
Cars, Space, And The Dynamics Of Power In Cuéntame Cómo Pasó ('Tell Me How It Happened'), Linda B. Bartlett
Studies in 20th & 21st Century Literature
Cuéntame cómo pasó 'Tell Me How It Happened,' Radio Televisión Española’s long-running television series, recreates Spain’s recent past from the late years of the Franco regime through the transition to democracy and beyond through the daily experiences of the fictional yet typical Alcántara family, thus functioning as a form of historical memory project. This critically-acclaimed program, which debuted in fall 2001, has attracted not only record-size audiences in its 18 seasons (to date), but also scholarly interest as well. While other studies have analyzed the use of the television medium to represent history, or critiqued its historical …
Paradigms Of Communication In Performance And Dance Studies, Nicoleta Popa Blanariu
Paradigms Of Communication In Performance And Dance Studies, Nicoleta Popa Blanariu
CLCWeb: Comparative Literature and Culture
In her article "Paradigms of Communication in Performance and Dance Studies" Nicoleta Popa Blanariu approaches from an interdisciplinary perspective the measure in which performing arts (theater, music, ballet, Indian classical dance, folk dance, etc.), as well as ritual performance constitute a corpus that may be analysed by means of theoretical and conceptual tools in communication studies and semiotics. Popa Blanariu analyses the relation between signification and communication in performing arts, between different codes and artistic expressions through which these are realized, between verbal and the other artistic "languages," and takes into consideration how "linguistic" functions manifest themselves within "languages" specific …
The Lesbian And The Room: Proust’S Invention Of Difference, Christina L. Stevenson
The Lesbian And The Room: Proust’S Invention Of Difference, Christina L. Stevenson
Studies in 20th & 21st Century Literature
More than a conflict between external activity and internal sanctuary, the room in Proust's writing is a figure that weaves a complex fabric of narrative perception. If, in his youth, Proust's narrator believed the room to be a refuge for containing an eroticized feminine Other, the wiser narrative voice reveals the room as offering the disruption rather than the fulfillment of desire. The perspective of childhood is interwoven with the retrospective voice of the adult narrator who dispels the naïve fantasies of the desiring youth. This paper illustrates that confronting the failure of desire becomes imperative for the Proustian narrator …
Dirty Spaces: Communication And Contamination In Men’S Public Toilets, Ruth Barcan
Dirty Spaces: Communication And Contamination In Men’S Public Toilets, Ruth Barcan
Journal of International Women's Studies
This paper examines the spatiality of men’s public toilets in Australia. It considers public toilets as cultural sites whose work involves not only the literal elimination of waste but also a form of cultural purification. Men’s public toilets are read as sites where heteronormative masculinity is defined, tested and policed. The essay draws on Eve Kosofsky Sedgwick’s concept of homosociality and on Mary Douglas’s conception of dirt as a destabilizing category. It treats the “dirtiness” of public toilets as a submerged metaphor within struggles over masculinity. The essay considers a range of data sources, including interviews, pop culture, the Internet …
A Liberatory Space? Rumors Of Rapes At The 5th World Social Forum, Porto Alegre, 2005, Sara Koopman
A Liberatory Space? Rumors Of Rapes At The 5th World Social Forum, Porto Alegre, 2005, Sara Koopman
Journal of International Women's Studies
Rumors were that 90 women were raped in the youth camp at the Fifth World Social Forum in Porto Alegre, in January of 2005. Later reports were that there had been two. Yet the rumors speak to how the space of the forum is socially produced and what sort of space it is. How does space then shape the forum and what we can do from there? Lefebvre argues that revolutionary festivals are an important challenge to the abstract space of capitalism. Revolutionary festivals can liberate us, but our bodies must be free if we are to create a revolutionary …
Gendered Performance Performing Gender In The Diy Punk And Hardcore Music Scene, Naomi Griffin
Gendered Performance Performing Gender In The Diy Punk And Hardcore Music Scene, Naomi Griffin
Journal of International Women's Studies
This article considers the relevance of geographical theories about gender roles and how gender is performed, to the situated context of a local DIY (‘Do It Yourself) punk scene. It draws on an auto-ethnographic study carried out by the author between September 2008 and May 2009, which explored the themes of the body, gendered performativity and gendered spatialities. The study was based on the author’s observations, reflections and conversations with other participants at live music events (‘shows’) in a particular region of the UK, but also revealed how DIY punk offers an example of an imagined community, crossing temporal, spatial …
Postures Féminines Dans L’Oeuvre De Calixthe Beyala, Carmen Husti-Laboye
Postures Féminines Dans L’Oeuvre De Calixthe Beyala, Carmen Husti-Laboye
Présence Francophone: Revue internationale de langue et de littérature
The aim of this paper is to analyze, through the example of the feminist positions proposed by Calixthe Beyala in the novels she wrote between 1987 and 2007, the change of the novelist’s ideological and artistic perspective. It emphasizes the progressive loss of critical voice to the advantage of a new voice wishing to understand itself as individuality in its world. This study reveals the novelist’s contribution to the construction of a new position of the individual in the context of French social and cultural life.