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Full-Text Articles in Arts and Humanities

Reading And Writing Race In Ireland, Maureen Reddy Apr 2012

Reading And Writing Race In Ireland, Maureen Reddy

Maureen T. Reddy

In following Henry's education in race matters -- one trajectory of the plot -- the novel foregrounds the many absurdities attending on the tragic history of racism in the U.S. Doyle's interest in race is not in fact new with this novel, which readers of the monthly Metro Eireann would know, as Doyle has been publishing stories centered on race issues in that venue since 2000. This essay examines the first five of those stories, particularily in their relation to emerging discources of race in Ireland.


The Tripled Plot And Center Of Sula, Maureen Reddy Apr 2012

The Tripled Plot And Center Of Sula, Maureen Reddy

Maureen T. Reddy

Critics of Sula frequently comment on the pervasive presence of death, the uses of a particular cultural and historical background, the split or doubled protagonist (Sula/Nel), and the attention to chronology in the novel. However, as far as I am aware, no one has presented a reading of Sula that explores the interrelatedness of these elements; yet it is the connections among them that most usefully reveal the novel's overall thematic patterns. Sula can be, and has been, read as, among other things, a fable, a lesbian novel, a black female bildungsroman, a novel of heroic questing, and an historical …


Women And Sisters, Maureen T. Reddy Apr 2012

Women And Sisters, Maureen T. Reddy

Maureen T. Reddy

Jean Fagan Yellin's Women and Sisters: The Antislavery Feminists in American Culture, on the iconography of the women's abolitionist movement, is a brilliant example of interdisciplinary thought and study. Crossing the boundaries of history, feminist theory, African American studies, and literary analysis, Yellin illuminates the complex intersections of art and politics in American life. Women and Sisters traces the history of the "Woman and Sister" emblem that the antislavery feminists adopted, examining its permutations in texts both graphic and literary from the 1830s to the 1850s.


Foul And Fair Play, Maureen Reddy Apr 2012

Foul And Fair Play, Maureen Reddy

Maureen T. Reddy

The conventions of writing about crime fiction are nearly as codified as those of the genre itself. One powerful convention of such criticism involves drawing ever shifting boundaries between subgenres, with spy thrillers, hard-boiled detective stories, and "cozies," for example, thought to occupy distinct cultural spaces and to attract different readers in search of dissimilar pleasures. Another is to argue either that there is no meaningful distinction between "art" literature and popular fiction, including crime fiction, or that, while there are indeed important differences between crime fiction and literature, some writers of crime fiction transcend the limits of their genre …