Arts and Humanities Commons^™

Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis

David B. Dennis

A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.

In Search Of The Wind-Band: An International Expedition, Daniel Rager

Dan Rager

In Search of the Wind-Band: An International Expedition is a new interactive E-book, exploring 16 countries.

The first-of-a-kind, interactive encyclopedic e-book uses text, video, mp3 and pdf files to bring the history and development of the wind-band to life.

1. Overture: What Constitutes a Wind Band? - 2. Introduction to European History and Development - 3. Historical Homogeneous Wind-Bands - 4. American Wind Music - 5. Denmark Wind Music - 6. Finnish Wind Music - 7. Industry Wind Bands - 8. Ireland Wind Music - 9. Japanese Wind Music - 10. Mexican Wind Music - 11. Native American Indian Wind …

Aesthetics In Culture, Dan Rager

Dan Rager

This article examines the role of aesthetics in art, music, non-art objects, and activities in daily life. It shows that recognition is vital to our understanding of art and art-objects and sometimes creates conflicts which ask, what does one do with art? The question becomes more confusing when we think about non-art objects and activities which concern our everyday experiences from eating, clothing, cleaning and dealing with life's natural elements. The author points out that Western cultures have a distinct artworld that is usually limited for special occasions set aside for that purpose. He suggests that aesthetics in culture is …

The Role Of Music In Society Past, Present And Future, Daniel Rager

Dan Rager

The author investigates the role of music in the United States from the nineteenth century forward, and how it transformed into new genres through global ideologies. The paper examines the development, social and functional roles in early American music education and envisions music’s future in an ever changing world. The article encompasses think tank organizations such as the Association of Performing Arts Presenters who have brainstormed on the theme of change and opportunity in America while asking: • Who are the existing audiences for classical music? • Who are untapped or potential audiences? • What do they need to feel …

Listening For Geographies: Music As Sonic Compass Pointing Towards African And Christian Diasporic Horizons In The Caribbean, Elizabeth Mcalister

Elizabeth McAlister

Can musical sounds reveal history, or collective identity, or new notions of geography, in different ways than texts or migrating people themselves? This essay offers the idea that the sounds of music, with their capacity to index memories and associations, become sonic points on a cognitive compass that orients diasporic people in time and space. Whereas researchers often focus on the national diasporas produced through the recent shifts and flows of globalization, I illustrate some of the limits of the concept of national and ethnic diaspora to understand how Caribbean groups form networks and imagine themselves to be situated. This …

A Community Of Sentiment: Indo-Fijian Music And Identity Discourse In Fiji And Its Diaspora, Kevin C. Miller

Kevin C. Miller

Through an historical and ethnographic account of Indo-Fijian music and related cultural practices, this dissertation examines the co-implicative relationship between music making and collective identity formation. Indo-Fijians, who compose about 37 percent of Fiji’s current population, descend primarily from colonial-era Indian laborers. Specifically, I interpret discourses about music and discourses of music to query three broad intersections of musical performance and “community”: 1) the “subethnic,” in which the heterogeneous “Indo-Fijian community” negotiates internal difference; 2) the national, in which fraught social and political relationships between Indo-Fijians and indigenous Fijians—the majority population—inhibit their co-authoring of the nationstate; and 3) the transnational, …