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A Feminist ‘Attack’ On Post-Structuralist And Psychoanalytical Readings Of Hamlet, Michele Gibney
A Feminist ‘Attack’ On Post-Structuralist And Psychoanalytical Readings Of Hamlet, Michele Gibney
Michele Gibney
This paper will do three things, the first of which will be to describe Jaqueline Rose’s argument within her essay, “Hamlet—The Mona Lisa of Literature.” The second task of this paper will be to explain what is at stake within Rose’s essay as it relates to previous criticism such as that of Irigaray, Freud, Woolf, and Derrida. Finally, by drawing upon the idea (in Rose’s paper) of femininity as a fetishisized concept that equals the opposite of “good” a correlation in opposition will be drawn between what she is trying to accomplish and what Freud argues in “The Theme of …
Goddess Of Death: The Pleasure Principle At Work In Shakespeare’S Texts, Michele Gibney
Goddess Of Death: The Pleasure Principle At Work In Shakespeare’S Texts, Michele Gibney
Michele Gibney
In the essay “The Theme of the Three Caskets,” Freud discusses man’s altering of a representation of death into one of love. This course of action is reminiscent of Nietzsche’s claim in Truth and Falsity in an Ultramoral Sense, where he claims that man invents truth to suit himself. Freud psychoanalyzes that man is altering reality out of a fear of his own mortality, while Nietzsche makes a similar claim by saying man does it out of a desire to live peacefully with others in a manner which preserves life.
Contradicting Theories Of Art By Nietzsche And Plato, Michele Gibney
Contradicting Theories Of Art By Nietzsche And Plato, Michele Gibney
Michele Gibney
Plato proposes that there are ultimate, pure forms created by God behind every object in the world. Nietzsche, in response to this, argues that not only is there a multitude of differences between each object that have been disregarded to keep the illusion of the ideal, but that man himself creates the ideals and not an omnipotent deity. For Plato, art imitates the imitations of the pure form: thus confusing mankind, hindering their path to finding the pure, and tying them to a reality that is an appearance only. But for Nietzsche, art can save man from reality by producing …
Studies In The Harley Manuscript: The Scribes, Contents, And Social Contexts Of British Library Ms Harley 2253, Susanna Fein
Studies In The Harley Manuscript: The Scribes, Contents, And Social Contexts Of British Library Ms Harley 2253, Susanna Fein
TEAMS Varia
Studies in the Harley Manuscript is the first comprehensive examination of a manuscript that is of supreme value to literary scholars of medieval English literature. In an Introduction and fifteen essays a team of scholars considers many aspects of the 140 folios of this trilingual miscellany that preserves 121 items (or 122 depending on how one counts) from which we get a strange and privileged glimpse into the rich literary heritage that existed in England prior to the flourishing of vernacular poetry in the Richardian era. As the Contents indicates, the history and composition of the manuscript are considered, as …
Wordsworth’S Romanticism, Michele Gibney
Wordsworth’S Romanticism, Michele Gibney
Michele Gibney
In moving from the poetry of Thomas Gray to that of William Wordsworth, a shift in perception occurs and the age of Romantic poetry really begins. Gray emphasizes the ideas of loss and pessimism, while Wordsworth counters loss with recompense and an optimistic outlook instead of a pessimistic one. By looking at the poetic content of one of each of their works, the use that they both make of memory can be seen. However, the uses that they make contrast markedly against one another in the feelings they provoke. Gray’s utilization of memory in “An Ode on a Distant Prospect …
Self Gratification And Unity In The School For Scandal, Michele Gibney
Self Gratification And Unity In The School For Scandal, Michele Gibney
Michele Gibney
Behind Sheridan’s play, The School for Scandal, rests a history of convention and forms already accepted in the theatrical world. In the tradition of a Comedy of Manners, Sheridan is mocking the society that he is a part of. He takes the foibles of human beings and turns them into fictional characters in order to provide a mirror for the society that he sees as licentious and focused on scandal. The whole point of the Comedies of Manners is to put down accepted norms and build up new ones for the betterment of society. For Sheridan, the accepted form in …
"A Man In A Painted Garment:" The Social Functions Of Jesting In Elizabethan Rhetoric And Courtesy Manuals, Christopher Holcomb
"A Man In A Painted Garment:" The Social Functions Of Jesting In Elizabethan Rhetoric And Courtesy Manuals, Christopher Holcomb
Faculty Publications
Many Elizabethan rhetoric and courtesy manuals offer jesting as a powerful rhetorical strategy for managing specific situations. Although highly pragmatic, the manuals' treatments of the subject imply a sociology of humor that classifies jests according to the broader social functions they serve: jests which preserve existing social relations and jests which disrupt, or even challenge, them. What eludes this classificatory scheme, however, are the properties of jesting itself. Jesting is always a flirtation with disorder and often serves conservative and disruptive functions simultaneously. If this is so, then the manuals' discussions of jesting replay (and magnify) ambiguities and anxieties characteristic …
Alexander And Anne: Adamantly Arguing Against Anarchy, Michele Gibney
Alexander And Anne: Adamantly Arguing Against Anarchy, Michele Gibney
Michele Gibney
Today I will turn my eye and yours to two “visions of order” by Alexander Pope and Anne Finch. In these “visions,” obviously meant to influence their audience into agreement, Pope and Finch present two widely differing ideals. On the one hand there is Finch who, in a solitary nighttime ramble, contemplates the harmony and order of nature without man or God. Then there is Pope, whose order is all centered on God and how God created Order for Man. The one thing they both have in common is that they view man as a being who constantly disrupts these …