Arts and Humanities Commons^™

A Black Prometheus Among The Gods: Illuminating African American Literary Tradition In Sam Greenlee's The Spook Who Sat By The Door, Kenneth L. Rainey Iii

Cal Poly Humboldt theses and projects

In his hard-hitting novel The Spook Who Sat by the Door Sam Greenlee aims to help his target African American audience to succeed and thrive as their true selves with the novel functioning as a guide to resisting the ever-present physical and spiritual threat faced daily. On the one hand the novel functions as a manual for civil uprising, but underneath that surface, Greenlee argues that true African American resistance comes through nurturing self-determination, self-love, and self-esteem. This project also argues that Spook ought to be located closer to the center of the African American literary canon and provides comparisons …

Cultural Trauma Fiction: Political Violence, Rampage Violence, And Structural Violence In Contemporary American Literature, Courtney Mullis

Electronic Theses and Dissertations

This dissertation identifies and proposes a new subgenre of American literature, Cultural Trauma Fiction, that has arisen since the late 20^th century in response to numerous large-scale traumatic events and their representation in the media. Cultural trauma occurs when a shocking, shared event fractures collective identity and initiates a discursive process to understand what took place, why it happened, and how the affected culture can heal. Cultural traumas differ from individual trauma because cultural traumas affect a culture, rather than an individual, and because they are mediated; many members of the culture experience the trauma of these events secondhand …

Race And Technology In Southern Literature, Civil War To Civil Rights, Kaitlyn Elizabeth Smith

Theses and Dissertations

This dissertation considers the intersection of technology and race in the literature of the American South from the nineteenth and twentieth centuries. Though narratives about technology in American literature often promise democracy, equality, improvement, and progress, the role of technology in southern literature is more complex and ambivalent. Literature from and about the South from the Civil War to the civil rights era, by Black and white southern authors like Charles Chesnutt, Zora Neale Hurston, William Faulkner, and Eudora Welty reveals technology’s ability to uphold and naturalize southern white supremacy, but also to subvert it. Southern literature traces a pattern …

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …

Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet

The Journal of Purdue Undergraduate Research

This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …

Searching For "Free Territory" In Saidiya Hartman's Lose Your Mother, Tisha Brooks

SIUE Faculty Research, Scholarship, and Creative Activity

This essay locates Saidiya Hartman’s travel and writing in relationship to a longer and multifaceted legacy of black travel that includes the forced/coerced movement of black people across the Atlantic during the slave trade, the migratory travel of black diasporic peoples, and African American tourism to Africa, Ghana in particular. This essay argues that Hartman's text challenges us to build bridges across the boundaries we often construct between these various types of movement, enabling us to see the ways in which these journeys intersect in tenuous ways. Pushing beyond narrow definitions of travel, this essay questions singular frameworks that focus …

The Hybridizing Nature Of Ancestor Presence In Morrison’S Sula, Mounica V. Kota Ms.

Oglethorpe Journal of Undergraduate Research

In her writings, Toni Morrison works towards a common goal of establishing a black literary canon, once that represents black characters as autonomous and nuanced human beings unable to be boxed into a one-dimensional narrative. Part of this overarching project appears to be creating a hybridizing narrative in which the cultural roots of various African-American communities are integrated with the social movements of the modern diaspora. One common theme between her novels is the inclusion of a specific ancestral figure, one that functions as some kind of pushing point or learning tool for the community within the story. In examining …

From Recovery To Discovery: Ethnic American Science Fiction And (Re)Creating The Future, Daoine S. Bachran

English Language and Literature ETDs

My project assesses how science fiction by writers of color challenges the scientific racism embedded in genetics, nuclear development, digital technology, and molecular biology, demonstrating how these fields are deployed disproportionately against people of color. By contextualizing current scientific development with its often overlooked history and exposing the full life cycle of scientific practices and technological changes, ethnic science fiction authors challenge science’s purported objectivity and make room for alternative scientific methods steeped in Indigenous epistemologies. The first chapter argues that genetics is deployed disproportionally against black Americans, from the pseudo-scientific racial classifications of the nineteenth century and earlier through …

Booker T. Washington And W.E.B. Du Bois: Guiding Students To Historical Context, Adam Kotlarczyk

Adam Kotlarczyk

Seldom have two vastly different visions been expressed as clearly and as elegantly as in Booker T. Washington’s Atlanta Exposition Address (1895) and W.E.B. Du Bois’s “Of Mr. Booker T. Washington and Others” (from The Souls of Black Folk, 1903). Awash in memorable rhetoric, these competing philosophies foresaw very different paths for America, and for black social progress, at the dawn of the twentieth century. This lesson introduces students to the ideas and informational texts of Washington and DuBois while challenging students to research some of the historical context in which these men lived, worked, and thought.

