Arts and Humanities Commons^™

“Class And Consciousness”: An Application Of Marxist Theory And Posthumanism To Kazuo Ishiguro’S The Remains Of The Day, Never Let Me Go And Klara And The Sun, Renee Elizabeth Samuel

Seton Hall University Dissertations and Theses (ETDs)

Kazuo Ishiguro’s works are introspective explorations of how one’s prescribed role in society shapes one’s identity; this self-reflection is evident in three of his novels, The Remains of the Day, Never Let Me Go, and Klara and the Sun. All three novels heavily rely on the point of view of a member of the subservient class, and this perspective provides insight into the unnamed hierarchies within society and the relationship, or lack thereof, between divided classes. Despite their similarities in structure, each novel explores class relationships in different ways. The Remains of the Day focuses on an individual living …

Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter

Seton Hall University Dissertations and Theses (ETDs)

Often referred to as the last Roman and first medieval, Boethius, author of The Consolation of Philosophy, has been widely received as an unoriginal philosopher who sought to preserve Platonic thought as the Western Roman Empire fell. However, this essay features an investigation into the literary originality of Boethius who initiates a line of Christian and Platonic literatures to follow in the medieval European tradition. Boethius demonstrates himself to be a poet who makes great use of philosophy rather than as a philosopher writing poetry. Boethius’ poetic influence is felt most strongly in major aspects of Dante’s Divine Comedy and …

Téacsúil Fionnachtain, Alan Delozier

Critical Inquiries Into Irish Studies

“Textual Discovery” is presented to pique interest in the obscure, yet unique works in Irish language, literature, and history that have been largely forgotten over time. Articles will cover different subject areas, authors, themes, and eras related to the depth and consequence of the Gaeilge experience in its varied forms. The inspiration comes from selections found within the affiliated Irish Rare Book and Special Collections Library at Seton Hall University, but on a deeper level this piece serves to honor works that can be found listed in bibliographical compilations and on the shelves of libraries across the world.

Bad Bridget: Crime, Mayhem, And The Lives Of Irish Emigrant Women By Elaine Farrell And Leanne Mccormick, Penguin, 2023, Elizabeth Brewer Redwine

Critical Inquiries Into Irish Studies

No abstract provided.

Coda: Storytelling As A Cultural Context In Vona Groarke’S Hereafter, Niamh Macgloin

Critical Inquiries Into Irish Studies

No abstract provided.

Storytelling As A Cultural Context For London-Irish Writing In Donall Macamhlaigh’S Schnitzer O’Shea, Jimmy Murphy’S Kings Of The Kilburn High Road And Enda Walsh’S The Walworth Farce, Niamh Macgloin

Critical Inquiries Into Irish Studies

The oral tradition of storytelling is culturally significant to Irish literature and important for immigrant communities as a way to connect with their home culture and share stories without the necessity of literacy. This essay considers the motif of storytelling and the importance of voicing the community in much London-Irish literature. In Walsh’s The Walworth Farce, a play within a play, the main character obsesses over retelling the story of their emigration from Ireland but corrupts its purity as he pushes his narrative of innocence too far, and the cycle of storytelling begins again. Similarly, in Murphy’s Kings of the …

A Gaelic South African Revival?: The Irish Republican Association Of South Africa, The Republic, And Irish South African Identity, Tom Mcgrath

Critical Inquiries Into Irish Studies

In September 1920, at a meeting in Johannesburg, the Irish National Association of South Africa rebranded itself as the Irish Republican Association of South Africa. The IRASA was unique within the history of the Irish in South Africa. While it existed only until 1923, it was the largest Irish group in South African history, made evident by the establishment of its own journal, The Republic. The association was fundamentally devoted to nurturing an “Irish Afrikander” identity and culture within South Africa, primarily through the promotion of Irish works in its journal, from excerpts of Thomas Davis’ writings to a full …

Hereafter: The Telling Life Of Ellen O’Hara: An Interview With Vona Groarke, Elizabeth Brewer Redwine

Critical Inquiries Into Irish Studies

No abstract provided.

