Arts and Humanities Commons^™

Vision, Love, And The Church: An Analysis Of Key Themes In William Blake's Songs Of Innocence And Of Experience, Anna Tolkien

CMC Senior Theses

This thesis engages in a close reading and interpretation of William Blake’s Songs of Innocence and of Experience. The first chapter examines his visionary imagery, symbolism, and language in The Songs. The second chapter explores his nuanced views on love and sexuality – addressing both a pure, mutually pleasurable love as well as a darker, destructive form of love. Lastly, I discuss his critique of the Church as a repressive and corrupt institution. In each chapter I draw from both Blake’s poetry and visual art. Through this extensive study of Blake’s Songs, I present crucial insights on …

The Revolting Monster - A Consideration Of Existentialist Themes In Mary Shelley's Frankenstein Through A Comparison To Albert Camus' The Stranger, Felipe Rodriguez Ii

Theses and Dissertations

This Master’s thesis is concerned with analyzing key themes and ideas in Mary Shelley’s Frankenstein through an existentialist lens which is made possible through a comparison to themes and ideas in Albert Camus’ The Stranger. I aim to make a contribution to my field by fulfilling a comparison that has long been made since the late 1960s when conversations about British Romanticism and Existentialism were still common. The purpose of my first chapter is to elucidate a new argument about the relationship between these two novels. There is a discernable element of Camusian Revolt exhibited by the Creature in …

Across Time And Genre: A Comparative Analysis Of Eastern And Western Romanticism, Nayoung Seo

English MA Theses

This research centers on big ideas about flowers, fruit, and growing up as themes that create a bridge between American, British, and South Korean Romanticism. Through comparatively analyzing Romantic elements in literary works across genres, the globe, and time periods—from poems, a short story, to popular contemporary music—this research will trace out the dimensions and contours of that bridge, which more and more people are crossing today than ever before as readers, music fans, and as travelers and immigrants. Each chapter will focus on Romantic elements interwoven with humanity, nature, and art and their demonstration of what it means to …

Myth, Mockery, & Misery: An Evolution Of Disillusion In Modern-War Expression, Richard W. Halkyard

Theses and Dissertations--English

Industrialization in 19th-Century America yielded a regrettable by-product: the modernization of warfare. Mass armies, technological innovation, and unprecedented rates of industrial productivity prompted the creation of machines designed to inspire fear, increase destructive capability, and inflict mass-death. The modernization of warfare altered forever the way war was experienced and represented literarily. Authors who attempted to represent the Civil and Spanish-American Wars, as well as World War I, articulated modernized warfare with a disillusionment which stems from the tragically dehumanizing effects of mechanical violence on an industrial scale. Myth, Mockery, & Misery argues that as far back as 1862, romantic idealization …

The Literary Fairy: Celtic Folklore’S Influence On Nineteenth-Century Fiction, Joshua Dobbs

Doctoral Dissertations

There is a dissonance between the folkloric fairies and those presented by pop-cultural institutions such as Disney which has effected modern literary criticism of nineteenth-century British literature. The Disnified fairy is feminine, small, capable of flight, often with insect-like wings, and equipped with a magic wand with which she does good deeds to help others. She is largely based on fairy tales and is the embodiment of the modern conceptualization of the fairy, but she bears little, if any, resemblance to the fearsome fairies of Celtic folklore. Although nineteenth-century literature is rife with folkloric fairy references, those references are frequently …

The Science Of Art “Faithfully Presented”: Entropy In British Victorian Literature, Hannah Harris

Student Research Submissions

In the chemical world, entropy, or the randomness and chaos of a system, must continually increase; it is much more favorable for things to fall apart than to be put together. This scientific concept can also be rightly applied to the study of literature. While it is true books contain information put together into some sense of order from chaos, making them counterintuitive to entropy, I am convinced these works must still obey the laws of thermodynamics. There must be an increase in chaos somewhere, and if it is not within the words themselves, it must lie within the ideas …