Booker T. Washington And W.E.B. Du Bois: Guiding Students To Historical Context, Adam Kotlarczyk

Adam Kotlarczyk

Seldom have two vastly different visions been expressed as clearly and as elegantly as in Booker T. Washington’s Atlanta Exposition Address (1895) and W.E.B. Du Bois’s “Of Mr. Booker T. Washington and Others” (from The Souls of Black Folk, 1903). Awash in memorable rhetoric, these competing philosophies foresaw very different paths for America, and for black social progress, at the dawn of the twentieth century. This lesson introduces students to the ideas and informational texts of Washington and DuBois while challenging students to research some of the historical context in which these men lived, worked, and thought.

Unsettling Feminist Traditions: Domesticities And Agency In U.S. Black Women's Life Writing, 1850-1926, Martha Pitts

LSU Doctoral Dissertations

Since its inception, black feminist criticism has produced a number of sophisticated theoretical works that have challenged traditional approaches to both black literature and U.S. women’s writing, as well as assumptions about canon, the concept of tradition, narrative conventions, and more. Far too often, black feminist criticism has been associated with essentialism and presumed to have an anti-theoretical bias. This project begins at this disjuncture and argues that as a mode of analysis and a strategy of reading, black feminist criticism has lost none of its strengths and potential, and that there are still new paths to take and new …

Booker T. Washington And W.E.B. Du Bois: Guiding Students To Historical Context, Adam Kotlarczyk

Other Voices

Seldom have two vastly different visions been expressed as clearly and as elegantly as in Booker T. Washington’s Atlanta Exposition Address (1895) and W.E.B. Du Bois’s “Of Mr. Booker T. Washington and Others” (from The Souls of Black Folk, 1903). Awash in memorable rhetoric, these competing philosophies foresaw very different paths for America, and for black social progress, at the dawn of the twentieth century.

This lesson introduces students to the ideas and informational texts of Washington and DuBois while challenging students to research some of the historical context in which these men lived, worked, and thought.

The Constitution Of Toussaint, Michael J. Drexler, Ed White

Faculty Journal Articles

No abstract provided.

Sharon M. Draper: Reaching Reluctant Readers, Kaavonia Hinton-Johnson

Teaching & Learning Faculty Publications

No abstract provided.

Constructing Black Selves: Caribbean American Narratives And The Second Generation By Lisa D. Mcgill (Book Review), Daryl Cumber Dance

English Faculty Publications

Using second generation Americans Harry Belafonte, Paule Marshall, Audre Lorde, Piri Thomas, and the meringue hip hop group Proyecto Uno, Lisa D. McGill considers in Constructing Black Selves: Caribbean American Narratives and the Second Generation the issues of identity formation of those whose heritage ultimately includes Africa, the Caribbean, and the United States, most often New York City. Though her subjects come from different national, racial, and language backgrounds; though they have made their names in different media; and though they have different views of race, identity, and culture, she convincingly makes the argument that "African America becomes powerful site …

Sucking Salt: Caribbean Women Writers, Migration, And Survival By Meredith M. Gadsby (Book Review), Daryl Cumber Dance

English Faculty Publications

The folk will tell you that salt can either save you or destroy you. Toni Cade Bambara's Velma of The Salteaters realized that her survival depended on learning "the difference between eating salt as an antidote to snakebite and turning into salt, succumbing to the serpent." The lesson of similar folk wisdom is the subject of Meredith M. Gasby's Sucking Salt, where she propses as a new framework for the examination of Caribbean women's writing the survival techiniques implied in "sucking salt," techiniques suggested in her aunt's reflections on people she knew. Tantie expounded: "Little salt won't kill …

