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Full-Text Articles in Arts and Humanities
Blake’S Green Symbols Of Humanity, Society, And Spirituality, Angela J. Heagy
Blake’S Green Symbols Of Humanity, Society, And Spirituality, Angela J. Heagy
Criterion: A Journal of Literary Criticism
William Blake is an exemplar of Romantic poetry characterized by depictions of the occult, the divine, and human nature. Despite Blake’s reputation as a Romantic poet, many critics claim that there is not sufficient evidence to consider him a nature writer. As a result, Blake’s name is frequently omitted from ecological discussions; some scholars go so far as to claim that Blake’s poetry demonstrates a disregard for nature altogether. This article argues that an eco-critical analysis of Blake’s Songs of Innocence and of Experience reveals nature to be Blake’s continual source of inspiration. Within this collection, nature represents the struggles …
Beyond "His Native Town": Travel And Alienation In Mary Shelley's Frankenstein, Erin G. Quinn
Beyond "His Native Town": Travel And Alienation In Mary Shelley's Frankenstein, Erin G. Quinn
Criterion: A Journal of Literary Criticism
Mary Shelley’s 1818 novel Frankenstein features a surprisingly extensive variety of locations through which Victor Frankenstein travels, ranging from the vibrant cities of London and Oxford to the isolated Orkney islands and Arctic lands. Scholars have analyzed the roles which some of these settings, namely, the Alps and the Arctic, play in the novel, and many have noted the importance of travel to the text. However, little scholarship exists assessing how Victor’s travels as a whole impact him, as well as their collective purpose within the story. Given the prominence of travel in Shelley’s text, as well as the fact …
Vision, Love, And The Church: An Analysis Of Key Themes In William Blake's Songs Of Innocence And Of Experience, Anna Tolkien
Vision, Love, And The Church: An Analysis Of Key Themes In William Blake's Songs Of Innocence And Of Experience, Anna Tolkien
CMC Senior Theses
This thesis engages in a close reading and interpretation of William Blake’s Songs of Innocence and of Experience. The first chapter examines his visionary imagery, symbolism, and language in The Songs. The second chapter explores his nuanced views on love and sexuality – addressing both a pure, mutually pleasurable love as well as a darker, destructive form of love. Lastly, I discuss his critique of the Church as a repressive and corrupt institution. In each chapter I draw from both Blake’s poetry and visual art. Through this extensive study of Blake’s Songs, I present crucial insights on …