Arts and Humanities Commons^™

What A Piece Of Work Is Man: Masculinity In Shakespeare's Work, Chris Rudy

English Class Publications

Masculinity is a concept that can be hard to grasp. It is a series of signifiers and traits that are often haphazardly thrown together into a crude and occasionally misshapen form, which is then labeled ‘man.’ These signifiers can change over time, but the basic structure has remained the same for a remarkable length of time. Men are providers, they are protectors, they are strong and persistent and hard-working and they never let their emotions get the better of them. This is, at least, the understanding of men in the English-speaking world, a world that has been shaped by the …

Shakespeare And The Supreme Court: How The Justices Reveal Their Ideologies By Referencing His Works, Rachel Anderson

Honors Projects

The works of William Shakespeare have been referenced many times throughout history, even by Supreme Court justices. Building off of an observation of a mock trial by James Shapiro, this project puts the utilization of Shakespeare from three Court opinions in relation to its context within the play and the opinion to examine what the reference reveals about the authoring justices' ideology. In doing so, this project concludes that the justices utilize Shakespeare's works in their opinions for various reasons, including to infuse their beliefs into their argument. This implies that Supreme Court justices do not base their opinions on …

An Analysis Of Shylock In The Merchant Of Venice, Mark Muhich

Augsburg Honors Review

Because he is Jewish and a shrewd businessman, the Venetians consider him to be an outsider in their cofiununity, but his isolation from the community mav be his way of protecting his Jewishneis. In other words, Shylock fears that non-business interactions with Christians will damage the pride he has in his religion because all the Christians ridicule him. Because he mocks the Christians in Venice, most literary critics believe that Shylock is a literary villain. H. B. Charlton says that Shylock is often interpreted as "an inhuman scoundrel whose diabolical cunning is bent on gratifying a satanic lust for Christian …

Maneuvering Mestizaje In Shakespeare's Tragicomedies, Andrea Phiana Borunda

English Language and Literature ETDs

This project explores and wades through the implications of mestizaje in the murky depths of Shakespeare’s oceans. Disguises and mistakes in identities and in gender and “race” draw on the hybridity and indeterminacy of the early modern stage and its fluidity and lack of order to reflect an unhomed and unmediated formation of nationhood, diaspora, and (trans)global identities. Drawing on ecocritical and critical race theories, I contend the tragicomic works of Shakespeare expose and dismantle ecoracial fantasies of white male supremacy to curate a space of mestizaje for a new generation of BIPOC scholars.

Racial Poetics: Early Modern Race And The Form Of Comedy, Yunah Kae

Doctoral Dissertations

This dissertation writes a premodern history of race as an alternative literary history of comedy. This project argues that early modern generic changes in comic conventions reflect and produce a logic of race, which assign relational positions of knowingness and unknowing as naturally immutable. Renaissance comedies resembled epistemological laboratories in which to theorize the notion of knowledge itself, and the comedies of Shakespeare, Jonson, and Dekker, Middleton, and Rowley abound in theatrical technologies which create and explore differences in knowing and ignorance. Blackened skin function as a signifier of preclusion from the humanist knowledge-reservoir of “poesy”; the foreign stink wafting …

William Shakespeare’S All Is True, Lord Chamberlain’S “Truth,” And Civil Religion, Paul Olson

Department of English: Faculty Publications

The first title for Shakespeare’s Henry VIII—All Is True—may reflect standard early modern usage signifying that all is an aspect of ‘troth’ or loyalty, all is common understanding, or all is received from a divine source. In the play, the Lord Chamberlain, Shakespeare’s only character so named, serves the Henrician monarchy’s “truth” by serving Henry’s religious and monarchic goals as the Jacobean Lord Chamberlain similarly served James I’s goals, assuring audiences of the integrity, truth, and legitimacy of the monarchy and its faith. The play shows the Lord Chamberlain working to strengthen the loyalty of Henry’s realm …

The Eye’S Construction Of Power In Richard Ii, Julius Caesar And Macbeth, John O’Brien

Theses, Dissertations and Culminating Projects

This study seeks to analyze the optical performance of power in three of Shakespeare’s plays: Richard II, Julius Caesar, and Macbeth. Using a political framework via Kantorowicz’s King’s Two Bodies and Maus’s Inwardness and Theater in the English Renaissance, this paper explores the interior and exterior personas as they pertain and interact with public and private spaces. This paper will track Shakespeare’s contribution to this developing “modern” shift in the understanding of appearance and its role in the presentations of power in these three plays. In each of these plays, I argue, Shakespeare provides us with a series of presentational …

Hell's Black Intelligencers: Representing Clandestine Labor On The Early Modern Stage, Evan Alexander Hixon