In Search Of Nella Larsen: A Biography Of The Color Line By George Hutchinson (Book Review), Daryl Cumber Dance

English Faculty Publications

With In Search of Nella Larsen, George Hutchinson makes the third major attempt to provide a biography of the elusive Harlem Renaissance author Nella Larsen (1891-1964), the mulatto daughter of immigrants from Denmark and the Danish West Indies whose life and fiction were shaped largely by her mixed emotions about her racial heritage and her feelings of abandonment by her white mother, stepfather, and sister. In his introduction, Hutchinson makes much of the errors of prior Larsen biographers Charles R. Larson (Invisible Darkness: Jean Toomer and Nella Larsen [1993]) and Thadious M. Davis (Nella Larsen, Novelist of …

Angela Johnson: Award-Winning Novels And The Search For Self, Kaavonia M. Hinton-Johnson, Angela Johnson

Teaching & Learning Faculty Publications

It was over a decade ago when Rudine Sims Bishop (1992) prophetically dubbed Angela Johnson as possibly one of "the most prominent AfricanAmerican literary artists of the next generation" (616). At the time she had four picture books to her credit, but the following year she would publish her debut young adult novel, Toning the Sweep. From there, a number of other award-winners would follow and the total of young adult books would increase to eleven and counting. To date, Johnson has three Coretta Scott King Awards, a Michael L. Printz award, and the "Genius Grant" on her list of …

African American Mothers & Daughters: Socialization, Distance, & Conflict, Kaavonia Hinton

Teaching & Learning Faculty Publications

The black women's literary tradition began in a conscious effort to create a space for black women's writing and to illustrate a distinction between black women's reality and the realities of others (Christian 348–359). The literature within the tradition is influenced by how black women perceive themselves and the world around them. As a result, identity is an important part of African-American women's literature (Hooper 74–81). Race, class, gender, and sexuality are all components of one's identity and are critical in the formation of one's lived experiences (Crenshaw 357–383). Family, from its structure to the function of specific members within …

[Introduction To] From Within The Frame: Storytelling In African-American Studies, Bertram D. Ashe

Bookshelf

The book explores the written representation of African-American oral storytelling from Charles Chesnutt, Zora Neale Hurston and Ralph Ellison to James Alan McPherson, Toni Cade Bambara and John Edgar Wideman. At its core, the book compares the relationship of the "frame tale" - an inside-the-text storyteller telling a tale to an inside-the-text listener - with the relationship between the outside-the-text writer and reader. The progression is from Chesnutt's 1899 frame texts, in which the black spoken voice is contained by a white narrator/listener, to Bambara's sixties-era example of a "frameless" spoken voice text, to Wideman's neo-frame text of the late …

"Under The Umbrella Of Black Civilization": A Conversation With Reginald Mcknight, Bertram D. Ashe

English Faculty Publications

Talking to Reginald McKnight is like scanning an imaginary worldwide radio dial. At any given moment he can transform his pleasant speaking voice into a raspy, aged, Middle Eastern-by-way-of-New York accent - or a deep Southern drawl. In an instant he can switch from a precise West African dialect to hip, urban street lingo, and then effortlessly segue back to his normal voice. McKnight says he "hit the ground running" as a mimic, and his talent was broadened as he lived all over the United States as the son of an Air Force sergeant. His time spent on the road …

African-American Proverbs In Context By Sw. Anand Prahlad (Book Review), Daryl Cumber Dance

English Faculty Publications

Growing up in Hanover, Virginia, "surrounded by people who cast the world in vibrant and poetic colors," Sw. Anand Prahlad "fell in love with proverbs at an early age" (ix). This lifelong love affair has resulted in a rich collection of African American proverbs that expanded as Prahlad went through college and graduate school, and did postgraduate research. All the while, he was sharpening his critical skills and developing the theoretical framework to establish a model for use in examining the varied components of proverbial speech in the African American community, proceeding on the assumption that in order to understand …

Notice The Mistletoe, Daryl Cumber Dance

English Faculty Publications

Selection of African-American folklore on the winter holidays.

