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Full-Text Articles in Arts and Humanities
Honeysuckles & Irises: Effigies Of The Land, Ami` L. Hanna-Huff
Honeysuckles & Irises: Effigies Of The Land, Ami` L. Hanna-Huff
English Creative Writing Theses
Here is a memoir of my paternal line through the lens of my Great-Grandmother and myself. A reclamation of the land I hail from and a connection to a history previously felt distant, this examination of race and gender explicitly focused on the African American Southern female experience; I try to make sense of the juxtaposing positions in our lives. The culture built from its creation through Tennessee personified. Here, I integrate history and theory with lyrics and prose to experience the eighty-one years of progress brought between our births and the lingering anxiety of slavery. My great-grandmother, Hazel Irene …
Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring
Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring
Composition/Recording Projects
This project argues that one can make rock music with anti-sexist values by incorporating feminist criticism and gendered performance into the composition of punk rock music. To test this thesis, the history of feminism and its implementation within musical discourse were examined. Using feminist music theory as a lens for observation, several songs from female artists and mix-gender bands within the punk genre were analyzed. This was done in order to find similarities in compositional practices and to explore punk rock’s symbolic representations of gender. Areas covered were the expression of jouissance by the proto-punks, the use of détournement by …
Look At Her: The Subversive Spectacle Of Grande Dame Guignol Cinema, Michelle Smith
Look At Her: The Subversive Spectacle Of Grande Dame Guignol Cinema, Michelle Smith
English Theses
While the Grande Dame Guignol films of the early 1960s served in their time to capitalize on the reputations of aging female stars and the growing popularity of the horror genre, an updated reading of this subgenre proves that it is rich with social critique regarding the feminine experience, social performance, and the tendencies of classical Hollywood cinema that promote a dominant, patriarchal social narrative. While many popular and critical responses diminish them as “psycho-biddy” or “hagsploitation” films, the Grande Dame Guignol tradition’s transformation of its actresses from glamorous icons to unrecognizable villains rejects such limiting appraisals by focusing on …