Arts and Humanities Commons^™

Trauma, Recovery, And Adolescent Relationships In Stephen Chbosky’S The Perks Of Being A Wallflower: An In-Depth Analysis, Rachel Rosen

The Journal of Purdue Undergraduate Research

The development of adolescent identity after traumatic experiences is a fragile process. In this essay, I use Stephen Chbosky’s The Perks of Being a Wallflower (1999) to explore how adolescent relationships influence the path to recovery after traumatic experiences. After losing both his friend and aunt, Charlie, the novel’s protagonist, begins to write letters, which form the basis of the book. Recounting his journey to recovery, these letters ultimately reveal that Charlie’s aunt molested him when he was a child—a memory that he represses for years. Despite the importance of writing as a way for Charlie to cope with this …

Catastrophe Of War, Sujit Kumar Singh, Ayushi Jaiswal

Critical Humanities

The paper selects the novel Palpasa Café (2005) by Nepali author Narayan Wagle to highlight the factors that contributed to the Maoist insurgency and counter-insurgency that punctured the Nepali consciousness. It will also critique Eurocentric trauma theory for diminishing the South Asian perspectives of trauma (incidents) from the main discourse of trauma theory. In addition, the paper will explore the detrimental impacts of war and conflict as experienced by Nepalese cops and civilians together, and its long-lasting imprint on their psyche as manifested in different forms of trauma in the text. The dissemination of the 'inarticulable trauma' concept into something …

Feminist Phenomenology And First-Person Narrative: Understanding Gender And Social Conflict In Anna Burns’ Milkman, Sushree Routray, Rashmi Gaur Professor

Comparative Woman

In her magnum opus Milkman (2018), Anna Burns employs a subversive and artfully crafted first-person narrative, deftly exposing the arduous and tumultuous struggles encountered by individuals who dare to defy the confines of traditional gender roles. Through a relentless and unflinching narrative, the novel fearlessly confronts the harrowing manifestations of psychological torment, the insidious spectre of relentless stalking, and the manipulative machinations of gaslighting, all the while fervently interrogating the notion of a fixed and immutable gender identity. In a relentless odyssey toward self-realization, the protagonist's journey unfurls against a backdrop of traumatic events and the unyielding pressures imposed by …

“That’S Because Of The Trauma”: Repetition, Reflection And Refraction In Social Media In Louise O’Neill’S Asking For It (2015), Eugene O'Brien

Journal of Franco-Irish Studies

This essay will look at different modes of trauma that are represented in Louise O’Neill’s novel Asking For It (2015). These modes of trauma will be looked at in terms of how the repeated visualization and production of an initial act of violence and rape across social media platforms actively transforms post-traumatic stress into a repeated and ongoing sense of traumatic stress which has profound implications for the sense of selfhood and identity of the protagonist of the novel Emma O’Donovan. Emma is not remembering a repressed experience; she is re-living it virtually in the present as the images are …

Trauma And Stigma In Aids Literature: Tony Kushner’S Angels In America (1995) And Colm Tóibín’S The Blackwater Lightship (1999), J. Javier Torres-Fernández

Journal of Franco-Irish Studies

This paper explores the representation of trauma and stigma tied to HIV/AIDS in The Blackwater Lightship (1999) by Colm Tóibín and Angels in America (1995) by Tony Kushner. Both works arguably respond to the socio-political and biomedical crisis that affected queer identities and international politics. These experiences of health and illness highlight the silenced and marginalized voices of those infected with HIV during the 80s and 90s. HIV/AIDS-related stigma and shame marked the LGBTQ+ community under the illness as punishment metaphor for their sexuality. The role of politics and religion remains fundamental in the historical silence around this illness and …