"Why Don't He Like My Hair?": Constructing African-American Standards Of Beauty In Toni Morrison's "Song Of Solomon" And Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe

English Faculty Publications

African-Americans, with their traditionally African features, have always had an uneasy coexistence with the European (white) ideal of beauty. According to Angela M. Neal and Midge L. Wilson, "Compared to Black males, Black females have been more profoundly affected by the prejudicial fallout surrounding issues of skin color, facial features, and hair. Such impact can be attributed in large part to the importance of physical attractiveness for all women" (328). For black women, the most easily controlled feature is hair. While contemporary black women sometimes opt for cosmetic surgery or colored contact lenses, hair alteration (i.e., hair-straightening "permanents," hair weaves, …

Various Black Virginians As Told To Daryl Cumber Dance, Daryl Cumber Dance

English Faculty Publications

Shuckin' and Jivin': Folklore from Contemporary Black Americans, published in 1978, derived from fieldwork done far a doctoral dissertation at Virginia Commonwealth University by Daryl Cumber Dance (the only woman named Daryl I have heard of aside from Daryl Hannah). She gathered stories and verses from black Virginians in colleges, senior citizens' centers, and a penitentiary. Though she doesn't bring to the party an editorial touch as enlivening as Zora Neale Hurston's, she has an ear and-unlike far, far too many assiduous collectors of folktales - knows how to capture vocal rhythms on a page.

"He's Long Gone": The Theme Of Escape In Black Folklore And Literature, Daryl Cumber Dance

English Faculty Publications

Throughout their experiences in this country, certain segments of the Black population have viewed themselves as enslaved, whether they were chattel owned by slaveowners prior to emancipation, whether they were impressed into peonage and forced to work on white plantations and in chain gangs after slavery, whether they were victims of sharecropping systems that virtually reenslaved them during the twentieth century, whether they were the repressed and disfranchised and persecuted in Southern Jim Crow towns throughout the first half of the twentieth century, whether they are those trapped by unemployment and poverty today, or whether they are among the Blacks …

An Interview Of Paule Marshall, Daryl Cumber Dance

English Faculty Publications

This Interview was conducted at the home of Paule Marshall in Richmond, Virginia, on June 14, 1991. Much of our discussion focused on Ms. Marshall's recently completed novel, Daughters, published this fall by Atheneum, which she characterizes here as "perhaps my most personal novel." There are, of course, frequent references to her earlier works, which include Brown Girl, Brownstones (1959), Soul Clap Hands and Sing (1961). The Chosen Place, the Timeless People (1969), Praisesong for the Widow (1983), and Reena and Other Stories (1983).

You Can't Go Home Again: James Baldwin And The South, Daryl Cumber Dance

English Faculty Publications

James Baldwin, like innumerable other Black artists, has found that in his efforts to express the plight of the Black man in America, he has been forced to deal over and over again with that inescapable dilemma of the Black American - the lack of sense of a positive self-identity. Time after time in his writings he has shown an awareness of the fact that identity contains, as Erik Erikson so accurately indicates, "a complementarity of past and future both in the individual and in society." Baldwin wrote in "Many Thousands Gone," "We cannot escape our origins, however hard we …

"Learn It To The Younguns": Passing On Folk Wisdom, Daryl Cumber Dance

English Faculty Publications

This is the book I had been planning to write for the past fifteen years, it was inevitable that if I kept procrastinating, someone would more expeditiously respond to the obvious void. Finally H. Nigel Thomas has provided the kind of exploration and explication of the use, influence, and impact of Black folklore on literature that I perceived was so much needed. Despite the numerous published commentaries on the influence of Afro-American folklore on individual works and specific authors, and the occasional consideration of its influence on a particular genre or a limited period (such as Keith Byerman's focus on …

Bosom Buddies And Lonely Hearts, Daryl Cumber Dance

English Faculty Publications

In Ossie Davis' Purlie Victorius, Ol' Cap'n nostalgically reminisces about the good old days when he enjoyed what he recollects as close loving relationships with Blacks. He recalls to Gitlow "how you and me growed up together. Had the same mammy - my mammy was your mother." And Gitlow responds, "Yessir! Bosom buddies." Despite the satire and irony with which Ossie Davis consciously invests this scene, it suggest to me another irony - one which Davis certainly did not intend - and that is that one of the images of the Black woman which has frequently been shared by …