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English Language and Literature

University of Richmond

Romanticism

Publication Year

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

Joseph Smith, Romanticism, And Tragic Creation, Terryl Givens Jan 2012

Joseph Smith, Romanticism, And Tragic Creation, Terryl Givens

English Faculty Publications

Joseph Smith, as I think historians readily recognize, has much to commend him as a Romantic thinker. Personal freedom was as sacred to him as to the young Schiller, his emphasis on individualism invites comparison with Byron and Emerson, his view of restoration as inspired syncretism is the religious equivalent of Friedrich Schlegel's "progressive universal poetry," his hostility to dogma and creeds evokes Blake's cry, "I must create my own system or be enslaved by another man's," and his celebration of human innocence and human potential transform into theology what Rousseau and Goethe had merely plumbed through the novel and …


"Adjectives Of Mystery And Splendor": Byron And Romantic Religiousity, Terryl Givens Jan 2000

"Adjectives Of Mystery And Splendor": Byron And Romantic Religiousity, Terryl Givens

English Faculty Publications

I will suggest that had the history of Christian metaphysics taken a different course than the one it did, it is likely that Byron's considerable objections to religion would have been diminished by at least one. About the particulars of Christian theology, he had little to say, his writings suggest a general discomfort with particular aspects of Christian metaphysics as they had developed by the nineteenth century.

An analysis of Byron's metaphysical/religious misgivings might serve to clarify the nature of his discontent, clearly showing that his particular "heresy" is radically distinct from others of the "Satanic school." It might also …


Romantic Agonies: Human Suffering And The Ethical Sublime, Terryl Givens, Anthony P. Russell Jan 1998

Romantic Agonies: Human Suffering And The Ethical Sublime, Terryl Givens, Anthony P. Russell

English Faculty Publications

This essay examines two poems depicting human anguish in order to explore a current in Romantic thought that implicitly yields some original and compelling insights regarding the problematic relationship between art and suffering. The focus is primarily on Wordsworth's narrative of Margaret's suffering in The Excursion, then more briefly on Shelley's Prometheus Unbound. In both cases Kant's ideas about the sublime provide us with a useful perspective from which to understand the issues these poems raise.