Teaching Mary Wollstonecraft's Travelogue Of Historical Trauma, Annette Hulbert

ABO: Interactive Journal for Women in the Arts, 1640-1830

Abstract: I teach Mary Wollstonecraft’s Letters Written During a Short Residence in Sweden, Norway, and Denmark (1796) in an undergraduate English literature course on “Survival Narratives of the Eighteenth Century” at the University of California, Davis. The aim of this course is to show how significant perilous voyages were to the ways in which writers in eighteenth-century Britain imagined and interpreted their world. The course draws from the burst of new scholarship on rethinking the traditional “rise of the novel” narrative in imperial, oceanic, and global contexts and develops interpretive frameworks for the eighteenth century’s changing relationship to commerce and …

Ghosts’ Stories: Addictive Behaviors And Complicated Grief In George Saunders’ Lincoln In The Bardo, Jc Leishman

Criterion: A Journal of Literary Criticism

When experiencing the natural motions of the grieving process, some individuals encounter an inability to pass this process by a phenomenon known as complicated grief. To deal with the cyclical trauma this causes, the human mind seeks to engage in addictive behaviors (both substantive and behavioral) that work to artificially and momentarily circumvent grief. This process, as it appears in George Saunders' experimental novel, Lincoln in the Bardo, reveals a depth of commentary on human attachments and grieving processes through the lives and narratives of ghosts found in the bardo.

Kindness In The Bardo: Empathy As A Catalyst For Healing In Victims Of Dissociation, Julia Dorothea Chopelas

Criterion: A Journal of Literary Criticism

In George Saunders’ Lincoln in the Bardo, a host of undead characters find themselves in a spiritual limbo based on the bardo. Although they won’t admit it to themselves, Roger Bevins III and Hans Vollman are most certainly dead. Despite their supernatural makeup as ghosts, Bevins and Vollman bear strong psychological resonance with the living: they are human, heartbroken, and lost. For the ghosts of Oak Hills Cemetery, the inefficient coping mechanism of dissociation perpetuates their afterlife imprisonment in the bardo. Bevins and Vollman suffer from a variety of dissociative symptoms, their minds’ psychological defense against the trauma that has …

Strained Differentiation: Negotiating Grief With Maternal Foundations In Laird Hunt’S Neverhome, Heidie L. Raine

Channels: Where Disciplines Meet

The intertwinement of mother-daughter psyches throughout the early developmental process bonds maternal and filial parties up unto differentiation, at which point the child comes to understand her status as an individual and her mother’s status as a separate entity. However, when trauma is introduced midway through the differentiation process, this psychological phenomenon may be hindered, stunting the advanced personal development of the daughter. Abandoned by loss, she may subconsciously fall victim to repressive defenses, insufficient socialization, and destructive behaviors.

In his 2016 novel Neverhome, Laird Hunt explores these psychological factors through a traumatized and unreliable female protagonist situated in …

Graphic Nonsense And Historical Trauma In Fred Chao’S Johnny Hiro, Jin Lee

CLCWeb: Comparative Literature and Culture

This article introduces the concept of “graphic nonsense” to explain nonsense in Fred Chao’s graphic narrative, Johnny Hiro, which features figures of monster (Godzilla and King Kong) as well as real U.S. political figures (Michael Bloomberg and John P. O’Brien). Focusing on transpacific trauma, this article articulates a counter-history using Fredric Jameson’s terms to expose the process of silencing the other and “retextualizing” history. Although puzzling at first, if not silly at best, the nonsensical elements in the graphic narrative can prompt the reader to find out historical allusions in Godzilla and King Kong to make sense out of …

"Side By Side With A Ruinous, Ever-Present Past": Trauma-Informed Teaching And The Eighteenth Century, Clarissa, And Fantomina, Kate Parker, Bryan M. Kopp, Lindsay Steiner

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article explores the need for and applications of trauma-informed teaching in eighteenth-century studies, particularly around representations of sexual trauma (rape) and consent. The prevalence of trauma guarantees its presence in our classrooms, even and especially in its absences. As the field of eighteenth-century studies continues to reframe its white, Eurocentric, male-dominated past through more intentionally inclusive research and teaching methods, particularly those that explore the intersections of eighteenth-century studies and social justice approaches to education, the presence of trauma in our classrooms will become only more significant. Keeping in mind those students of marginalized identities who are most likely …

