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Full-Text Articles in Arts and Humanities
L’Espace Sexué Dans Riwan Ou Le Chemin De Sable De Ken Bugul, Antje Ziethen
L’Espace Sexué Dans Riwan Ou Le Chemin De Sable De Ken Bugul, Antje Ziethen
Présence Francophone: Revue internationale de langue et de littérature
In Riwan ou le chemin de sable by Ken Bugul, the protagonist lives in the interstice between her own house and that of her husband’s, between the life of a woman educated in Europe and the life of a wife subjected to the laws of mouridism. In her circular movement along the sandy road evoked in the novel’s title, she gradually creates a space that allows her to reconcile the two facets of her identity. Merging different genres, stories and languages, the text itself enacts the symbolism of the road as a transitional sphere.
Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno
Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno
Présence Francophone: Revue internationale de langue et de littérature
This article examines the return, in two contemporary novels, of the figure of the “naked black woman” as an emblematic site of difference. Two women of African origin take back this twice-appropriated figure and use it to question the ways in which the materiality of the body is again being written into contemporary postcolonial society. The aim of the essay is to underline the means and meaning deployed in these new appropriations of African icons, while pointing to some possible limits to the symbolic passage from the colonial imagination to a postcolonial one.
Noms Et Identités Dans La Migration Des Coeurs : Vers Une Affirmation De L’Identité Caribéenne, Hanétha Vété-Congolo
Noms Et Identités Dans La Migration Des Coeurs : Vers Une Affirmation De L’Identité Caribéenne, Hanétha Vété-Congolo
Présence Francophone: Revue internationale de langue et de littérature
In Maryse Condé’s Windward Heights, the female characters bear the same first and last names, and act in the same way as, their counterparts in Emily Brontë’s Wuthering Heights. It would seem relevant, therefore, to ask about the dialectics of naming and identity set out in Windward Heights, and what this might mean for Caribbean identity. Is naming the only thing that gives Condé’s characters their identity? Or are they mirror-image projections of Brontë’s characters. Answering these questions, we may be able to determine how Condé’s work, as a new creation, establishes its own identity and whether its meaning is …
L’Inscription Du Corps Dans Quatre Romans Postcoloniaux D’Afrique, Augustine H. Asaah
L’Inscription Du Corps Dans Quatre Romans Postcoloniaux D’Afrique, Augustine H. Asaah
Présence Francophone: Revue internationale de langue et de littérature
More and more, contemporary African literature dwells on the body —as the subject and object of desire, as a refuge and as a commodified and objectified victim. Using as reference points four novels —Calixthe Beyala’s C’est le soleil qui m’a brûlée and Femme nue, femme noire, Williams Sassine’s Mémoire d’une peau and Nimrod’s Les jambes d’Alice— all of which inscribe the body onto and into the text, this article seeks to analyse diverse manifestations of the textualized body. Works of alienation and dispossession, these four texts also focus on corporeal quests for equilibrium. The presence of the body in the …