Keats And Shelley: A Pursuit Towards Progressivism, Serenah Minasian

Theses and Dissertations

An analyzation of the poems, letters, and works of John Keats and Percy Bysshe Shelley from a perspective focusing on the history of sexuality, breaking gender binaries, and pushing towards progressivism. This thesis proves how John Keats is both an effeminate man who displays exemplary ways of breaking gender expectations but also a man who possess misogynistic tendencies. Also, this thesis analyzes Percy Shelley’s use of gender expectations and how he breaks them with the use of his characters. Studying these two British Romantics shows how these two cisgender, straight, white men provide an ability to push back on their …

The Lodge In The Wilderness: Ecologies Of Contemplation In British Romantic Poetry, Sean M. Nolan

Dissertations, Theses, and Capstone Projects

This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. Closely reading poems and writing about poetry composed between the 1780s and 1830s by William Cowper, George Crabbe, Robert Bloomfield, Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, and John Stuart Mill, I probe the relationship between aesthetic, ethical, and emotional responses to depictions of toil, idleness, and leisure. I argue that ecologies …

Broken Harts: Mourning The Human/Animal Divide In Shakespeare’S As You Like It And Wordsworth’S “Hart-Leap Well”, Jennifer Jourlait

Theses and Dissertations

This thesis compares the deer scenes in Shakespeare’s As You Like It and Wordsworth’s “Hart-Leap Well.” Both raise questions about man’s right to hunt animals with impunity. Shakespeare’s Jaques superficially takes up the issue of animal rights whereas Wordsworth’s personification of the stag evokes the reader’s sympathy for the animal.

Samuel Daniel’S Lyric Reception: The Role Of Poet-Critics From Wordsworth To Winters, Caleb Mcghee

Electronic Theses and Dissertations

The Elizabethan poet Samuel Daniel was popular in his day, producing lyric, dramatic, and narrative poems. Contemporary anthologies, however, memorialize him primarily as a lyric poet, one that usually gets few entries. My thesis shows how Daniel had a minor reputation as a lyric poet by the 1960’s, despite having high-profile admirers. These well-known poet-critics who engaged with his work are essential to analyzing his lyric reputation: owing to the Romantic emphasis on the lyric, I begin with William Wordsworth and Samuel Taylor Coleridge’s reception of his lyrics in the 19th century. I then analyze the turn of the century …

A World Ruled By Unknowns: The Psychological Effects Of The Supernatural And Natural Worlds In Emily Brontë'S Wuthering Heights, Jordan Cymrot

Student Theses and Dissertations

Emily Brontë (1818-1848) wrote Wuthering Heights in 1847 at a point of collision between Romantic thought and Victorian ideals. Her novel exemplifies a developed and deliberate effort to represent a world ruled by forces out of one’s control, the most evident example of this being the supernatural force that overtakes the novel. In her precise focus on the language and natural landscape that bind this novel together, her characters emerge as representative of the psychological complexity produced by the coexistence of the mundane and the extraordinary. My thesis focuses on the effects of the natural landscape and the forces that …

The Picturesque And Its Decay: The Travel Writing And Journals Of Dorothy Wordsworth, Mary Wollstonecraft, And Mary Shelley, Gabrielle Kappes

Dissertations, Theses, and Capstone Projects

This project puts forth the argument that when the late eighteenth century’s taste for nature and picturesque tourism had peaked, writers following in the picturesque tradition grappled with the limitations and confines of these aesthetic categories. In the chapters that follow, I present three authors, Dorothy Wordsworth, Mary Wollstonecraft, and Mary Shelley, who are all dissatisfied with the conventions of the picturesque. Dorothy Wordsworth’s Alfoxden Journal (1798) demonstrates the nuances of the picturesque instability where distinctions between nature and the cultural production of nature have become muddied. I then examine three tour narratives in order to draw attention to how …

Spontaneous Minds And Electric Romanticism: Kerouac, Ginsberg, Dylan, Joplin, Sasha Tamar Strelitz

Electronic Theses and Dissertations

This dissertation postulates a sub-category of Romanticism: electric Romanticism. As opposed to its “acoustic” forebear, electric Romanticism exists in an electric age, beginning after Henry David Thoreau’s rumination on the telegraph wire as an electric rendering of the æolian harp image. Romantic poets used the æolian harp to analogize the act of writing activities set into motion by spontaneous thoughts, a central attribute of the Romantic literary movement. The modernized electric version of the æolian harp—the telegraph wire—signals that electric Romanticism branches off from its source and evolves along with technology to engage more synchronously with the spontaneous.