Undiagnosing Iphis: How The Lack Of Trauma In John Gower’S “Iphis And Iante” Reinforces A Subversive Trans Narrative, C Janecek

Accessus

Trauma has long played a role in queer narratives, including Ovid’s “Iphis and Ianthe”, which many scholars have interpreted as reinforcing heteronormativity through Iphis’s transformation into a man in order to marry Ianthe. However, I argue that John Gower’s rendition of this tale reframes Iphis as a trans man and allows us to understand the poem as a subversive trans narrative that revolts against cisnormative conceptions of gender. Utilizing Judith Butler’s writing on the medicalization of gender, I explore the relationship between trauma, performance, and gender within the Ovidian and Gowerian versions of Iphis.

Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet

The Journal of Purdue Undergraduate Research

This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …

Trauma, Ethics, And The Body At War In Brittain, Borden And Bagnold, Carolina Sánchez-Palencia Carazo

CLCWeb: Comparative Literature and Culture

In her article “Trauma, Ethics, and the Body at War in Brittain, Borden and Bagnold,” Carolina Sánchez-Palencia Carazo discusses how the autobiographical accounts of the conflict by Vera Brittain, Enid Bagnold and Mary Borden, inspired by their experiences as voluntary nurses in the front, deconstruct the meanings of femininity, masculinity and patriotism, contesting the official rhetoric of passivity that defined the role of women in World War I. Their extreme engagement with the precariousness and vulnerability of others elicits an empathic response that can be interpreted through Judith Butler (2004; 2009), Emmanuel Lévinas (1969) and Alan Badiou’s (1993) ethics of …

Trespassing Physical Boundaries: Transgression, Vulnerability And Resistance In Sarah Kane’S Blasted (1995), Paula Barba Guerrero, Ana Mª Manzanas Calvo

CLCWeb: Comparative Literature and Culture

Sarah Kane’s Blasted has been analyzed from various perspectives that address the layers of destruction it exposes. From the questioning of its title and meaning, to the unravelling of the protagonists’ abusive relationship, the analyses have emphasized the depiction of vulnerability as the defining human trait that Jean Ganteau observes in contemporary British literature. However, a key aspect has been overlooked in the critical response to the play: for Kane vulnerability does not equal helplessness, but rather stands in opposition to it. Hence, this article concentrates on how Blasted formulates a new understanding of vulnerability that fits Judith Butler’s later …

Meera Atkinson. The Poetics Of Transgenerational Trauma. Bloomsbury, 2017., Katie Lally

Studies in 20th & 21st Century Literature

Review of Meera Atkinson. The Poetics of Transgenerational Trauma. Bloomsbury, 2017.

Who Is Tom Bombadil?: Interpreting The Light In Frodo Baggins And Tom Bombadil's Role In The Healing Of Traumatic Memory In J.R.R. Tolkien's _Lord Of The Rings_, Jane Beal Phd

Journal of Tolkien Research

In Rivendell, after Frodo has been attacked by Ringwraiths and is healing from the removal of the splinter from a Morgul-blade that had been making its way toward his heart, Gandalf regards Frodo and contemplates a “clear light” that is visible through Frodo to “eyes to see that can.” Samwise Gamgee later sees this light in Frodo when Frodo is resting in Ithilien. The first half of this essay considers questions about this light: how does Frodo become transparent, and why, and what is the nature of the light that fills him? As recourse to Tolkien’s letters shows, the light …

Silence And Self-Harm: Understanding Unconventional Voices, Sarah Cannon

Criterion: A Journal of Literary Criticism

This essay explores the connection between silence, self-harm, and communication in Tim O’Brien’s The Things They Carried. It shows how viewing silence and self-imposed violence as modes of communication contributes to a more productive understanding of trauma and increases the opportunity for healing.