Digitizing The American West: Analyzing Rhetoric In Red Dead Redemption 2, Amalia Mcevoy

Seton Hall University Dissertations and Theses (ETDs)

High-budget, long-form storytelling games offer dozens of hours of content for audiences to explore and learn from. Although far different from sitting and reading a book, there is a distinct connection to be made between how literature is experienced and how audiences can experience a narrative-heavy video game. Based on this connection, there are bridges to be built between video games and literature, understanding how one field can benefit from the other as well as how one field can be informed by the other. An analysis of the video game Red Dead Redemption 2 using reader response theory can illustrate …

Recovering Pearl: Utopian Projections In Nathaniel Hawthorne's "The Scarlet Letter", Evan Weiss

Seton Hall University Dissertations and Theses (ETDs)

Much of the recent scholarly criticism of Nathaniel Hawthorne’s The Scarlet Letter aims to demonstrate the novel’s function as an allegory for Hawthorne’s anti-reformist (and especially anti-abolitionist) views at the height of the antebellum crisis. This commitment to revealing Hawthorne’s conservatism tends to cast the novel’s major figures as pieces within a self-balancing paradigm of good (intentions) and evil (acts) that ultimately symbolizes the author’s preference for inaction on the major political and humanitarian issue of his time—slavery. Curiously, however, the character of Pearl, Hester Prynne’s “wild,” “bird-like” child who dominates nearly every scene in which she appears, is almost …

“Speechless, Placeless Power”: Affect And Trauma In Moby-Dick And “Bartleby, The Scrivener”, Lauren Colandro

Seton Hall University Dissertations and Theses (ETDs)

Herman Melville’s Moby-Dick and “Bartleby, the Scrivener” contain affectively unsound figures such as Captain Ahab and Bartleby that seem to disrupt larger narrative functions, both developing these characteristics in response to prior trauma. However, narrators are not privy to the extent of their feelings because of their idealistic attachments to the disruptive figures. This thesis examines the commonalities of Melville’s disruptive characters in both stories using affect theory, as well as how their disruptions illuminate the effects of repressed trauma in an increasingly capital-driven society.

Téacsúil Fionnachtain, Alan Delozier

Critical Inquiries Into Irish Studies

No abstract provided.

Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick

Critical Inquiries Into Irish Studies

The Secret Place (2014) exposes a persistent Western cultural impulse to contain the emotions of teenage girls when they demonstrate control over their lives. In the Irish context, the dismissal of teenage girls is resonant of a containment culture in which controlling women’s bodies and minds has been essential to upholding heteropatriarchal ideals. Resistance to the novel’s unresolved supernatural elements by readers and critics and the lack of sustained academic scholarship also point to an unsettling complacency with the neoliberal impulse to contain female emotion and lived experience in post-Celtic Tiger Ireland.

Crime On The Periphery: Tana French’S Criminal Geography, Deirdre Flynn

Critical Inquiries Into Irish Studies

This article will analyze how Tana French conceptualizes spatiality, focusing on her use of liminal spaces, edgelands and peripheries, as the settings for her crime scenes. Instead of more traditional Irish literary urban-rural binaries, French exploits the interface of both places, reflecting a contemporary post-industrial, post-Celtic Tiger Ireland. In particular, in In the Woods (2007) the untamed woodland behind the housing estate in Knocknaree becomes an interfacial zone between the rural and urban, past and present. In The Likeness (2009), Whitethorn House sits at the edge of the village geographically, politically, and historically. In French’s first two novels peripheral spaces …

Tana French: An Interview With Brian Cliff, Brian Cliff

Critical Inquiries Into Irish Studies

No abstract provided.

He Had Two Women To Die For, Ireland And The Missus”: Mothers As Abject And Sons As Scapegoats In Edna O’Brien’S House Of Splendid Isolation And In The Forest, Emily Nix

Seton Hall University Dissertations and Theses (ETDs)

This thesis examines the protagonists in Edna O’Brien’s In the Forest and House of Splendid Isolation and applies Julia Kristeva’s theory of abjection and Rene Girard’s theory of the scapegoat. In doing so, I attempt to give a richer understanding of O’Brien’s masculine and feminine characters and how their constructed identities are based on their cultural circumstances and positions in their societies. I use Kristeva’s theory of abjection to analyze the single women in these novels, Eily and Josie, who become metaphorical single mothers by the invasions of young men into their homes. Then, I apply Girard’s theory of the …

“The Un/Touchables:” Quest For Citizenship In Arundhati Roy’S The God Of Small Things And Indra Sinha’S Animal’S People, Mahreen Shahzadi

Seton Hall University Dissertations and Theses (ETDs)

This paper argues that Ammu and Velutha, in The God of Small Things and Animal in Animal’s People are not seen as productive citizens of the nation because of their marginalization, which results in their status as second-class citizens. However, Ammu, Velutha, and Animal resist second-class status by challenging the heteropatriarchal nation, rejecting its limited definition of gender, caste, sexuality, and citizenship.

