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Through The Eyes Of The Present: Screening The Male Homoerotics Of Shakespearean Drama In Anglophone Cinema, 1936-2011, Anthony Guy Patricia

UNLV Theses, Dissertations, Professional Papers, and Capstones

This is an analysis of representations of male homoeroticism in Anglophone Shakespeare film. Using the strategies made available by close reading, gay and lesbian studies, queer theory, and presentism, critical attention is directed to a corpus of fourteen movies, ranging from Max Reinhardt and William Dieterle's 1936 production ofA Midsummer Night's DreamPrivate Romeo, Alan Brown's 2011 homoerotic appropriation ofRomeo and Juliet. The overall purpose of the project is both to map and to interpret how Anglophone filmmakers have dealt with - or not dealt with, as the case may be - the male homoerotic elements Shakespeare wove into the textual …