Arts and Humanities Commons^™

“A Midsummer Night's Dream”: A Director's Notebook, Natasha Bunnell

Institute for the Humanities Theses

This manuscript is an analysis of artistic growth as well as an attempt to document the creative process during this stage of growth. The production herein discussed was an excerpted version of A Midsummer Night's Dream ; however, the process of conceiving and staging the piece was identical to the process of producing an interpretation of the complete text. It is difficult to document all aspects of the theatre artist's creative process in writing and still photographs, thus, I have only included what I consider to be the most straightforward and significant elements for illustrating and analyzing the conclusions drawn: …

The Inner Voice, Janis Ruth Bagnall Cochrane

Institute for the Humanities Theses

The scope of this project is two-fold. The key purpose is to demonstrate the relationship between the voice of Lee Smith, a Southern writer from Appalachia and the voice of the author, another Southern writer from the Outer Banks. The foremost conclusion that has been drawn is that a writer's voice comes from deep inside the writer's unconscious. It is a product of generations of experiences that have embedded themselves in the writer's psyche. Some of the assumptions and prejudices surrounding southern women are discussed to some degree.

The second purpose is for this writer to show her work. This …

The Theology Of Father Brown, Catherine Miles Flynn

Institute for the Humanities Theses

This thesis explores the theological thought of G. K. Chesterton, particularly as it is found in his detective short stories about Father Brown. In his other works (e.g., Orthodoxy, Heretics, and his many books of essays), the theology of Chesterton is obvious. However, in the light, whimsical Father Brown stories the theology expressed is often profound, but underrated if not ignored by his critics. Specific examples from his stories will be used to highlight the theological points within the mysteries.

The life and times of Chesterton are discussed as having highly influenced his thought. His unconventional religious upbringing, in particular, …

Knowing God In William Blake: A Study To Find Meaning In His Work Through Plato, Swedenborg, And Mystical Tradition, David B. Gabel

Institute for the Humanities Theses

This project takes a look into the philosophical and theological sources found in the work of William Blake as they culminate in his epic poem Jerusalem. This study includes an examination of the philosophies of Plato and Emanuel Swedenborg, the mystical pathway, the Jewish mystical tradition known as Kabbalah, and finally an examination of the works of Blake himself. We work from a three-fold premise: 1) that mystical experience occurs, 2) that archetypes exist in the collective unconscious, and 3) that these archetypes can be known through intuition and mystical experience. The focus is on those elements which are characteristic …

"Wretched, Bloody, And Usurping Boar"? An Evaluation Of The Historicity Of Shakespeare's Richard Iii, Kathryn Kiff

Institute for the Humanities Theses

Shakespeare's portrait of Richard III as a diabolical monster was based on the hostile accounts fashioned about him during the Tudor regime. Sir Thomas More's Richard III established the definitive image of Richard as the deformed tyrant who usurped the throne and murdered his nephews. This was the portrait that Shakespeare inherited from the sixteenth-century writers who incorporated More's account into their chronicles. This thesis examines Shakespeare's portrayal of Richard and the chronicle sources upon which he drew in order to show how Shakespeare's portrait of Richard developed. Although Richard was not the evil character presented in Shakespeare's play, it …