Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

Acting With Inscriptions: Expanding Perspectives Of Writing, Learning, And Becoming, Kevin R. Roozen Sep 2021

Acting With Inscriptions: Expanding Perspectives Of Writing, Learning, And Becoming, Kevin R. Roozen

The Journal of the Assembly for Expanded Perspectives on Learning

This article argues for increased attention to people’s engagements with inscriptions and inscriptional practices and the long-term implications they have for the ongoing production of persons, practices, and social worlds across heterogeneous times, places, and activities. Based on a multi-year case study, this analysis examines one microbiology major’s production and use of inscriptions at the intersections of his participation in both disciplinary science and religious worship and traces the long-term consequences those uses have for his becoming as a scientist of faith. If, as Paul Prior asserts, “ literate activity is not located in acts of reading and writing but …


Light Light By Julie Joosten, Mathieu Aubin Aug 2015

Light Light By Julie Joosten, Mathieu Aubin

The Goose

Mathieu Aubin's review of Light Light by Julie Joosten.


Tropes Of Blood, Body And The Ground Of The Law: Becoming, Being And Beyond Wife On The Early Modern Stage, Emily Faye Murray Jan 2015

Tropes Of Blood, Body And The Ground Of The Law: Becoming, Being And Beyond Wife On The Early Modern Stage, Emily Faye Murray

Theses and Dissertations

This project focuses on the representation of women on the early modern stage in three exemplary texts: the anonymous domestic tragedy Arden of Faversham, and two city comedies, Thomas Dekker’s The Shoemaker’s Holiday and Dekker and Thomas Middleton’s The Roaring Girl. Whether playing the role of adulterous wife, performing the role socially striving wife, or resisting the role of laboring wife, these female characters were on stage not only for entertainment, but also for examination and scrutiny by an early modern audience. Playwrights used characterizations of women and wives and their relationships to the economy as vehicles through …