Dissertations - ALL

This dissertation, "Hell's Black Intelligencers: Representing Clandestine Labor on the Early Modern Stage," builds upon critical scholarship pertaining to early modern service and political theory to interrogate the imagined economic and social functions of clandestine service in the plays of Shakespeare, Jonson, and Webster. Drawing heavily on the works of András Kiséry, David Schalkwyk, Elizabeth Rivlin, and Michael Neill, I look at the exchange of service between spy and spymaster as an accumulation of social and cultural capital. Thinking through spying in this light, this dissertation explores how playwrights represent these service relationships which fall outside of systems of patronage-driven …

Speaking Chastity: Female Speech, Silence, And The Strategic Performance Of Chaste Identity In Early Modern Drama And Women's Writing, Lisa Templin

Electronic Thesis and Dissertation Repository

This dissertation explores the complex and contradictory relationship between female speech and chaste reputation in the early modern period. I draw on J.L. Austin’s speech act theory, Judith Butler’s theory of gender performativity, and Eve Kosofsky Sedgwick’s understanding of homosociality to study the acts of speech and silence involved in the strategic construction of chaste identity in early modern drama and women’s writing and the role that female homosocial networks play in helping to support the public appearance of feminine virtue. This dissertation scrutinizes literary moments in which the chaste reputations of women writers and their theatrical counterparts are at …

The Ideal Elizabethan Marriage (Or Naught): How Fletcher’S Comedy, The Tamer Tamed Serves As A Sequel, Homage And Riposte To Shakespeare’S The Taming Of The Shrew, Katherine Brillante

Student Theses

In this thesis, I take my cue from Emma Smith, who observes that John Fletcher’s The Woman’s Prize, or The Tamer Tamed is “a sequel, an homage, and a riposte to Shakespeare’s own Taming of the Shrew” (xii). While demonstrating Smith’s point, I also explore the ideology of marriage in Renaissance England, considering what it means to be a rebellious woman with respect to that institution. While, as Ann Jennalie Cook observes, “a play is not an exact replica of the customs of the time” (83), these two plays nevertheless illuminate the ways in which marriage customs during this …

Love And Romance In Early Modern British Literature, Sophia Szeneitas

Senior Honors Projects

This paper seeks to describe and analyze the way in which themes of love and romance were presented in literature in early modern Britain, and how those may differ from or be similar to romantic themes in the media of today. The works being analyzed include plays by William Shakespeare and Christopher Marlowe, as well as some of Shakespeare’s sonnets. A few different lenses will be explored, including the interaction that love could have with the societal power structure and hierarchy present within the literature (such as the ways in which someone being the lover of a powerful person might …

Caliban The Savage : Shakespeare’S Critique Of Colonialist Misappropriation Of Indigenous Identities, Leonard Aquil Hughes

Theses, Dissertations and Culminating Projects

This thesis engages with Shakespeare’s The Tempest, analyzing the character Caliban as a critique of British colonialism. I argue that Caliban is not intended simply as a begrudged antagonist, but as a figure intended to represent New World natives. Shakespeare’s “savage” also acts as an on-stage embodiment of Africans and other victims of British imperial exploits that suffered subjugation and hegemony. With this character, Shakespeare provides a demonstration of the relationship between Europeans and the colonized, while challenging the very institution of colonialism. Such a work provides valuable post-Shakespearean insights as well. Caliban contributes directly to the dialogue surrounding the …

“Strumpet,” “Huswife,” “Whore”: Centering Othello’S Bianca, Phoebe Merten

English (MA) Theses

Is Bianca a sex worker? What meanings change if she is or isn’t? Not enough artistic or critical attention has been paid the character. It seems likely that the initial lack of attention stemmed from Bianca’s status as a purported sex worker, as though this makes her somehow categorically different from the other women in the play, or inherently less interesting. There has in the past decade or so been a marked increase in scholarship on sex work, but this too largely skims over Bianca, likely because of the ambiguity surrounding her profession.

In my introduction I go over some …

What The World Needs Now: Love, Humor And The Shakespeare Connection, Kelly Capers

English MA Theses

What the World Needs Now: Love, Humor and the Shakespeare Connection discusses how the modern romantic comedy (rom com) genre depicts gender roles in adaptations of William Shakespeare’s A Midsummer Night’s Dream and The Taming of the Shrew. This paper looks at Shakespeare’s contributions to the themes of romantic comedy and how 21^st Century filmmakers interpret his concepts. Because rom com typically lacks value among scholars, much of this genre’s impact on audiences is overlooked, yet its popularity makes it an undeniable presence deserving a closer examination. The 2020 pandemic brought into specific relief, not only the popularity …

A Man Not A Monster : Reimagining Disability In Hollow Crown's Richard Iii, Taylor E. Uphus

Honors Theses

Traditional portrayals of William Shakespeare’s Richard III (1592) in film interpret Richard’s physical disability as an outward reflection of his evil. In recent years, disabilities studies scholars have reconsidered the historic association of Richard’s physical deformity with immorality. Unlike previous Richard III films, the BBC’s Hollow Crown: Richard III (Dominic Cooke, 2016) highlights Richard’s mental abuse and trauma. While the film does not shy away from Richard’s villainy, its more empathic depiction of Richard contests the one-dimensional stage and film representation of him as a conniving monster. Ultimately, this film presents Richard III to critique society’s treatment of disabled individuals.

