Arts and Humanities Commons^™

The Terrors Of Everyday Life: The Gothic Novel As A Woman's Conduct Guide To Survival, 1791-1817, Jessica Berg

Electronic Theses and Dissertations

The Gothic is often associated with the fantastical, with people and events that only take place within our darkest nightmares. In my thesis, I explore how, in the hands of Ann Radcliffe and Jane Austen, the Gothic exposes the hidden dangers of reality perpetuated by conduct literature. Within conduct manuals, thousands of regulations direct women’s behaviors and identify the perfect woman as one who exists passively within the safety of the domestic sphere. Radcliffe’s The Romance of the Forest (1791) and Austen’s Northanger Abbey (1817) engage in subterfuge against eighteenth-century conduct literature and expose the realities of the domestic sphere: …

Diversifying Woolf’S Room: Private Spaces And Creativity In The Works Of Willa Cather, Kate Chopin, Gayl Jones, And Alice Walker, Ebtesam M. Alawfi

Graduate Theses and Dissertations

There is a divergence between Woolf’s vision of private physical spaces necessary for creating art and that of some feminists of color such as Alice Walker, Ortiz Cofer, and Gloria Anzaldua. Both Woolf and these contemporary scholars agree on the importance of physical spaces for female artists. However, they disagree on the nature of these spaces. Woolf’s private physical space is a room with a lock on the door whereas these writers’ room is the kitchen table, the bus, or the welfare line. Walker and like-minded writers challenge the narrowness of Woolf’s room because her locked room is a luxury …

Between The Lines: Reflexive Misogyny And Remediated Forms In A Secret Online Group Of Women Poets, Rae Elizabeth Snobl

MSU Graduate Theses

This thesis examines an online, secret writing community for 1,800+ women-only poets called “The Retreat.” Analysis of two years of Facebook posts and interviews with group members revealed a noticeable membership split between those publishing through conventional literary venues, the “traditional poets,” and social media poets. These “Instapoets,” as labeled by popular media each had between 10,000 to 125,000+ followers on sites like Instagram and Facebook—significant numbers when seen in the context of readership and monetizing. Yet, their digital, snippet poems did not hold to the literary norms of poetry, both in form and publishing method. This led to a …

“That Confusion Of Who Is Who, Flesh And Flesh”: Mothers, Daughters, And The Body In Postwar And Contemporary American Literature, Jennifer Renee Blevins

Theses and Dissertations

In “That confusion of who is who, flesh and flesh”: Mothers, Daughters, and the Body in Postwar and Contemporary American Literature, I investigate how the body limits, disrupts, ruptures, or recuperates the mother/daughter relationship in postwar and contemporary texts by twentieth-century US women writers. These narratives portray the construction of female subjectivity when the feminine self seems insufficiently distinct from the mother (or daughter). In four chapters arranged chronologically by decade, I examine texts by Flannery O’Connor, Eudora Welty, Sylvia Plath, Gwendolyn Brooks, Margaret Atwood, Toni Morrison, Jamaica Kincaid, and Edwidge Danticat. On the one hand, mothers in these texts …

The Chaotic Domestic: Tracing Affect In Representations Of Nation, Class, And Gender In Eighteenth-Century Laboring-Class Women’S Writing, Kelly J. Hunnings

English Language and Literature ETDs

My dissertation traces a term I call the “chaotic domestic” in the writing of a collection of eighteenth-century women laboring-class writers: Mary Barber, Mary Collier, Mary Leapor, Ann Yearsley, and Janet Little. The chaotic domestic in the hands of these writers is multi-layered and affect-driven, focusing as they do on issues regarding nation, class, and gender. As both a poetic trope and the seeming natural and dynamic state of the domestic sphere, the image of the domestic that this set of writers represents and defines is turbulent, unruly, and one that deals with the tangled web of local and global, …

Maternal Criticism: Reading Two Middle Eastern Women Writers As Nonviolent Peace Activism, Charlyn Marie Ingwerson

Graduate Theses and Dissertations

This dissertation advocates for reading the literatures of two Middle Eastern women writers through a Maternal Critical lens that recognizes the demands of universal vulnerability in characters who resist violence, and responds in Maternal communities of Readers that connect readers to characters, readers to writers, and readers to other readers, carrying the struggle for equity forward. My unfolding argument, centered on Maternal Critical activity in the novels of Palestinian writer Sahar Khalifeh and Israeli writer Ronit Matalon, demonstrates how literature by these Middle Eastern women is part of a narrative context of women’s peacemaking and resistance to violence, a part …

Gothic Naturalism And American Women Writers, Stephanie Ann Metz

Doctoral Dissertations

Traditionally, naturalism and the Gothic have been seen as genres that have little to do with one another. However, Frank Norris, one of the practitioners and theoreticians of canonical naturalism, argued that the roots of naturalism lie not in realism (as is often argued) but in romanticism. This project seeks to explore Norris’s claim by positing a new genre—Gothic naturalism. Gothic naturalism is a hybrid genre that combines the Gothic’s haunting nature and representations of the abject, grotesque, and uncanny with canonical naturalism’s interrogation of making choices and the forces of chance, determinism, and heredity. Although naturalism is traditionally seen …

The Caustic Pen Is Mightiest: A Tradition Of Female Satire In The Novels Of Jane Austen, Ivy Compton-Burnett, And Muriel Spark, Jaclyn Andrea Reed

