Arts and Humanities Commons^™

Remix The Manuscript: Transcription Tools Dataset 2.0, Michelle Warren, Arielle Feuerstein

Other Faculty Materials

The document posted here is an annotated dataset of digital tools for transcribing handwritten manuscripts. Release 2.0 was created in 2022-23 by Arielle Feuerstein as part of the ongoing project "Remix the Manuscript: A Chronicle of Digital Experiments.” The file attached here contains the dataset as completed on June 28, 2023 along with credits for prior contributors.

Reimagining History Dataset 3.0, Michelle R. Warren, Neil Weijer

Other Faculty Materials

The Middle English prose Brut chronicle survives in nearly two hundred manuscripts. This corpus has been the subject of extensive study for more than a hundred years. The most recent research, however, has turned out to be the most fragile. In 2017, the multiyear digital humanities project “Imaging History: Perspectives on Late Medieval Vernacular Historiography” disappeared from the live Internet, only a decade after its publication. Shortly afterwards, we began a project called "Re-Imagining History"--to create a new dataset of information about the Brut manuscript corpus and learn how digital infrastructure might shape the production and preservation of historical data. …

Re-Imagining Digital Things: Sustainable Data In Medieval Manuscript Studies, Michelle R. Warren, Neil Weijer

Dartmouth Scholarship

The Middle English prose Brut chronicle survives in nearly two hundred manuscripts. This corpus has been the subject of extensive study for more than a hundred years. The most recent research, however, has turned out to be the most fragile. In 2017, the multiyear digital humanities project “Imaging History: Perspectives on Late Medieval Vernacular Historiography” disappeared from the live Internet, only a decade after its publication. We describe the website’s lifecycle as well as our progress so far in creating a new dataset for the Brut corpus, “Re-Imagining History,” part of the ongoing project “Remix the Manuscript: A Chronicle of …

Remix The Manuscript: A Chronicle Of Digital Experiments (2015-2020), Michelle R. Warren

Other Faculty Materials

Remix the Manuscript is a digital humanities research project centered around a single medieval manuscript, the Dartmouth Brut Chronicle (Rauner Codex MS 003183). This ongoing experiment with digital tools uses this one example to explore one broad question: How are the digital tools available today determining what we will know 100 years from now about things that happened 1000 years ago?

Curating Digital Pedagogy In The Humanities, Katherine Harris, Matthew Gold, Rebecca Frost Davis

Faculty Research, Scholarly, and Creative Activity

This is the published introduction to the born-digital, open-access, peer-reviewed *Digital Pedagogy in the Humanities*. More a rationale and scholarly study of both Digital Pedagogy and DPiH in general, this introduces articulates the uses, theory, rationale about digital pedagogy as it has been shaped in U.S. institutions since the explosion of Digital Humanities in 2009. As a separate field now, Digital Pedagogy is built on the generosity of its practitioners, but saving the *stuff* of teaching and pedagogy is difficult. The introduction historicizes this now-published project, its open peer review process, and its development in the early years (starting in …

The George Eliot Archive: Current Reception & Comparison Of Dh Projects 2020, Mackenzie Burch, Beverley Rilett

UCARE Research Products

• Current legal gray area for digital collections: An exception for public libraries and archives as educational tools exists for copyright infringement, but digital archives are not currently protected by this exception unless they can prove that the content is transformative.

• Benefits of archiving scholarship together: Grouping like scholarship together regardless of genre or authorship allows for unique cross-purpose or interdisciplinary connections to be drawn from the collection.

• Humanists of today must devote time and resources to the educational tools and platforms of tomorrow: Without the successful building and completion of means to ensure digital archives can be …

Slow Metadata, Rachel Sagner Buurma, J. Shaw

English Literature Faculty Works

No abstract provided.

Digital Scholarship: Current Challenges In Hiring, Promotion, And Tenure, Bridget Whearty

English, General Literature, and Rhetoric Faculty Scholarship

This is the performance script and slides (embedded) of my Oct 11, 2019 talk given at the University of Albany Library's Digital Scholarship Conference--Digital Scholarship: Opportunities and Challenges (see https://scholarsarchive.library.albany.edu/dsconf/).

