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“Boadicea Onstage Before 1800, A Theatrical And Colonial History.” Studies In English Literature 1500-1900 49.3 (Summer 2009): 595-614., Wendy Nielsen
“Boadicea Onstage Before 1800, A Theatrical And Colonial History.” Studies In English Literature 1500-1900 49.3 (Summer 2009): 595-614., Wendy Nielsen
Department of English Faculty Scholarship and Creative Works
This essay examines the theatrical legacy of Boadicea, the British warrior queen defeated by the Romans around 61 AD, in three plays: John Fletcher's "The Tragedy of Bonduca, or the British Heroine" and two unrelated dramas titled "Boadicea" by Charles Hopkins and Richard Glover. Performance histories attempt to explain why audiences respond to Boadicea with ambivalence. Each production underplays the defeated queen and gives starring roles to one or more of her daughters and a male lead, who contrast with Boadicea's supposed brutality and provide British audiences with lessons about ways to rule in an ostensibly civilized fashion.
Shakespeare And The Making Of Early Modern Science: Resituating Prospero's Art, Elizabeth Spiller
Shakespeare And The Making Of Early Modern Science: Resituating Prospero's Art, Elizabeth Spiller
Department of English: Faculty Publications
Some readers may ask what it means to use the term "science" in conjunction with Shakespeare. From a modern perspective, science may not seem to be able to tell us much about Shakespeare or Shakespeare about science. Looking backwards, it is fair to say that Aristotle would probably have agreed with such a perspective: what scholasticism came to call scientia has nothing to do with ars. In between Aristotle and Einstein, though, matters stood differently. The late sixteenth and early seventeenth century saw the historic transition from Aristotelian models of scientia to modern "science." Both classic and modern epistemologies of …
"Survival With Honor": The Battle Between The Flesh And The Spirit In The Dramas Of Tennessee Williams, Kirby Watkins
"Survival With Honor": The Battle Between The Flesh And The Spirit In The Dramas Of Tennessee Williams, Kirby Watkins
Mahurin Honors College Capstone Experience/Thesis Projects
Tennessee Williams struggled his entire life with sexuality and spirituality. His view of God and sex were continuously intermingled in confusion, and the resulting chaos found its way into many of Williams’ plays. This thesis focuses on Williams’ entire career, from his very first plays to some of his last. The theme of flesh versus spirit is examined closely. Williams attempted in many ways to find a balance between the two and his characters exemplify this search.