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Full-Text Articles in Arts and Humanities
Remembering As A Source Of Creation In The Poetry Of Ezra Pound And H.D. And The Musical Representations Of The Holocaust By Arnold Schoenberg And Steve Reich, Ruth J. Jacobs
Lawrence University Honors Projects
This project explores the complex relationship between language and violence. Many theorists, such as Elaine Scarry, argue that language is silenced by violence and that extreme trauma inherently defies representation. Despite the impossibility of representing trauma, its preservation is a cultural and historical necessity. I am going to examine the different ways extreme violence is depicted in both poetry and music and the complex moral issues that are raised by these representations. Ezra Pound wrote The Pisan Cantos while imprisoned in a cage at the DTC in Pisa. I plan on exploring the role of personal and cultural memory in …
The Dangerous ‘New Woman’ In The Victorian Press: ‘Blind Alike To Maiden Modesty And Maternal Dignity, Danielle Nielsen
The Dangerous ‘New Woman’ In The Victorian Press: ‘Blind Alike To Maiden Modesty And Maternal Dignity, Danielle Nielsen
Faculty & Staff Research and Creative Activity
Present in photography, artwork, fiction, drama, and popular journalism, the New Woman was a familiar presence in late-Victorian Britain. By analyzing the journalistic portrayal of the New Woman and the construction of a negative femininity by those authors who opposed her and the values she represented, this essay draws from that popularity and presence. I argue that Victorians who disagreed with the political and social ramifications of the New Woman participated in discourse communities or communities of practice. These discourse communities portrayed the New Woman as one who was first, competitive rather than cooperative, and second, a mythical, unnatural creature. …
Topic Modeling And Figurative Language, Lisa M. Rhody
Topic Modeling And Figurative Language, Lisa M. Rhody
Publications and Research
Located at the center of Jorie Graham’s collection The End of Beauty, “Self Portrait as Hurray and Delay” crafts a portrait of the artist, poised at a precarious moment in which thought begins to take shape. Like Penelope, Graham entertains the illusion, if only momentarily, of a choice between bringing a creative impulse into form or allowing it to come undone. A weaver of language, Graham subtly, deftly, but unsuccessfully attempts to delay the inevitable moment in poetic creation in which complexity of thought adopts form through language, and so realized is also reduced. In The End of Beauty, the …