This talk examines how local conditions can strongly discourage pretenure faculty from engaging in innovative digital work. Arguing that individual faculty, larger institutions, local communities, and the humanities themselves lose out when digital scholarship is not adequately valued, I offer an "alternative universe tenure timeline," outlining some of the work I would have done in the past five years if digital scholarship was valued for promotion and tenure.

Adam Scriveyn In Cyberspace: Loss, Labour, Ideology, And Infrastructure In Interoperable Reuse Of Digital Manuscript Metadata, Bridget Whearty

English, General Literature, and Rhetoric Faculty Scholarship

This chapter seeks to demystify invisible work at the heart of manuscript digitization. Descriptive metadata and its curation are the unseen elements upon which image discoverability—and later reuse—depends. Seeing and taking seriously that labor, I contend, is fundamental to developing a more rigorous understanding of medieval manuscripts in our increasingly digital age.

The chapter begins by connecting major challenges facing manuscript interoperability to the deeper disciplinary histories of codicology, library studies, and digital humanities. Next, it progresses through three case studies, each of which illustrates different challenges in digital manuscript studies. Studying the Walters Art Museum metadata, I emphasize how …

Adoption Of Open Educational Resources In California Colleges And Universities, Ruth Guthrie, Katherine Harris, Peter Krapp

Faculty Publications, English and Comparative Literature

The California Open Educational Resources Council (CAOERC) was formed in 2014 to find solutions to reduce the cost of college textbooks without impacting quality. Comprised of faculty from California's three public higher education systems, the CAOERC conducted a field study of 16 faculty using OER materials to discover practical knowledge about the challenges of adopting OER textbooks. The quality of the OER textbooks received positive reviews. The faculty also reported being more engaged with their teaching. The faculty felt that availability of OER support materials was a challenge to implementing OER. The following article presents the results of the CAOERC's …

Digital Literary Studies In The High School Environment, Eric Rettberg

Faculty Publications & Research

In my time today, I’ll discuss some of the challenges and opportunities of adapting a college-level digital-centric course for the high-school classroom. The two courses in question are a class called Literature in the Digital Era, which I taught as a postdoc at the University of Virginia in 2014, and a class called Digital Literary Studies, which I’ll teach at the Illinois Mathematics and Science Academy, a state-run boarding school for high schoolers talented in math and science, in Spring 2019. While there’s been a lot of continuity in the design of the two classes, teaching high school does present …

Surface Reading The Upside Down Chandelier: Interface “Mastery” And Feminism, Kathi Inman Berens

English Faculty Publications and Presentations

This essay compares the literary interfaces of one artwork, The Upside Down Chandelier [UDC], in two settings: a large-scale installation taking up a gallery room, and in a browser window. UDC is a generative, multimedia artwork authored in Flash by four women electronic literature artists using four spoken languages. It uses the same code base for both settings. The installation’s embodied and site-specific context at the gallery created multiple vantages from which to “read” the work’s design and purpose. In browser, UDC’s words are the only point of access. The reader’s urge to decode the words in …

Mediated Technologies: Locating Non-Authorial Agency In Printed And Digital Texts, Andie Silva

Publications and Research

Early modern printers, publishers and booksellers not only influenced readers to purchase particular books but continue to shape our reception of printed books today. Through title-page advertisements, prefaces and indexes, these ‘print agents’ forged unique relationships with new and returning readers. Paying attention to paratextual structures can uncover strategies for marketing new books, corralling readers and outlining new genres. A consideration of framing devices can also further our understanding of digital resources: much as print agents mediated printed books, digital humanists help reinforce the value of new technologies for the study of early modern texts, guiding users to apply new …

The Dartmouth Brut: Conservation, Authenticity, Dissemination, Deborah Howe, Michelle R. Warren

Dartmouth Scholarship

This essay describes the conservation process of the Dartmouth Brut manuscript: Dartmouth College, Rauner Special Collections Library, MS 003183. The format alternates between the observations and descriptions of the conservator, Deborah Howe, and those of medievalists Michelle Warren. The essay includes photos of Deborah's process in making a fragile fifteenth-century manuscript useable in the twenty-first century.

