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Full-Text Articles in Arts and Humanities
Initiation In The Novellas Of Henry James, Collyn E. Milsted
Initiation In The Novellas Of Henry James, Collyn E. Milsted
English Theses
This Master’s Thesis seeks to explain the process of initiation undergone by Henry James’s characters. Characters are chosen for initiation into forbidden knowledge, and, like the Biblical Adam and Eve, are exiled as a result. Though initiation is erotic, it is not sexual, and society falsely perceives a sexually charged relationship between the initiator and the initiate, also called the complementary pair. The initiate faces exile and death because of his forbidden knowledge. He no longer has a place in his society, which leads to his social death and eventually physical death. James’s reader is initiated along with the characters, …
Women Mourners, Mourning "Nobody", Jennifer Pecora
Women Mourners, Mourning "Nobody", Jennifer Pecora
Theses and Dissertations
Historian David Bell recently suggested that scholars reconsider the impact of the Revolutionary and Napoleonic Wars (1793-1815) upon modern culture, naming them the first "total war" in modern history. My thesis explores the significance of the wars specifically in the British mourning culture of the period by studying the war literature of four women writers: Anna Letitia Barbauld, Amelia Opie, Jane Austen, and Felicia Hemans. This paper further asks how these authors contributed to the development of a national consciousness studied by Georg Lukács, Benedict Anderson, and others. I argue that women had a representative experience of non-combatants' struggle to …
"In Memory Of W. B. Yeats": Elegy For A Man And An Ideal, Travis Mcdonald
"In Memory Of W. B. Yeats": Elegy For A Man And An Ideal, Travis Mcdonald
English
Travis McDonald: “‘In Memory of W. B. Yeats’: Elegy for a Man and an Ideal” W. H. Auden’s 1939 elegy for W. B. Yeats recognizes the passing of his contemporary as well his own belief in the social efficacy of poetry. The form of the elegy serves the traditional commemorative purpose while simultaneously enabling Auden to critique both Yeats and politically intentioned art.