Electric Romantics …

Beyond The Words: Paratextual And Bibliographic Traces Of The Other Reader In British Literature, 1760-1897, Jeffrey Duane Rients

Theses and Dissertations

Over the course of the late eighteenth and early nineteenth centuries, compounding technological improvements and expanding education result in unprecedented growth of the reading audience in Britain. This expansion creates a new relationship with the author, opening the horizon of the authorial imagination beyond the discourse community from which the author and the text originate. The relational gap between the author and this new audience manifests as the Other Reader, an anxiety formation that the author reacts to and attempts to preempt. This dissertation tracks these reactions via several authorial strategies that address the alienation of the Other Reader, including …

Enclosures And Dichotomies: Coexistence Vs. Distance In The Poems Of John Clare, Jordan P. Finn

Theses and Dissertations

John Clare’s poetry emphasizes an affinity with environment by suspending the distinction between the inside (subject) and the outside (object). Clare’s identification with objects and perception rather than subjects and aesthetics renders his work as a prescient and radical example of ecological poetry in the Romantic period. Raymond Williams’ “green language” and Timothy Morton’s ambient poetics both cite Clare as an ideal figure for their above theories and evoke Clare as a writer who positions the environment as governing thought rather than thought governing the environment. This thesis especially relates Clare to Morton’s Ecology without Nature, a study of …

"I Dare Not Venture A Judgement”: Spirituality And The Postsecular In Hogg’S Confessions, Conor Bruce Hilton

Theses and Dissertations

Reading James Hogg’s 1824 novel The Private Memoirs and Confessions of a Justified Sinner through a postsecular lens provides a new framework for spirituality. This framework establishes spirituality as a place of tension and uncertainty between the text’s main ideologies—Enlightenment rationality and religious, specifically Calvinist, fanaticism. The text explores this place of tension through its doubled narrative structure and by demonstrating the crisis of faith that the fictional Editor of the text undergoes. Confessions brings a compelling new paradigm to discussions of the postsecular that allows insight into the complex intersections of Enlightenment rationality and empiricism as well as religious …

Deconstructing Hikikomori: From Literature To Reality, Lydia Perry

Senior Projects Fall 2019

Senior Project submitted to The Division of Multidisciplinary Studies of Bard College.

This work explores the growing trend of socially withdrawn individuals in Japanese society known as "hikikomori." Through the lenses of philosophy, literature, anthropology, economics, and more, I deconstruct the common perceptions of hikikomori and expand upon the cultural critiques inherent in choosing a life of solitude.

Unread: The (Un)Published Texts Of Romanticism, Marc D. Mazur

Electronic Thesis and Dissertation Repository

This dissertation reads the unpublished texts of Romanticism not as fragments on the road to publication but as psychoanalytic “partial objects” that re-figure our understanding of the relationship between Romantic authors and publication. Against positivist interpretations of literary production that limit writing to the professionalization of the author and to a sociology of texts, Unread develops the concept of the (un)published whose parenthetical bracketing signals an unstable suspension of textual instability that is at once prior to and yet persistently remains a part of the writing of the published text. I argue that non-publication also arises from the author’s relation …

On The Fringes: The Monsters, The Voiceless, The Abominations, And The Exiled, Virginia Davis Wyeth

Master of Arts in English Plan II Graduate Projects

Peripheral characters/characteristics frequently serve to highlight the problematic societal situation of marginalized groups, even though these characters on the fringes of the text or main characters with unusual attributes are seemingly irrelevant to the primary plot. This portfolio examines, through a teaching unit, the monster archetype and its representation as a means to suppress Other or other within ourselves. The literary analysis pieces also examine the repression of historically marginalized groups, such as women, homosexuals, and children. And the last piece even takes a look at what happens when powerful groups are usurped by socio-economic and cultural shifts.

