Arts and Humanities Commons^™

The Literary Fairy: Celtic Folklore’S Influence On Nineteenth-Century Fiction, Joshua Dobbs

Doctoral Dissertations

There is a dissonance between the folkloric fairies and those presented by pop-cultural institutions such as Disney which has effected modern literary criticism of nineteenth-century British literature. The Disnified fairy is feminine, small, capable of flight, often with insect-like wings, and equipped with a magic wand with which she does good deeds to help others. She is largely based on fairy tales and is the embodiment of the modern conceptualization of the fairy, but she bears little, if any, resemblance to the fearsome fairies of Celtic folklore. Although nineteenth-century literature is rife with folkloric fairy references, those references are frequently …

Irish Harps, Scottish Fiddles, English Pens: Romantic Satire And British Nationalism, Shannon Raelene Heath

Doctoral Dissertations

"Irish Harps, Scottish Fiddles, English Pens: Romantic Satire and British Nationalism" discusses the intersection between satire and nationalism in late eighteenth- and early nineteenthcentury British Romantic poetry. Using case studies of three prominent satirists, Robert Burns, Thomas Moore, and George Gordon, Lord Byron to represent marginalized nationalities within the British state, I examine the ways in which each poet expresses a sense of dis-ease or uncomfortableness with their own national identity, an anxiety caused either by the ways in which their nationality was perceived within the British public, or by their own ability or inability to express that nationality. Thus, …

Innocence Revisited: Nineteenth-Century Literature In The Works Of C. S. Lewis, Heather Louise Nation Hess

Doctoral Dissertations

Influence has long been a focus of scholarly work on C. S. Lewis (1898-1963), but this scholarly conversation largely neglects the nineteenth-century. In this project I will establish the profound influence of nineteenth-century texts, authors, and ideas on Lewis’s thought and work, arguing that the Romantic metanarrative—which traces the individual’s progression through innocence, experience, and higher innocence—provides the foundation for Lewis’s self-construction as well as his fictional work.

While the Romantics provide the initial concepts to Lewis, it is Victorian iterations of the Romantic metanarrative that Lewis most heavily revises. In his 2013 biography of Lewis, Alister McGrath suggests that …

Shelley's Delusive Flames: Self And Poetry In The Major Works, Brent Steven Robida

Doctoral Dissertations

This dissertation explores Percy Shelley’s ethical commitments in several of his major works. Its primary claim is that Shelley’s poetry is involved in the regulation and education of desire. As a fundamentally antinomian poet, Shelley grapples time and again with how moral progress will be guided absent the regulatory influences of law and religion. My dissertation offers an answer to this central impasse affecting scholarship on the ethical world Shelley imagines and attempts to realize through poetry. It argues for a dialectical movement observable in Shelley’s work of the programmatic breakdown, rather than fulfillment, of hope. This study reconsiders the …