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Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Feminist, Gender, and Sexuality Studies

Western Michigan University

2006

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

“A Highly Ambiguous Condition”: The Transgender Subject, Experimental Narrative And Trans-Reading Identity In The Fiction Of Virginia Woolf, Angela Carter, And Jeanette Winterson, Jennifer A. Smith Jul 2006

“A Highly Ambiguous Condition”: The Transgender Subject, Experimental Narrative And Trans-Reading Identity In The Fiction Of Virginia Woolf, Angela Carter, And Jeanette Winterson, Jennifer A. Smith

Dissertations

This dissertation examines how the constantly evolving gender identity o f a text’s transgender subject relates to the text’s narrative structure and shapes the orientation o f the reader to the text. Accordingly, this project examines how these transgender narratives deploy experimental stylistic techniques that enhance the reader’s experience of ceaseless transitioning by revealing gender as a constant process that never solidifies onto a body and by highlighting the text’s own status as process rather than finalized product. Further, this project examines how a transgender subject and his/her relationship to the body, culture, and narrative is involved in the re-vision …


Review Of Queer Wars: The New Gay Right And Its Critics. Paul Robinson. Reviewed By Greg Mallon., Gerald P. Mallon May 2006

Review Of Queer Wars: The New Gay Right And Its Critics. Paul Robinson. Reviewed By Greg Mallon., Gerald P. Mallon

The Journal of Sociology & Social Welfare

Book review of Paul Robinson, Queer Wars: The New Gay Right and Its Critics. Chicago: University of Chicago Press, 2005. $25.00 hardcover.


Doers Of The Living Word: Gospel Ideology And The African American Womanist Novel, Rebecca Erin Huskey Apr 2006

Doers Of The Living Word: Gospel Ideology And The African American Womanist Novel, Rebecca Erin Huskey

Dissertations

In Playing in the Dark, Toni Morrison issues a charge and illuminates the challenge that she and other African American writers face in defining the self through a racially oppressive language:

Neither blackness nor "people of color" stimulates in me notions of excessive, limitless love, anarchy, or routine dread. I cannot rely on these metaphorical shortcuts because I am a black writer struggling with and through a language that can powerfully evoke and enforce hidden signs of racial superiority, cultural hegemony, and dismissive "othering" of people and language which are by no means marginal or already and completely known and …