Discourses On Fantasy: A Narrative Allegory, Reuben Dendinger

Electronic Theses and Dissertations

This project, though officially designated by the English Department as a creative thesis, is really a hybrid work that combines creative writing with literary criticism. The work is structured as a "dream vision," a literary genre popular in the Middle Ages in which a narrator receives some form of instruction or wisdom through an allegorical dream. Examples include The Pearl, The Romance of the Rose, and Chaucer's House of Fame. In this thesis, the allegorical space of the dream vision provides a platform for a series of essays structured as dialogues. These dialogues explore the aesthetics and …

Buddhism In Progress: Ecstasy, Eternity, And Zen Sickness In The English Romantics, Logan M. Rohde

Electronic Thesis and Dissertation Repository

This dissertation addresses the philosophical similarity between English Romanticism and Buddhism from a Zen Buddhist perspective. In contrast to scholars such as Mark Lussier and John G. Rudy, who have focused on the similarity between Romantic and Buddhist philosophy, I explore their differences. I argue that Romanticism represents a “Buddhism in progress”: both philosophies seek to overcome “the self,” but do so through different means. Lacking direct access to Buddhist teachings, the authors considered in this study (Beckford, Coleridge, De Quincey, Shelley, and Keats) developed their own practice of self-transcendence through writing, often prompted by experiences of ecstatic intoxication that …

Immortality In Literature: The Goddesses Of Ancient Greece, Rebecca Lozier

Williams Honors College, Honors Research Projects

The following text explores the connections between the mythology of ancient Greece and the society from which it arose. Women are often at the heart of classical myth despite being oppressed members of society. Understanding the role of women in mythology provides insight into women's treatment in ancient Greece. It follows the lasting influence of ancient Greece and its mythology through to the Romantic Period. Understanding how poets used myth, provides understanding into the culture's beliefs about women.

Irish Harps, Scottish Fiddles, English Pens: Romantic Satire And British Nationalism, Shannon Raelene Heath

Doctoral Dissertations

"Irish Harps, Scottish Fiddles, English Pens: Romantic Satire and British Nationalism" discusses the intersection between satire and nationalism in late eighteenth- and early nineteenthcentury British Romantic poetry. Using case studies of three prominent satirists, Robert Burns, Thomas Moore, and George Gordon, Lord Byron to represent marginalized nationalities within the British state, I examine the ways in which each poet expresses a sense of dis-ease or uncomfortableness with their own national identity, an anxiety caused either by the ways in which their nationality was perceived within the British public, or by their own ability or inability to express that nationality. Thus, …

Romantic Metasubjectivity: Rethinking The Romantic Subject Through Schelling And Jung, Gord Barentsen

Electronic Thesis and Dissertation Repository

This thesis takes up Friedrich Schelling’s philosophy and Carl Jung’s analytical psychology to develop Romantic metasubjectivity, a model of the subject absorbing more of the vast compass of Romantic thinking on subjectivity than what prevails in Romantic criticism. Romantic criticism tends to be dominated by psychoanalysis as well as deconstruction and poststructuralist theory, which see the subject as either a linguistic phenomenon or simply a locus of difference without a unified “I.” In response to this critical tradition, Romantic metasubjectivity discerns a notion of Self which is neither a linguistic fantasy nor a transcendental essence which is or becomes fully …

Public Records, Private Texts: Richard Carlile's Publication Of The Age Of Reason And The Birth Of Public Domain, Andrew S. Doub

