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Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman

Doctoral Dissertations

Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …

The Guerilla Tongue": The Politics Of Resistance In Puerto Rican Poetry, Natasha Azank

Open Access Dissertations

This dissertation examines how the work of four Puerto Rican poets – Julia de

Burgos, Clemente Soto Vélez, Martín Espada, and Naomi Ayala – demonstrates a poetics of resistance. While resistance takes a variety of forms in their poetic discourse, this project asserts that these poets have and continue to play an integral role in the cultural decolonization of Puerto Rico, which has been generally unacknowledged in both the critical scholarship on their work and the narrative of Puerto Rico’s anti-colonial struggle. Chapter One discuses the theoretical concepts used in defining a poetics of resistance, including Barbara Harlow’s definition of …

Rex Quondam, Rexque Futurus: Arthurian Legends As Indicators Of British National Identity Throughout History, Audrey Ellen Wimbiscus

Senior Independent Study Theses

By looking at the texts of Arthurian legends such as Sir Thomas Malory's Le Morte d'Arthur, T.H. White's The Once & Future King, and Marion Zimmer Bradley's The Mists of Avalon, one can gain a historical perspective of the time in which each work was written. Through this historical perspective and by looking at each author's personal life, a picture of Great Britain's national identity at the time of writing can be seen. As such, the Arthurian Cycle can be used to exemplify British national identity throughout history.