A Rhetorical Approach To Assessing Source Credibility: Digital Natives, Lateral Reading, And The Need For Media Literacy Curriculum, Sanna Fogt

Seton Hall University Dissertations and Theses (ETDs)

Abstract:

The overwhelming amount of (mis)information housed online and on various social media platforms in the age of “fake news” requires the development of a first-year writing curriculum that supports students’ ability to assess source credibility. While both Millennials and Generation Z, or “zoomers,” have been labeled as “digital natives,” recent research indicates that, though these generational groups have grown up with constant access to technology, they are not necessarily experts when it comes to evaluating the credibility of online sources (Belinha 59). In fact, according to the Stanford History Education Group, “young people’s ability to reason about the information …

The Nobility In Seeing Oneself: Unreliable Narration In British Postmodern Fiction, Jessica Marzocca

Seton Hall University Dissertations and Theses (ETDs)

In an interview in 1989, Kazuo Ishiguro, author of The Remains of the Day, expresses an interest in “the whole business about following somebody’s thoughts around, as they try to trip themselves up or to hide from themselves,” a curiosity that directly correlates to the functionality of unreliable narration (Mason 347). That same interest can spill over into trying to trip up or hide from readers, a jump easily made when considering novels narrated in first-person like The Remains of the Day or Martin Amis’s Money: A Suicide Note, or even Muriel Spark’s third-person novel The Prime of …

Satire In The Cold War Era: Graham Greene's Our Man In Havana And Kurt Vonnegut's Breakfast Of Champions, Sara Eslami

Seton Hall University Dissertations and Theses (ETDs)

Both Graham Greene and Kurt Vonnegut use satire to interrogate the social uneasiness during the Cold War; however, each author uses satire in different ways. Greene’s novel Our Man in Havana demonstrates this unease, as almost every character is paranoid besides the vacuum salesman and inept “spy” Wormold, who uses fiction to fabricate the reports he sends to the Secret Intelligence Service. Kurt Vonnegut’s Breakfast of Champions also has a protagonist who is strongly impacted by fiction, as Dwayne Hoover is so affected by Kilgore Trout’s literature that it drives him insane. Both authors use different satiric techniques as a …

Téacsúil Fionnachtain, Alan Delozier

Critical Inquiries Into Irish Studies

No abstract provided.

Notes From A ‘World That Had Forgotten How To Give’: Edna O’Brien’S Stories Of Resilience, Mine Özyurt Kılıç

Critical Inquiries Into Irish Studies

No abstract provided.

“Say It With Flowers”: Exile, Ecology, And Edna O’Brien, Annie Williams

Critical Inquiries Into Irish Studies

No abstract provided.

“Edna O’Brien: An Interview With Maureen O’Connor”, Maureen O'Connor, Martha Carpentier, Elizabeth Brewer Redwine

Critical Inquiries Into Irish Studies

No abstract provided.

“This Is A True Story”: Paratextual Prefaces And Their Fictive Truths Across Literature, Rebecca Stokem

Seton Hall University Dissertations and Theses (ETDs)

Scholar Gérard Genette defines the term “paratext” as accompanying components of a text like titles, forwards, illustrations, footnotes, etc. Genette claims these “productions” affect the “reception” and function as a liminal space between the “inside and outside” of a written work (1-2). Many texts and other works of fiction, across years and genres, use their paratexts to create fictitious histories that surround their main stories. The success of this rhetorical strategy, a convention that I call “fictive truth,” depends heavily on the paratexts’ reception from its audience. These genre conventions are traceable through canonical Western literature, from texts like Walter …

Dramatic Example: Spectacle, Theatricality, And Performance In Christopher Nolan's The Dark Knight Trilogy, Patrick Joseph Caoile

Seton Hall University Dissertations and Theses (ETDs)

The political implications of Christopher Nolan’s The Dark Knight Trilogy have been noted by many scholars and commentaries, the majority of whom view the trilogy specifically through the lens of September 11, 2001 and its aftermath. As Jacques Derrida notes about 9/11, the “maximum media coverage . . . spectacularize[d] the event” (qtd. in Stubblefield 3). In Nolan’s trilogy, Batman’s crusade to save Gotham from its criminals and villains takes on similarly spectacular qualities, as Gotham City becomes “ground zero” for acts of terrorism, vigilantism, and theatricality. Rather than engaging in a strictly political analysis of these films, this thesis …

Téacsúil Fionnachtain, Alan Delozier

Critical Inquiries Into Irish Studies

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Rediscovering Dorothy Macardle: An Interview With Caroline B. Heafey, Caroline B. Heafey

Critical Inquiries Into Irish Studies

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A London Leaving, Colette Bryce

Critical Inquiries Into Irish Studies

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Disrupting Mythological Foundations Of Identity: Hugh O'Neill, Making History, And The Troubles, Elizabeth Ricketts

Critical Inquiries Into Irish Studies

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