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Full-Text Articles in Arts and Humanities
The Lost And Forgotten Plants: French Botanical Networks In Provincial And Colonial France (1760–1825), Sophie R. Tunney
The Lost And Forgotten Plants: French Botanical Networks In Provincial And Colonial France (1760–1825), Sophie R. Tunney
Dissertations, Theses, and Capstone Projects
During the eighteenth century, the Jardin du Roi in Paris was the leading monarchical institution for the collection and categorization of plants. A global network emerged that circulated thousands of plants and seeds. Historians of botany have focused on the Jardin du Roi in Paris and the centralization of the network in the hands of different actors, including André Thouin. The dissertation shifts away from a Paris-centered model to one that includes gardens across the metropole and the colonial world. It focuses on the histories of the botanical gardens in l’Ile de France (Mauritius), Cayenne (French Guiana), Brest, Bordeaux, Paris, …
Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe
Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe
Theses and Dissertations
This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …
Arts Et Métiers Photo-Graphiques: The Quest For Identity In French Photography Between The Two World Wars, Yusuke Isotani
Arts Et Métiers Photo-Graphiques: The Quest For Identity In French Photography Between The Two World Wars, Yusuke Isotani
Dissertations, Theses, and Capstone Projects
This dissertation examines the evolution of photography in France between the two World Wars by analyzing the seminal graphic art magazine Arts et métiers graphiques (1927-1939). This bi-monthly periodical was founded by Charles Peignot (1897-1983), the artistic director of the largest manufacturer of typefaces in interwar France, Deberny et Peignot. Arts et métiers graphiques has been recognized in previous literature as one of the principal vehicles for the modernization of photography in France, primarily because it functioned as an essential conduit for the radical practices developed outside the country. The interwar period is regarded as the watershed in the history …
A Eurafrican Future: France, Algeria, And The Treaty Of Rome (1951-1975), Megan Brown
A Eurafrican Future: France, Algeria, And The Treaty Of Rome (1951-1975), Megan Brown
Dissertations, Theses, and Capstone Projects
Before the Treaty of Rome (1957) established the European Economic Community (EEC), French officials made it clear that France’s signature on the Treaty was contingent on its partners’ acceptance of Eurafrican policy. Because Algeria held a unique legal status among France’s overseas holdings, the way in which French officials advocated its insertion within EEC regulation merits particular attention. This status stood distinct from that of the associated territories and, when applied to the Treaty, would theoretically extend to Algeria and its residents the guarantees of free labor circulation, development aid, and tariff preferences open to metropolitan citizens through EEC membership. …
Jules Verne Constructs America: From Utopia To Dystopia, Dana L. Radu
Jules Verne Constructs America: From Utopia To Dystopia, Dana L. Radu
Dissertations, Theses, and Capstone Projects
In my dissertation, I examine visions of the United States in Jules Verne’s (1828-1905) Voyages extraordinaires (1863-1905). Of the sixty-four novels that make up that series, twenty-three, over one-third, feature American characters or take place on American soil. I demonstrate that in his early novels (1863-1886), he presents the United States in an optimistic and utopian light, while in his later novels (1887-1905), his depictions of the United States take on a pessimistic and dystopian aspect. In also showing that Verne had been influenced by utopian socialists Henri de Saint-Simon (1760-1825), Charles Fourier (1772-1837) and Étienne Cabet (1788-1856), I provide …