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The Masochian Woman: Coming To A Philosophical Understanding Of Haudenosaunee Women's Masochism, Jennifer Komorowski

Electronic Thesis and Dissertation Repository

This dissertation is a philosophical examination of women’s masochism from several different viewpoints. Beginning from a centre of Western psychoanalytic thought, I analyse what Sigmund Freud, Jacques Lacan, Gilles Deleuze, and Slavoj Žižek say about women and masochistic practices, and then continue the discussion by looking at the work of several women theorists and writers, including Angela Carter, Judith Butler, Kathy Acker, and Luce Irigaray. This analysis centres around Lacan’s theorization of the death drive through the figure of Antigone, and while he does not describe her as the original woman masochist, I believe she is a central figure in …

“Am I Wrong To Want Justice?”: How J. M. Coetzee’S Disgrace Forces Readers To Think Through The Problem Of Law, Nicholas Langenberg

Masters Theses

Since the publication of J. M. Coetzee’s first post-apartheid novel, Disgrace, a number of scholars have noted the ways that this text encourages its readers to re-think their understanding of law. Many other scholars have also noted the ways that Disgrace explores the ideas of French philosopher Gilles Deleuze. However, up until this point, there has been no analysis written that considers the legal explorations of Disgrace alongside the legal philosophies of Deleuze, and in this thesis, precisely such an analysis will be offered.

By considering these two bodies of work in light of one another, it will be …

A New Happiness?: Reading Literature With Deleuze And Guattari In 2020, Fiona Connolly

Undergraduate Honors Thesis Collection

Gilles Deleuze is one of the most influential French philosophers of the twentieth century. He collaborated with political activist and radical psychoanalyst, Felix Guattari to create Anti-Oedipus (1972), A Thousand Plateaus (1980), and What is Philosophy ? (1991), among other works. At the center of Deleuze and Guattari’s thought was the belief that philosophy is the production of concepts, such as territorialization/deterritorialization, lines of flight, and rhizomes. In this thesis, I will use Deleuze and Guattari to examine three seemingly unrelated literary texts: Fyodor Dostoyevsky’s White Nights, Lucy Maud Montgomery’s Anne of Green Gables, and John Green’s Paper Towns. By …

A Deleuzean Poststructural Deconstruction, Adam Nadir Mohamed

Electronic Thesis and Dissertation Repository

This project seeks to reconceive a poststructural form of deconstructive criticism as a Deleuzean deconstructive commentary. I first explore the way Derrida’s concept of différance is confined to a deconstructive criticism which solely traces it in order to critique metaphysical concepts. As an alternative to the confined use of différance in deconstructive criticism, I develop a deconstructive commentary which deconstructs the primacy of a commentated text. Instead of using différance solely to trace the limitations of philosophical concepts (Hegelian in particular), it can serve as a plane of immanence that track a multitude of differently configured philosophical concepts in their …

Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim

CLCWeb: Comparative Literature and Culture

In his article “Overlappinig Scriptworlds: Chinese Literature as a Global Assemblage,” Wai-Chew Sim offers a globalist vision or understanding of Chinese literary studies/Sinophone studies. Deploying the notion of scriptworld (Damrosch), he examines how the Chinese, English, and Malay-language scriptworlds interact in the Southeast Asian context. He traces the rhizomatic connections between Joo Ming Chia’s Exile or Pursuit, a Singapore Sinophone text that explores multiple belongings, and two novels: M. L. Mohamed’s Confrontation (originally published as Batas Langit), and T.H. Kwee’s The Rose of Cikembang (originally published as Bunga Roos dari Cikembang). Tracing the sinophonicity of the latter …

Idiot Science For A Blue Humanities: Shakespeare's The Comedy Of Errors And Deleuze's Mad Cogito, Steven Swarbrick

Publications and Research

Can we imagine a Blue Humanities that takes the non-relation as a starting point for ecological thought? I believe we can. Following Shakespeare and Deleuze, this essay engages in a thought experiment that, if it is not too absurd, might, like the ship of fools of medieval times, unmoor the Blue Humanities from its current safe harbor by putting the thought of ‘our’ world under erasure. This is not a matter of turning thought around, such that, by turning to the sea, we turn thought away from calculation and instrumental reason and rediscover our true nature. Rather, the image of …

“Enough Of Thought, Philosopher!”: Emily Brontë’S Interrogations Of Death, Katherine Marie Alexander

English Language and Literature ETDs

The year 1847 marked the appearance of Wuthering Heights on the literary scene. Writing under the pseudonym of Ellis Bell, Emily Brontë soon became known as the “Sphynx (sic) of Literature” following the publication of the culminating masterpiece of her literary career. Although she was not a trained philosopher, her drawings, poems, letters, devoirs, and only novel offer an organic approach to philosophical matters, particularly in her engagements with the meanings of time and space and her interrogations of death.

Surrounded by the pervasive presence of death from her earliest years and beyond, Brontë moved to rigorous interrogations of the …

In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick

Publications and Research

No abstract provided.

Ruining Representation In The Novels Of China Miéville: A Deleuzian Analysis Of Assemblages In Railsea, The Scar, And Embassytown, Kristen Shaw

Electronic Thesis and Dissertation Repository

This work explores the social and political potentialities of body-assemblages in China Miéville‘s novels Railsea, The Scar and Embassytown. Using the theories of Deleuze and Deleuze and Guattari, my analysis focuses on the manner in which assemblages within these texts resist unification and reification under representational frameworks and forge new identities based on an ethical appreciation of difference, fluidity, and creative self-actualization. Whereas representational schemas privilege supposedly ahistorical, transcendent, and cognitive-based iterations of identity divorced from material contingencies, the assemblages at work in Railsea, The Scar, and Embassytown instead focus on embodied-knowledge and fluid, emergent notions …