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Full-Text Articles in Arts and Humanities

Revising For Genre: Mary Robinson's Poetry From Newspaper Verse To Lyrical Tales, Shelley Aj Jones Dec 2014

Revising For Genre: Mary Robinson's Poetry From Newspaper Verse To Lyrical Tales, Shelley Aj Jones

Theses and Dissertations

This dissertation focuses on Mary Robinson’s Lyrical Tales, not as the culminating point to which her writing inevitably led, as is frequently imagined in accounts of her life and work, but, instead, as the product of an intricate process of revision that highlights her investment in genre. Versions of many of the poems that Robinson included in Lyrical Tales originally were published in newspapers and periodicals. Rather than seeing the changes as a move toward a best or most mature or inspired version, I argue that Robinson revised to meet the requirements of her new genre, the lyrical tale. I …


"Fits Of Vulgar Joy": Play Anxiety In The Romantic Poets, Alison Powell Oct 2014

"Fits Of Vulgar Joy": Play Anxiety In The Romantic Poets, Alison Powell

Dissertations, Theses, and Capstone Projects

"Fits of Vulgar Joy": Play Anxiety in the Romantic Poets considers the crucial but neglected role of play as a component of the imaginative faculty and as related to the development of moral sensibility in the Romantic era. It examines the Spieltrieb ("play drive") in the works of Coleridge, Rousseau, Wordsworth, Shelley, and John Clare to explore the tension between what is explicitly stated about the relationship between play, intersubjectivity, and aesthetics, and how play is actually depicted in the poetry and essays of the Romantic era. It works to identify how and with what objective the Romantics differentiated so …


Variation Within Uniformity: The English Romantic Sonnet, Thomas Hamilton Cherry Aug 2014

Variation Within Uniformity: The English Romantic Sonnet, Thomas Hamilton Cherry

Masters Theses & Specialist Projects

The English Romantic poets of the early nineteenth century wrote numerous poems from genres and styles all across the poetic spectrum. From the epics of ancient origin concerning kings and fanciful settings to the political odes on fallen leaders and even the anthropological histories of what it meant to live in their time, these poets stretched their stylistic legs in many ways. One of the most interesting is their use of the short and rule-bound sonnet form that enjoyed a reemergence during their time. Though stylized throughout its existence, the sonnet most often falls into a specific form with guidelines …


Beyond The Pages: The Significance Of The Social Self Proposed In Jane Austen's Persuasion, Veronica Grupico Jul 2014

Beyond The Pages: The Significance Of The Social Self Proposed In Jane Austen's Persuasion, Veronica Grupico

Seton Hall University Dissertations and Theses (ETDs)

This paper focuses on Austen's novel Persuasion and how she rejects the Romantic notion of the self defined by individualism, which leads to the breakdown of society. Instead of the Romantic self, with its emphasis on self-examination, retrospection, and emotion, Austen advocates for an older notion of the self, a view based in eighteenth-century notions of social networks, mutual responsibility, and the moral function of emotion. Persuasion links Romanticism’s self, which was popular at the time that Austen was writing, with the breakdown of society, arguing that not just social stability but much-needed social vitality depends on the interdependence and …


Discovering The "God Within": The Experience And Manifestation Of Emerson's Evolving Philosophy Of Intuition, Anne Tiffany Turner May 2014

Discovering The "God Within": The Experience And Manifestation Of Emerson's Evolving Philosophy Of Intuition, Anne Tiffany Turner

Theses and Dissertations

Investigating individual subjectivity, Ralph Waldo Emerson traveled to Europe following the death of his first wife, Ellen Tucker Emerson, and his resignation from the Unitarian ministry. His experience before and during the voyage contributed to the evolution of a self-intuitive philosophy, termed selbstgefühl by the German Romantics and altered his careful style of composition and delivery to promote the integrity of individual subjectivity as the highest authority in the deduction of truth. He would use this philosophy throughout the remainder of his life to encourage his audience to experience the same process he did.


Charlotte Smith's Beachy Head: Science And The Dual Affliction Of Minute Sympathy, Kelli M. Holt May 2014

Charlotte Smith's Beachy Head: Science And The Dual Affliction Of Minute Sympathy, Kelli M. Holt

ABO: Interactive Journal for Women in the Arts, 1640-1830

Greatly illustrative of Adam Smith’s statement in his Theory of Moral Sentiments that the sympathizer must “adopt the whole case of his companion with all its minutest incidents; and strive to render as perfect as possible that imaginary change of situation upon which his sympathy is founded”––while also complementing notions of feeling from the work of Anna Barbauld––Beachy Head and its minutiae “renders” an utterly sympathetic argument, one void of gender conventions, that comments on nature's inhuman and human condition.


The Sanity Of Furor Poeticus: Romanticism’S Demystification Of Madness And Creativity, Joseph Meringolo May 2014

The Sanity Of Furor Poeticus: Romanticism’S Demystification Of Madness And Creativity, Joseph Meringolo

English

Art and medicine have historically exchanged axioms for understanding mental illness, negotiating a lexicon with which afflicted artists can articulate their experience. This exchange, however, has been problematic. The mentally ill have had to conform to explanatory paradigms that are often inadequate, and cultural mores stemming from the scientific misunderstanding of “madness” have often stigmatized mental illness. These include misconceptions about the source of creative genius as residing in either the divine or the unconscious, the cultural fashioning of the “mad poet” identity, and the idealization of certain types of mental illness as “artistically valuable.” This study will show, however, …


Luxury Romanticism: The Quarto Book In The Romantic Period, Matthew Hale Clarke Jan 2014

Luxury Romanticism: The Quarto Book In The Romantic Period, Matthew Hale Clarke

Dissertations

This dissertation explores the cultural presence of the quarto book in Romantic-era Britain and argues that the format classed the period's defining literary ideologies--from sentimentalism, to liberalism, to Wordsworthian Romanticism, to orientalism--as luxuries meant exclusively for the nation's wealthiest consumers. Chapter 1 situates the quarto within the context of the period's luxury debates and advances a conception of the quarto as the era's predominant luxury format. Focusing on Oliver Goldsmith's The Deserted Village, Chapter 2 argues that early quarto editions of the poem classed the sympathetic feeling it celebrated as the unique privilege of a readerly elite and describes how …


Rereading Romanticism, Rereading Expressivism: Revising "Voice" Through Wordsworth's Prefaces, Hannah J. Rule Jan 2014

Rereading Romanticism, Rereading Expressivism: Revising "Voice" Through Wordsworth's Prefaces, Hannah J. Rule

Faculty Publications

No abstract provided.


"Wonderfully Ordinary" Words From A Romantic Archive Of Elizabeth Jolley's Writing For Students : Creative Process As A Garland Of Fragments, Andrea Wood Jan 2014

"Wonderfully Ordinary" Words From A Romantic Archive Of Elizabeth Jolley's Writing For Students : Creative Process As A Garland Of Fragments, Andrea Wood

Theses: Doctorates and Masters

This project, including the visual artworks and poetry developed for the exhibition Wonderfully Ordinary, is the outcome of practice-led research into the creative process. Through creative practice—and the development of a personal and fragmentary process of invention—it aims to generate knowledge about creative practice as a form of philosophy in action. Drawing on Paul Carter’s concept of material thinking and historical ideas arising from Western Australian author Elizabeth Jolley’s (1923–2007)creative process and writing, it explores ways in which Friedrich von Schlegel’s (1772–1829) philosophical conception of the Romantic fragment might be revealed as a continuing idea of interest and tool …