Situating Digital Archives, Michelle R. Warren

Dartmouth Scholarship

This essay is the introduction to an essay collection about the Middle English Prose Brut manuscript purchased by Dartmouth College in 2006. I consider how the competing pressures of access and preservation condition scholarship in medieval studies. I suggest several analogies between the digital humanities in general, digital philology in medieval studies, and the historical practices of medieval writers: hacking, dark archive, and prosthesis.

The Emergence Of The Digital Humanities, Steven E. Jones

English Faculty Publications

The past decade has seen a profound shift in our collective understanding of the digital network. What was once understood to be a transcendent virtual reality is now experienced as a ubiquitous grid of data that we move through and interact with every day, raising new questions about the social, locative, embodied, and object-oriented nature of our experience in the networked world.

In The Emergence of the Digital Humanities, Steven E. Jones examines this shift in our relationship to digital technology and the ways that it has affected humanities scholarship and the academy more broadly. Based on the premise …

Significant Themes In 19th-Century Literature, Matthew L. Jockers, David Mimno

Department of English: Faculty Publications

External factors such as author gender, author nationality, and date of publication affect both the choice of literary themes in novels and the expression of those themes, but the extent of this association is difficult to quantify. In this work, we apply statistical methods to identify and extract hundreds of "topics" from a corpus of 3,346 works of 19th-century British, Irish, and American fiction. We use these topics as a measurable, data-driven proxy for literary themes. External factors may predict fluctuations in the use of themes and the individual word choices within themes. We use topics to measure the evidence …

The Field In Review: Textual Studies, Performance Criticism, And Digital Humanities, Niamh J. O'Leary

Faculty Scholarship

No abstract provided.

Topic Modeling And Figurative Language, Lisa M. Rhody

Publications and Research

Located at the center of Jorie Graham’s collection The End of Beauty, “Self Portrait as Hurray and Delay” crafts a portrait of the artist, poised at a precarious moment in which thought begins to take shape. Like Penelope, Graham entertains the illusion, if only momentarily, of a choice between bringing a creative impulse into form or allowing it to come undone. A weaver of language, Graham subtly, deftly, but unsuccessfully attempts to delay the inevitable moment in poetic creation in which complexity of thought adopts form through language, and so realized is also reduced. In The End of Beauty, the …

Using Textual Features To Predict Popular Content On Digg, Paul H. Miller

Department of English: Dissertations, Theses, and Student Research

Over the past few years, collaborative rating sites, such as Netflix, Digg and Stumble, have become increasingly prevalent sites for users to find trending content. I used various data mining techniques to study Digg, a social news site, to examine the influence of content on popularity. What influence does content have on popularity, and what influence does content have on users’ decisions? Overwhelmingly, prior studies have consistently shown that predicting popularity based on content is difficult and maybe even inherently impossible. The same submission can have multiple outcomes and content neither determines popularity, nor individual user decisions. My results show …

Digital Romanticism In The Age Of Neo-Luddism: The Romantic Circles Experiment, Steven Jones

English: Faculty Publications and Other Works

The Romantic Circles Website, along with a number of other major projects in digital Romanticism, came online around 1995, a historical moment that also saw the emergence of neo-Luddism, in part as a reaction to the techno-hype of the Internet boom. At the time. neo-Luddites often claimed as a precedent the original historical Luddism of 1811-16, but they usually also Romanticized that collective labor subculture to fit their own late-twentieth-century ideas of “technology.” This essay looks back at the interlinked assumptions in the air around 1995–neo-Luddite and Romantic–as the context out of which Romantic Circles defined its own engaged experiment …

Electronic Textual Editing: The Poem And The Network: Editing Poetry Electronically, Steven Jones, Neil Fraistat

English: Faculty Publications and Other Works

No abstract provided.