Theses and Dissertations

Between 1818 and 1824, radical printer and publisher Richard Carlile made a determined effort to disseminate copies of Thomas Paine's banned text The Age of Reason in England. Despite strict censorship laws and harsh legal penalties used to curtail previous publishers of this title, Carlile employed a number of creative techniques that kept Paine's deistic writings in print and in circulation during the Regency period. These included republishing public domain court documents when he was charged with seditious libel and reading The Age of Reason in its entirety into testimony during his trial, making it part of the public record. …

Racial Roots Of Romanticism: American And European Africanism Are The Creation Of Bio-Politics, James Flynn

Honors College Theses

The British Samuel Taylor Coleridge and the American Edgar Allan Poe shared a number of similarities in their writing styles. Both men came onto the scene early in their respective nation’s forays into Romanticism. Samuel Taylor Coleridge was of the first generation of British literary Romantics, while Poe introduced his Gothic influences before the Renaissance of American Romanticism in the 1850s. In the work of both men there is an emphasis on color as it pertains to race, especially aspects of whiteness. This focus on race has been covered at length by authors such as Toni Morrison in her book …

"A Magic Deeper Still": Sacramental Poetics In William Wordsworth, Christina Rossetti, And C.S. Lewis, Eric Michael Bontempo

Graduate Theses and Dissertations

A sacramental poetics requires a particular mode of being-in-the-world. Religiously-minded poets, from Dante and Milton to Donne and Herbert, have long considered how the individual becomes attuned with creation and God’s will. But what happens when modernity and secularization challenge long-held assumptions about the universe and how humankind fits into it? A reevaluation is then needed. My thesis begins with an examination of how William Wordsworth, who sort of falls into modernity, seeks to reoccupy the functions of religion in an increasingly secularized landscape. One consequence of the European Enlightenment is the disentangling and distancing that occurs in regards to …

The Complete Poems Of Anne Bannerman, Matthew Heilman

Electronic Theses and Dissertations

Anne Bannerman (c.1780-1829) spent most of her life in Edinburgh, Scotland and published three volumes of poetry in the early nineteenth century. For my dissertation, I have prepared the first fully-annotated critical edition of Bannerman’s complete works, including Poems (1800), Tales of Superstition and Chivalry (1802), and Poems, A New Edition (1807). A comprehensive introduction provides information on Bannerman’s life and background, and examines her work in the context of British Romanticism, the Gothic, Scottish nationalism, and the ballad tradition. Close-readings of the poems examine the ways in which Bannerman’s female narrators challenge early nineteenth-century conceptualizations of gender, particularly in …

Romantic Ends: Death And Dying, 1776-1835, Andrew J. Welch

Dissertations

Romantic Ends reinterprets of the origins and legacies of romantic death, the cultural spectacle exemplified by the dramatic deaths of young poets like John Keats. Against the widespread belief that romanticism ushered in a uniquely theatrical vision of death, Romantic Ends traces a long history of death as rhetorical performance, from the early modern ars moriendi ("art of dying") to the neoclassical obsession with the good death. The poetic deaths of the romantic period established a new repertoire of tropes and figures out of these longstanding and disparate deathbed traditions, set within the emerging discursive arena of "poetry." Yet while …

Roots And Repercussions Of Romantic Feeling: Sensation And Affect In The Poetry Of Samuel Taylor Coleridge And William Wordsworth, Mary K. Cotter

Theses and Dissertations

Enlightenment emphasis on rationalism in philosophy and the arts prefigures Samuel Taylor Coleridge’s and William Wordsworth’s Romantic recovery of a subject’s empirical relationship to nature and the phenomenal world. Coleridge and Wordsworth respond to philosophical precedents that emphasize rationalism and the autonomy of a subject while introducing empiricism and sensation as primary components of the speaker’s experience. The poets delineate a fluid shift from the Enlightenment to Romanticism through an interchangeable reliance on Kantian and Burkean philosophical methods. The philosophy of Immanuel Kant follows the Cartesian cogito toward a similar end of reducing human experience to circumstance bereft of empirical …