Electronic Theses and Dissertations

Female satirists have long been treated by critics as anomalies within an androcentric genre because of the reticence to acknowledge women's right to express aggression through their writing. In Pride and Prejudice (1813), A House and Its Head (1935), and The Girls of Slender Means (1963), Jane Austen (1775-1817), Ivy Compton-Burnett (1884-1969), and Muriel Spark (1918-2006) all combine elements of realism and satire within the vehicle of the domestic novel to target institutions of their patriarchal societies, including marriage and family dynamics, as well as the evolving conceptions of domesticity and femininity, with a subtle feminism. These female satirists illuminate …

Writing About The South "In Her Own Way": Gender And Region In The Work Of Southern Women Playwrights, Casey Kayser

LSU Doctoral Dissertations

This dissertation examines how identity—gender, race, sexuality, regional affiliation—intersects with considerations of the dramatic genre, commercial and critical factors in the American theatre, and understandings about the American South to complicate how contemporary southern women playwrights represent region. In light of the always-already "performative" nature of the South, and geographical, commercial, and ideological factors that set the South in opposition to the North, southern women playwrights face additional difficulties in navigating issues of authenticity and simulacra, the universal versus the specific, ideas about southern "backwardness" versus northern sophistication, and audience participation in fetishizing or distancing the South. Using drama as …

A Critic In Her Own Right: Taking Virginia Woolf's Literary Criticism Seriously, Yvonne Nicole Richter

English Theses

Considered mostly ancillary to her fiction, Virginia Woolf’s prolific career in literary criticism has rarely been studied in its entirety and in its own right. This study situates her in the common critical practices of her day and crystallizes basic tenets and a critical theory of sorts from her critical journalism published 1904–1928: the author argues that Woolf does not advocate a policing role for the critic, but rather that critics foster art in collaboration with readers and writers. Finally, this work discusses Woolf’s appeal to writers to invest all their energy in improving their skills in character portrayal to …

"I Will Learn You Something If You Listen To This Song": Southern Women Writers' Representations Of Music In Fiction, Courtney George

LSU Doctoral Dissertations

This dissertation offers a rhetorical analysis of the formation of women’s memory, history, and communities in intersections of musical and literary expression in the American South, a region graced with a vital but underexamined tradition of female musicianship. Recent scholars have deconstructed the imagined narrative of southern culture as static, patriarchal, and white to uncover alternative stories and cultures that exist outside of canonical literature. This project significantly expands current understandings of these conflicting narratives by investigating how women writers recall, reclaim, and re-envision women’s roles in southern music to challenge, comply, and/or identify with women’s prescribed place in the …

The Perils And Empowerments Of Mountain Literacies: Reading Loss And Shifting Identities In Appalachian Memoirs And Novels, Erica Abrams Locklear

LSU Doctoral Dissertations

This dissertation analyzes the literary portrayal of literacy events in memoirs and novels written by Appalachian women during the twentieth and twenty-first centuries. Drawing from contemporary literacy scholarship, my project engages several definitions of the term "literacy," including theories defining it as a technical skill, a social act, cultural knowledge, or a potent form of ideological power. In a region historically (and often inaccurately) stigmatized as illiterate, "literacy" is a loaded term, a concept doubly associated with cultural pride and with cultural loss. By applying literacy theories to Appalachian literature, I analyze the identity conflicts literacy attainment causes for several …

Mothering Modes: Analyzing Mother Roles In Novels By Twentieth-Century United States Women Writers, Preselfannie Whitfield Mcdaniels

LSU Doctoral Dissertations

For this dissertation, the following novels have been chosen as examples of the many issues that are involved in mothering in United States society: Chapter 1: Dorothy Allison’s Bastard Out of Carolina and Toni Morrison’s Beloved, Chapter 2: Toni Morrison’s Song of Solomon and Dorothy West’s The Wedding, Chapter 3: Amy Tan’s The Kitchen God’s Wife and Christina García’s Dreaming in Cuban, and Chapter 4: Betty Smith’s A Tree Grows in Brooklyn and Paule Marshall’s Brown Girl, Brownstones. For this study, the term “mothering” is specifically related to the rearing of children by the female parent. Rearing is defined as …

The Inner Voice, Janis Ruth Bagnall Cochrane

Institute for the Humanities Theses

The scope of this project is two-fold. The key purpose is to demonstrate the relationship between the voice of Lee Smith, a Southern writer from Appalachia and the voice of the author, another Southern writer from the Outer Banks. The foremost conclusion that has been drawn is that a writer's voice comes from deep inside the writer's unconscious. It is a product of generations of experiences that have embedded themselves in the writer's psyche. Some of the assumptions and prejudices surrounding southern women are discussed to some degree.

The second purpose is for this writer to show her work. This …

Mary Mccarthy, Mary Gordon, And The Irish-American Literary Tradition, Stacey Lee Donohue

Dissertations, Theses, and Capstone Projects

There is a distinct literary canon in the United States, composed of Irish-Catholic-American writers, which requires different modes of criticism or evaluation than other U.S. literatures, particularly the dominant, largely Protestant or Protestant-influenced, American literary canon. In addition, as a recently recognized literary tradition, many women writers have either been ignored or unnoticed because their works do not immediately fit into the evolving criteria of evaluation for the Irish-American literary tradition. My purpose in this study is not to survey the Irish-American literary canon, but to examine two women writers who have not always been admitted to an innately misogynistic …