To Put Her In Her Place: An Interrogation Of Death And Gender In Shakespearean Tragedy, Isabella A. Zentner

Criterion: A Journal of Literary Criticism

This analysis investigates the gendered implications of Shakespearean heroines' deaths. Using Macbeth, Antony and Cleopatra, and Titus Andronicus as case studies, evidence is drawn from the text. This evidence is then supported by extensive historical research and reference to external critical studies of these tragedies. By identifying the gendered aspects of these heroines’ deaths, one can gain a greater understanding of Shakespeare’s view of female autonomy and power. The deaths Shakespeare inflicts often act as a punishment for the heroines' betrayal of traditional gender roles and forcibly return the heroines to the feminine sphere.

Homoerotic Medievalism: Looking At Queer Desire In The Homosocial Relationships Of Chaucer’S “The Knight’S Tale” And Fletcher And Shakespeare’S The Two Noble Kinsmen, Juan P. Espinosa

FIU Electronic Theses and Dissertations

The purpose of this thesis is to explore queer interiority within the heteronormative social constructions of late medieval England. Queer interiority is not an occurrence of modernity, but rather a response to social constructions that date back to the Middle Ages. It is essential to account for queerness in the Middle Ages because authors like Chaucer promote the successive resurfacing of queer characters within heteronormative social constructions. Writing during the queer reign of Richard II, Chaucer constructs the interior identities of Palamon and Arcite as a reflection of the king and the political norms of England. Inspired by Chaucer, authors …

The Consolation Of Exempla: Gower’S Sources Of Hope And “Textual Healing” In The Confessio Amantis, Curtis Runstedler

Accessus

This article examines the role of exempla as the root cause of hope and healing in John Gower's Confessio Amantis. I argue that these exempla provide remedial action in the text. The exempla are sources of metaphorical healing in the text, functioning as what I have termed “textual healing,” that is the medicinal aspects of the text that helps remedy Amans (and the reader, to a certain extent) back to full health. This article also draws upon reading the Confessio Amantis as a consolatio poem, linking it to Boethius' Consolation of Philosophy in particular. I also discuss the role …

“What We Ought To Say”: Debating The Morality Of Dishonesty And Equivocation In King Lear, Markelle Jensen

Criterion: A Journal of Literary Criticism

King Lear does not reveal the nature of honesty but provides a stage on which the morality of honesty can be debated. The play questions whether honesty is inherently moral at all, or if there are ways in which honesty can be considered harmful and even immoral. Other scholars have noted this as well in characters such as Edgar and Kent, but missing from the critical conversation are the ways in which Cordelia is the pillar of moral goodness in the play, and how her own paradoxical honesty and dishonesty were what enabled Lear to “see better” and ultimately, to …

On Cleopatra Vii: From Horace And Shakespeare To Self-Representation, Silja M. Hilton

Honors Theses

This thesis explores and analyzes Horace’s Ode 1.37 and Shakespeare’s Antony and Cleopatra in context of their poetic and theatrical narratives, word choice, and grammatical structures in an effort to form a clearer image of Cleopatra VII. While each work is placed within its historical settings, I do not pursue their historical ‘truths.’ Rather, I draw from the authors’ literary conceptions about the Ruler, from Horace’s inpotens (“a woman lacking in self-control”) to fierce agency in deciding death (“deliberata morte ferocior”), to Shakespeare’s ‘othering’ of Cleopatra as tawny, gypsy, and whore, to his portrayals of her as Goddess …

Remixing The Canon: Shakespeare, Popular Culture, And The Undergraduate Editor, Andie Silva

Publications and Research

This essay explores the benefits and challenges of using digital editing as a platform for social knowledge production. First, I discuss the underlying impetus for the project, my choice of Scalar as a digital platform, and a number of specific assignments designed to develop skills toward the final edition. Next, I analyze examples from student work, considering the larger implications of students’ annotation choices and the thematic focus each of them chose for their acts. Finally, I outline some of the potential pitfalls of this course. My aim is to privilege students’ discovery, negotiation, and ownership of ideas. As a …

"In Loving Virtue": Staging The Virgin Body In Early Modern Drama, Miranda Viederman

Honors Projects

The aim of this Honors project is to investigate representations of female virginity in Renaissance English dramatic works. I view the period as one in which the womb became the site of a unique renewal of cultural anxieties surrounding the stability of the patriarchy and the inaccessibility of female sexual desire. I am most interested in virginity as a “bodily narrative” dependent on the construction and maintenance of performance. I analyze representations of virginity in female characters from four works of drama originating in the Jacobean period of the English Renaissance, during and after the end of the reign of …