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Full-Text Articles in Arts and Humanities
Fighting A War You've Already Lost: Zombies And Zombis In Firefly/Serenity And Dollhouse, Gerry Canavan
Fighting A War You've Already Lost: Zombies And Zombis In Firefly/Serenity And Dollhouse, Gerry Canavan
English Faculty Research and Publications
This article explores the use of zombie imagery in two sf narratives created by Joss Whedon: Firefly (US 2002–3), Serenity (US 2005) and Dollhouse (US 2009–10). The translation of the zombie from its traditional horror-movie context to the far-future space opera of Firefly/Serenity and the near-future cyberpunk of Dollhouse reveals the zombie's allegorisation of the consequences of biopolitical governmentality and neoliberal capitalism. In both series zombies function as a figure for both the dehumanisation caused by state and market forces and the possibility of Utopian resistance to these forces.
From Monsters To Victims: Vampires And Their Cultural Evolution From The Nineteenth To The Twenty-First Century, Caitlyn Orlomoski
From Monsters To Victims: Vampires And Their Cultural Evolution From The Nineteenth To The Twenty-First Century, Caitlyn Orlomoski
Honors Scholar Theses
Vampires are the latest fad to appear on pop-culture’s radar, dominating literature, film, and television, but this is not the first time they have latched onto the public consciousness. These bloodsuckers have been a constant presence in literature and film since the 1897 publication of Bram Stoker’s Dracula, arguably the most influential vampire text of all time. Even before Dracula, vampires permeated Eastern European folklore, supposedly terrorizing small rustic communities in the dark of the night and acting as scapegoats for almost anything the locals could neither change nor understand. Since that time, vampires have represented society’s fears …
Navigating The Fourth Dimension: Nonlinear Narratives In Film, Literature, And Television, Jason R. Boulanger
Navigating The Fourth Dimension: Nonlinear Narratives In Film, Literature, And Television, Jason R. Boulanger
Senior Honors Projects
Time is often considered the fourth dimension due to the fact that nothing can exist outside the confines of time. Since time is so intrinsic to the very nature of being in the world, creators of film, literature, and television, which are reflective of life, must at least implicitly confront concepts of time and temporality within their work. The intangibility of time presents many difficulties but also a great number of opportunities in accurately portraying its true function within the world.
Many literary works, films, and television programs directly confront concepts of time. Each medium with its own benefits and …
Film Review: Gulliver's Travels, Karen Gevirtz
Film Review: Gulliver's Travels, Karen Gevirtz
Department of English Publications
No abstract provided.