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Evoking Unity: Toward A Communal Phenomenology In Virginia Woolf And William Faulkner, Phillip Douglas Bandy
Evoking Unity: Toward A Communal Phenomenology In Virginia Woolf And William Faulkner, Phillip Douglas Bandy
Masters Theses
Contemporary readings of William Faulkner and Virginia Woolf typically situate these canonical authors within their historical contexts as exponents of the material conditions of modernity or as the literary precursors of postmodernism, as writers of indeterminacy and linguistic play. In this thesis, I argue for a mode of reading Woolf and Faulkner grounded not in history or language, but in consciousness as the irreducible basis of human experience. That is, by invoking the philosophical tradition of phenomenology, I claim that both authors attempted to engage more fully with not simply a historical moment called “modernity,” but a human reality characterized …
A Comparison Of H. D. And Marianne Moore’S Poetry In The 1910s And 1920s, Yoko Ueno
A Comparison Of H. D. And Marianne Moore’S Poetry In The 1910s And 1920s, Yoko Ueno
Masters Theses
Although both H. D. and Marianne Moore created distinctive voices, we cannot ignore their close relationship with poetic modernism. These two poets had common characteristics which were fit for the ideas of modernism, such as exact descriptions, clear images, concision, objectivity, and repression of personal emotions. H. D.’s poems were regarded as an ideal model of Imagism, and Moore generally tried to follow the style although her poems contained her own unique features. Their choice of the modernistic hard style caused them to face complicated situations because of their gender. Both poets had affinities with Romantic aesthetics such as excessive …