Lines Of Flight: An Atomic Memoir By Julie Salverson, Ashley E. Reis

The Goose

Review of Julie Salverson’s Lines of Flight: An Atomic Memoir.

Andy's Inner Society: Warhol's Philosophy And Sense Of Self, Amyjoy V. Sedberry

The Catalyst

Andy Warhol’s The Philosophy of Andy Warhol is an intimate look at the internal world of the painter and graphic artist. The general public often assumes that Warhol’s life was little more than a whirlwind of success and partying. His Philosophy conflicts with the general presuppositions about who Andy Warhol was. It reads like a diary and is rich with disclosures of his beliefs about love, beauty, success and underwear. Despite the intimate nature of these subjects and the apparently candid delivery of Warhol’s philosophies and life experiences, he maintains a cagey and detached voice throughout. I argue that his …

"It's Oil And Water": Race, Gender, Power, And Trauma In Vu Tran's Dragonfish, Quan-Manh Ha, Chase Greenfield

Asian American Literature: Discourses & Pedagogies

ABSTRACT: This article analyzes in-depth the interplay between race, gender, power, and trauma in Vu Tran’s debut novel, Dragonfish. We argue that Dragonfish focuses on the relationships, desires, and conflicts among its three protagonists—Robert, Suzy, and Sonny—to highlight how their postwar interactions complicate race, gender, trauma, and remembrance. The three protagonists engage in an intense socio-political struggle for dominance and control, which is riddled with irony, heart-wrenching pain, and misleading appearances. They experience hardship and loss, but they rely on each other for recovery from past and present trauma, and to advance their own varying personal priorities and agendas: …

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

Immigrant And Irish Identities In Hand In The Fire And Hamilton's Writing Between 2003 And 2014, Dervila Cooke

CLCWeb: Comparative Literature and Culture

In her article "Immigrant and Irish Identities in Hand in the Fire and Hamilton's Writing between 2003 and 2014" Dervila Cooke discusses the intertwining of Irish and immigrant identities. Cooke examines the connection between openness to memory and embracing migrant identities in Hamilton's writing both in the 2010 novel and as a whole. The empathetic and inclusive character of Helen in Hand in the Fire is analyzed in contrast to characters who have repressed memory including the Serbian Vid. Helen's ties to elsewhere, her openness to new influence, and her willingness to engage with traumatic elements of the past (Irish …

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

Speaking And Mourning: Working Through Identity And Language In Chang-Rae Lee’S Native Speaker, Matthew L. Miller

Asian American Literature: Discourses & Pedagogies

In my essay entitled “Speaking and Mourning: Working Through Identity and Language in Chang-rae Lee’s Native Speaker,” I argue that the novel’s protagonist Henry Park finds himself at a critical juncture in his life at the novel’s beginning. I analyze the protagonist’s relationship to language acquisition and identity, which have been developed by Lee to be associated as traumas. Furthermore, these topics are complicated by the death of his son, Mitt. This loss is a trauma of the heart and of the self for the main character who sees a successful navigation of language and immigration lost by his …

Intergenerational Trauma: A Look At Sherman Alexie's Child Characters, Kiersten Sargent

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Men In (Shell-)Shock: Masculinity, Trauma, And Psychoanalysis In Rebecca West's The Return Of The Soldier , Misha Kavka

Studies in 20th & 21st Century Literature

This paper undertakes to read Rebecca West's first novel, The Return of the Soldier (1918), as a critical exploration of masculine trauma on the one hand and an ambivalent engagement with Freudian psychoanalysis on the other. The novel proves interesting as a site in which two shifting cultural contexts intersect: the wartime culture of England facing the "shell shock" of its men, and the contemporaneous infusion of English intellectual culture with psychoanalytic ideas. Though the effects of new war technology and "a newer kind of doctor," West challenge existing notions of stable masculinity, West maintains that masculinity has all along …